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Chariot d'or (L'auverge imaginée)

Alain Gibert

World - Released January 1, 1995 | Naïve Jazz - world

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Du Cochon

Alain Gibert

Folk/Americana - Released June 2, 2017 | L'Éxcentrale

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Pticado

Alain Gibert

Children - Released January 1, 1996 | naïve Jeunesse

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Le roi démonté

Alain Gibert, Steve Waring

Children - Released January 1, 1993 | naïve Jeunesse

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Alfer Omager

CO.AG

Dance - Released October 21, 2023 | 1285828 Records DK

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Nielsen: The Symphonies & Concertos (Live)

Alan Gilbert

Classical - Released June 2, 2015 | Dacapo

Hi-Res Booklet
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Alone Again (Naturally)

Gilbert O'sullivan

Pop - Released May 27, 2012 | Salvo

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Alone Again (The EP)

Gilbert O'sullivan

Pop - Released March 31, 2023 | Union Square

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Carl Nielsen : Concertos (Live)

Alan Gilbert

Concertos - Released June 2, 2015 | Dacapo

Hi-Res Booklet Distinctions 5 de Diapason
“I think in terms of the instruments themselves – I sort of creep into their souls” said Carl Nielsen (1865–1931). His three solo concertos for violin, flute, and clarinet are highly characteristic and expressive works that show how Nielsen developed as a composer, increasingly distancing himself from the classical conventions. This new recording by the New York Philharmonic and Alan Gilbert concludes the acclaimed Nielsen Project with Nikolaj Znaider, Robert Langevin, and Anthony McGill as soloists in vivid live performances from Avery Fisher Hall at Lincoln Center. © DaCapo
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Bruckner: Symphony No. 7

Alan Gilbert

Classical - Released September 6, 2019 | Sony Classical - Sony Music

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The upcoming bicentennial of Anton Bruckner's birth has stimulated a flood of recordings of his symphonies. Some are from the likes of the Vienna Philharmonic -- ensembles that have had Bruckner in their DNA almost since he wrote these works. However, this version of the Symphony No. 7 from the NDR Elbphilharmonie Orchestra should not be dismissed on that account. For one thing, the orchestra numbers several distinguished Brucknerians among its recent conductors, notably Christoph von Dohnányi and Christoph Eschenbach. For another, although certainly there is competition from Christian Thielemann's Vienna set, this release may have the strongest engineering so far, with Sony's team seemingly having taken the time to study the ins and outs of the Elbphilharmonie space. Alan Gilbert's big perorations do not lose the small details in the winds and strings, and the Wagner tubas at the end sound suitably mysterious. This is Gilbert's first recording with the NDR Elbphilharmonie Orchestra, and he is a conductor for whom new chapters bring new ideas, but the biggest attraction here is simply that the recording can stand on its own merits. Gilbert's reading is imposing, and it never drags. Sample the slow movement, the emotional center of the work; it feels confident and clear. Chalk this up as another entry in the ongoing discovery of the Bruckner state of the art.© James Manheim /TiVo
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Sibelius : Finlandia & Symphony No. 4

Alan Gilbert

Classical - Released September 23, 2016 | New York Philharmonic

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Bruckner : Symphony No. 8

Alan Gilbert

Symphonic Music - Released June 15, 2015 | New York Philharmonic

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Bruckner: Symphony No. 7

Alan Gilbert

Classical - Released September 6, 2019 | Sony Classical - Sony Music

Hi-Res Booklet
The upcoming bicentennial of Anton Bruckner's birth has stimulated a flood of recordings of his symphonies. Some are from the likes of the Vienna Philharmonic -- ensembles that have had Bruckner in their DNA almost since he wrote these works. However, this version of the Symphony No. 7 from the NDR Elbphilharmonie Orchestra should not be dismissed on that account. For one thing, the orchestra numbers several distinguished Brucknerians among its recent conductors, notably Christoph von Dohnányi and Christoph Eschenbach. For another, although certainly there is competition from Christian Thielemann's Vienna set, this release may have the strongest engineering so far, with Sony's team seemingly having taken the time to study the ins and outs of the Elbphilharmonie space. Alan Gilbert's big perorations do not lose the small details in the winds and strings, and the Wagner tubas at the end sound suitably mysterious. This is Gilbert's first recording with the NDR Elbphilharmonie Orchestra, and he is a conductor for whom new chapters bring new ideas, but the biggest attraction here is simply that the recording can stand on its own merits. Gilbert's reading is imposing, and it never drags. Sample the slow movement, the emotional center of the work; it feels confident and clear. Chalk this up as another entry in the ongoing discovery of the Bruckner state of the art.© James Manheim /TiVo
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J.S. Bach, Schoenberg, Mozart

Alan Gilbert

Classical - Released February 12, 2013 | New York Philharmonic

Booklet
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Mahler : Symphony No. 3

Alan Gilbert

Symphonies - Released March 29, 2010 | New York Philharmonic

Booklet
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Brahms: Tragic Overture - Beethoven: Symphony No. 7

Alan Gilbert

Classical - Released April 8, 2016 | New York Philharmonic

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The Alan Gilbert Era Begins - Music from Opening Night

New York Philharmonic

Classical - Released November 30, 2009 | New York Philharmonic

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Back to Front (DeLuxe)

Gilbert O'sullivan

Pop - Released January 1, 1972 | Salvo

A sudden switch in image accompanied Gilbert O'Sullivan's second album, 1972's Back to Front and its simultaneously released separate single "Alone Again (Naturally)." Gone was the mischievous little scamp sporting a jaunty cap and hand-me-down tweeds, in was a slick, hairy-chested lothario and along with this visual makeover came an aural overhaul, with O'Sullivan's sprightly show tune-inspired pop sounding slicker than before. And it's not just that Back to Front is given a gloss that would not have seemed out of place on a televised variety show from 1972, it's that O'Sullivan is taking great care to write sprightly theatrical tunes, songs that take great pride in their clever-clever twists, smiling, crowd-pleasing melodies, and the proudly cheeky sentimentality that drips off of “Clair,” to name the most obvious example here. In many ways, the unabashed showbiz cheer of Back to Front trumps the bedsit introspection of Himself: in his heart Gilbert O’Sullivan is a song-and-dance man possessing a way with a snappy hook or tearjerking melody, qualities that are amply -- and charmingly -- displayed here. [Salvo's 2012 reissue of Back to Front is remastered, has its fair share of expanded packaging, and adds three bonus tracks: the smash hit single "Alone Again (Naturally)" and its flip side "Save It," and the single "Ooh-Wakka-Doo-Wakka-Day."]© Stephen Thomas Erlewine /TiVo
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Bad Dreams

Alan Mack

Pop - Released April 24, 2023 | ALkahtani187 Records

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Salud! Joao Gilberto, Originator Of The Bossa Nova

Jon Hendricks

Jazz - Released January 1, 1963 | Rhino - Warner Records

Jon Hendricks idolizes João Gilberto -- he has spoken fondly of their first meeting where they scatted to each other before ever speaking a word -- and he wasted little time putting together a tribute album at the height of the first bossa nova wave. It ought to come as no surprise that he would display total sympathy with the bossa nova manner here, singing softly and smoothly -- and Hendricks' English wordplay is quite faithful to the original tunes and meanings of the Portuguese lyrics, in contrast to his usual whimsical work with jazz improvisations. Hendricks is particularly winning, and irresistibly swinging on the rare occasions ("Voce E Eu," "Samba Da Minha Terra") when he scats to the Brazilian rhythm; he should have done more of that here. But then, his versions of Gilberto's repertoire are carefully based on Gilberto's early EMI/Odeon recordings (now available on The Legendary João Gilberto); even Antonio Carlos Jobim's string and wind charts for the originals are preserved by adapter Johnny Mandel. Alas, the only Hendricks lyric that has become a universal standard is Jobim's "Chega de Saudade" ("No More Blues"). As Hendricks' only album-length encounter with bossa nova, Salud! João Gilberto Originator of the Bossa Nova is essential.© Richard S. Ginell /TiVo