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Chemtrails Over The Country Club

Lana Del Rey

Pop - Released March 19, 2021 | Polydor Records

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Like everybody else, Lana Del Rey is playing hide-and-seek with quarantine. For her seventh album, the New Yorker based in Los Angeles has opted for hushed intimacy, bedroom melodies and confessional arrangements. With Chemtrails Over the Country Club, her pop is folkier than ever, although the echo and reverb in which her exquisite, sensual and hypnotic voice basks set her high above the clouds. This folk idiom fascinates her to the point that she closes out this record (with some help from Natalie Mering aka Weyes Blood and Zella Day) with a magnificent cover of Joni Mitchell's For Free, taken from her album Ladies of the Canyon (1970). There are also those guitars with an air of the Laurel Canyon 70's scene about them on Not All Who Wander Are Lost, and the equally pure guitar sounds that open Yosemite. As usual, Lana Del Rey takes out her pen to decry the torments of celebrity and the star system, starting with White Dress which opens the album, regretting the good old days when she was a barmaid, unknown and listening to Sun Ra, Kings Of Leon and the White Stripes "when they were white hot". Further on, she offers up more references to the music history as on Breaking Up Slowly (a duet with Nikki Lane) where she addresses the marital storms between those two legends of country music, Tammy Wynette and George Jones. On song after song, this solitary amazon soldiers on, not battling for any particular cause, just doing what is right by her own lights ("Well, I don't care what they think. Drag racing my little red sports car. I'm not unhinged or unhappy, I'm just wild"). Chemtrails Over the Country Club shows above all that she excels in the art of storytelling, wielding her tweezers to fine-tune every detail of her lyrics. At 35, Lana Del Rey has arguably released her freest and most accomplished album. © Marc Zisman/Qobuz
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Unleashed Beyond

Skillet

Rock - Released November 17, 2017 | Atlantic Records

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Attack Of Orym

Dark Sarah

Rock - Released January 27, 2023 | Riena Productions

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High School Musical

High School Musical Cast

Pop - Released January 1, 2006 | Walt Disney Records

In the Disney Channel's original movie High School Musical, the star basketball player and a brainy new arrival discover their love of singing at a karaoke night, then try out for the school musical and challenge the status quo of their cliques in the process. While the movie's soundtrack isn't exactly challenging, it does feature a pretty engaging mix of music and empowering messages, most of which can be found in earnest ballads such as "Start of Something New," "When There Was Me and You," and "Breaking Free." Meanwhile, "We're All in This Together" sets lyrics like "Everyone is special in their own way/We make each other strong" to music inspired by "Hollaback Girl"'s marching-band/cheerleader motif, and "Get'cha Head in the Game" mixes and matches an urban pop melody with sound effects like dribbling basketballs and squeaking sneakers. The soundtrack flirts with satire on "What I've Been Looking For," a number sung by the theater kids who are threatened by these upstarts from other cliques invading their territory: the song's melody is so bright and the vocals so relentlessly cheery, it sounds like a parody of a show tune. Likewise, the big chorus on "Stick to the Status Quo" urges everyone to just "go with the flow." At other times, High School Musical comes closer to sounding like the usual teen pop product issued by Disney, especially on "I Can't Take My Eyes Off of You" and the Latin-flavored "Bop to the Top." Still, the album has enough personality to set it apart from the status quo of the studio's other releases, and the karaoke versions of "Get'cha Head in the Game" and "Start of Something New" will appeal to aspiring singers -- whether they're jocks, drama club members, or math whizzes.© TiVo
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Breaking the Fourth Wall

Dream Theater

Metal - Released September 26, 2014 | Roadrunner Records

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Why Do Birds Sing?

Violent Femmes

Rock - Released April 30, 1991 | Craft Recordings

With their 1983 debut, the Violent Femmes got the ball rolling for what would become alternative rock, using acoustic instruments to deliver an unexpectedly raw blend of punk angst and catchy-if-neurotic songwriting. The band's subsequent '80s albums were a mixed bag, yielding occasional highlights but not quite gelling into anything as consistently powerful as the first album. Released in 1991, fifth album Why Do Birds Sing? was something of a return to form, if only in terms of having song after song of the kind of weirdly fractured folk pop that represented the band at their most accessible. Upbeat and straightforward album-opener "American Music" is somewhere between campfire song and pop masterpiece, with subtle production details like sleighbells and sparingly used organ runs growing along with the song's steady build. More blatant stabs at pop come with a snarling cover of Culture Club's hit "Do You Really Want to Hurt Me," the inverted girl group appropriation of "Look Like That," and the driving college rock of "Used to Be." The band's penchant for sardonic and juvenile humor remains intact on the faux-blues stomp of "Girl Trouble" (vocalist Gordon Gano returning to the refrain "Have mercy on me, I've got girl trouble up the ass!") and the shadowy clunk of "Make More Money," a bitter revenge story of the tormented high school nerd becoming a rich rock star. When Why Do Birds Sing? was first released, the Violent Femmes were already a decade into their career, enjoying cult success but still living mostly in the shadow of their debut. The album would be one of their most commercially successful up until that point, despite some critics finding it disjointed and a little too all-over-the-place stylistically. Removed from the time it originally arrived in, Why Do Birds Sing? feels more solid, with its lesser moments strung together by some of the best songs the band ever penned, and production that makes space for both the Femmes' anxious demeanor and their not-so-secret love of big, dumb pop songs. © Fred Thomas /TiVo
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High School Musical: The Musical: The Series

Cast of High School Musical: The Musical: The Series

Film Soundtracks - Released January 10, 2020 | Walt Disney Records

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Hair Of

El Perro

Metal - Released June 3, 2022 | Alive Naturaldound

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Breaking Free

David Max

Dance - Released July 12, 2019 | Kontor Records

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I am Breaking Free

Northern Lights

Experimental - Released September 15, 2023 | Cool D Vision

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Breaking Free (feat. Jake McMullen)

Built By Titan

Dance - Released October 12, 2015 | Built On Robots

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Breaking Free

Layla Zoe

Blues - Released February 26, 2016 | 2016 Ruf Records GmbH

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Breaking Away

Jaki Graham

R&B - Released January 1, 1986 | Parlophone UK

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Chemtrails Over The Country Club

Lana Del Rey

Pop - Released March 19, 2021 | Polydor Records

Like everybody else, Lana Del Rey is playing hide-and-seek with quarantine. For her seventh album, the New Yorker based in Los Angeles has opted for hushed intimacy, bedroom melodies and confessional arrangements. With Chemtrails Over the Country Club, her pop is folkier than ever, although the echo and reverb in which her exquisite, sensual and hypnotic voice basks set her high above the clouds. This folk idiom fascinates her to the point that she closes out this record (with some help from Natalie Mering aka Weyes Blood and Zella Day) with a magnificent cover of Joni Mitchell's For Free, taken from her album Ladies of the Canyon (1970). There are also those guitars with an air of the Laurel Canyon 70's scene about them on Not All Who Wander Are Lost, and the equally pure guitar sounds that open Yosemite. As usual, Lana Del Rey takes out her pen to decry the torments of celebrity and the star system, starting with White Dress which opens the album, regretting the good old days when she was a barmaid, unknown and listening to Sun Ra, Kings Of Leon and the White Stripes "when they were white hot". Further on, she offers up more references to the music history as on Breaking Up Slowly (a duet with Nikki Lane) where she addresses the marital storms between those two legends of country music, Tammy Wynette and George Jones. On song after song, this solitary amazon soldiers on, not battling for any particular cause, just doing what is right by her own lights ("Well, I don't care what they think. Drag racing my little red sports car. I'm not unhinged or unhappy, I'm just wild"). Chemtrails Over the Country Club shows above all that she excels in the art of storytelling, wielding her tweezers to fine-tune every detail of her lyrics. At 35, Lana Del Rey has arguably released her freest and most accomplished album. © Marc Zisman/Qobuz
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Gussie Presenting I Roy

I Roy

Reggae - Released January 1, 1973 | Trojan Records

In reality, by the time Gussie Presenting I-Roy arrived, the DJ needed no introduction -- he was already one of the hottest toasters on the scene. This, his debut album, was virtually a hits collection, and any tracks that weren't hits would be soon enough. Initially seen as little more than copying his bigger brethren, I-Roy had swiftly developed into a mature and distinctive talent. His conversational style was far removed from his contemporaries, as his powerful toast on "Black Man's Time" perfectly illustrated. That song is the album's centerpiece, and was produced by Gussie Clarke. Built around the "Slaving" rhythm, it opened with a long spoken intro, unique at the time. "Red, Gold and Green" was equally cultural in nature, with "Peace" an exuberant demand for unity, while "Screw Face" takes a thoughtful look at solutions for Jamaica's endemic violence. However, I-Roy was just as effective chatting about less weighty matters, as on "Tripe Girl," while "Melinda" is just as charming, both excellently employing classic rocksteady rhythms, as does the wonderfully moody "Coxsonne Affair." On "Tourism Is My Business," meanwhile, the DJ exalts his island home, surely with tongue firmly in cheek. There are a dozen seminal cuts in all, and what better way to meet one of Jamaica's greatest DJs.© Jo-Ann Greene /TiVo
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Time Is Running Out / Breaking Free

Ely Eira

Pop - Released April 27, 2023 | Position Music

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Eternia: Epic Emotional Trailers

Hypersonic Music

Classical - Released February 23, 2022 | Hypersonic Music

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Breaking Free

Gary B

Dance - Released September 18, 2019 | Luminous

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Breaking Out

Jah Free

Dub - Released January 1, 1996 | Universal Egg Records

Breaking Free

Modern Talking

Pop - Released November 9, 2022 | Modern Talking

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