Your basket is empty

Categories:
Narrow my search:

Results 1 to 20 out of a total of 15481
From
CD$4.09

Angels (Love is the Answer)

A.C. One

Dance - Released June 16, 2008 | Nocolors

From
HI-RES$1.18
CD$0.95

Angels (Love Is The Answer)

Reman

Dance - Released March 17, 2023 | Reveria Records

Hi-Res
From
HI-RES$2.00
CD$1.60

Angels (Love Is The Answer)

Lucas Fernandez

Dance - Released June 15, 2023 | Generation HEX

Hi-Res
From
CD$1.49

Angels (Love Is the Answer)

alm0ss

House - Released May 5, 2023 | Youth Energy

From
CD$1.59

Angels (Love Is The Answer)

iGerman

House - Released December 9, 2020 | ALL41 Records

Love Is The Answer - Remixes 2

Various Artists

House - Released February 22, 2013 | Tocame Music

Download not available
From
CD$3.99

Love is the Answer Remixes / Rumours

D'Layna

Electronic - Released August 6, 2007 | Eightfifteen Recordings

From
CD$3.99

Love Is The Answer Remixes Part One

David Walker

House - Released January 15, 2013 | Tocame Music

Angels (Love Is The Answer)

Hardphol

Dance - Released January 26, 2024 | LoveStyle Russia

Download not available
From
CD$0.98

Angels (Love Is The Answer)

Ellister

Dance - Released February 16, 2024 | SSL Music

From
HI-RES$1.59
CD$1.39

Angels (Love Is the Answer)

Wonga

Electronic - Released May 19, 2023 | Garde

Hi-Res
From
HI-RES$8.29
CD$6.59

3 - Supernature

Cerrone

Disco - Released December 1, 1977 | Malligator Préférence

Hi-Res
From
HI-RES$21.49
CD$18.59

It's a Man's World

Cher

Pop - Released June 25, 1996 | Warner Records

Hi-Res
Cher's mid-'90s album It's a Man's World can safely be labeled as one of the singer's finest, as well as one of her most overlooked and underappreciated albums. Full of steamy, torchy ballads, Western-themed epics, and R&B influences, the album finds the singer sounding vocally relaxed and self-assured. Around this time, Madonna made an album of heavily R&B-influenced material (Bedtime Stories) to capitalize on the mid-'90s R&B/pop phenomenon (when Boyz II Men and all their clones ruled the music charts); this album could be classified as Cher's similar effort. "One by One," the album's opener (and first single), is an irresistible, mid-tempo soul number that never made the American Top 40, yet became a club hit in its remixed form. The original album version, however, is decidedly superior. She also includes several covers, among them Don Henley's 1985 hit "Not Enough Love in the World" as well as a rousing rendition of Marc Cohn's "Walking in Memphis," which became an international hit. The real highlights, however, are the set's three closers. "The Sun Ain't Gonna Shine Anymore" is epic and beautiful, complete with echoes of the Wild West, which then lead into the similarly Western, and extremely steamy "The Gunman," and ends with a smoldering version of James Brown's "It's a Man's Man's Man's World." This is Cher at her best, and bridges the gap between late '80s/early '90s faux metal-babe Cher and her 1999 dance-club comeback album Believe. This album is also available in a better (and more expensive) import version, which includes three extra tracks and features different mixes of the first five songs.© Jose F. Promis /TiVo
From
CD$12.09

Black Friday

Tom Odell

Pop - Released January 26, 2024 | UROK

In his sixth studio album, following the very minimalist Best Day of My Life in 2022, British singer, songwriter and pianist Tom Odell continues the mantra of "less is more." By limiting the production, he retains a raw, emotional sound and firmly brings the storytelling in this wintry, introspective record into the limelight. Opening tracks "Answer Phone" and "Black Friday" reestablish his signature "lessons in love" lyrics, while musical motifs of acoustic guitar and emotive strings—coming together most harmoniously in "Spinning"—distinguish Black Friday from the majority of Odell's discography where the piano seems almost like an extension of himself. Short instrumental tracks ("The Orchestra Tunes Up," "The Orchestra Takes Flight," "The Orchestra Is Feeling Tense") create a subplot of cinematic soundscaping that narrates the listener through the overall emotional arc of the record. When the orchestra is tense, Odell presents the most melancholy song of the album, rich in minor piano chords ("Nothing Hurts Like Love"), which is soon resolved in the final chapter, with a sense of conclusion echoed by the lyrics, "Do you think we can be friends?/ Or maybe we have reached the end." In all, a well told story from the beginning to "The End." © Ciara Rivers/Qobuz
From
HI-RES$15.09
CD$13.09

Activate Infinity

The Bad Plus

Jazz - Released October 25, 2019 | Edition Records

Hi-Res
It's not generally a good sign when the central figure in a group jumps overboard but the ship keeps sailing on. But the departure of pianist Ethan Iverson from The Bad Plus didn't stop his bandmates Reid Anderson and David King from continuing their own adventure. Since 2018, the double bassist and drummer have been teamed up with Orrin Evans. At 44 years old, this former student of Kenny Barron and Joanne Brackeen (and frontman on over 20 albums) is no novice – although his fame only extends within a select circle. The piano-based identity of this Philadelphia musician is so strong that he feels no need to "replace" Iverson, but rather to write a new chapter with Anderson and King. The Bad Plus, version 2.0, have made a groundbreaking new album with the UK label Edition Records. Throughout Activate Infinity, Orrin Evans brings a new roundedness, different from that of his predecessor; but in a fraction of a second he can also dive into more avant-garde improvisations. Above all, he has found the balance between remaining himself and blending in with the rhythms of Reid Anderson and David King. In short: the saga continues… © Marc Zisman/Qobuz
From
HI-RES$22.79
CD$19.59

Warmer In The Winter

Lindsey Stirling

Christmas Music - Released October 20, 2017 | Concord Records

Hi-Res
That it took elfin violinist, dancer, and performance artist Lindsey Stirling five albums to deliver a proper holiday offering is surprising, as her particular brand of (mostly) instrumental millennial pop is perfectly suited to heat up the year's coldest months in style. After all, this is an artist who skyrocketed to fame with a musical theater-worthy rendering of the main theme from the Nordic fantasy video game Skyrim. The aptly named Warmer in Winter prances about with equal parts benevolence and solipsism, effectively pairing the season's most beloved and familiar melodies with the gamer-approved blips, beeps, and slick techno beat drops that have become her forte since dropping her eponymous debut in 2013. Enlisting vocal help from former Disney star Sabrina Carpenter ("You're a Mean One Mister Grinch"), fellow internet phenom Becky G. ("Christmas C'mon"), All Time Low frontman Alex Gaskarth ("Time to Fall in Love"), and even in-demand New Orleans polymath Trombone Shorty ("Warmer in Winter"), Stirling has crafted a fun and flighty brew of modern holiday cheer that is most certainly of its time.© James Christopher Monger /TiVo
From
HI-RES$17.59
CD$15.09

The Union

Elton John

Pop - Released January 1, 2010 | EMI

Hi-Res
On the inaugural episode of Elvis Costello’s talk show Spectacle in 2008, Elton John -- who just happened to be a producer on the show -- rhapsodized at length about Leon Russell, hauling out a note-perfect impression of Russell’s piano style and Oklahoma drawl. It was enough of a tease to whet the appetite for more but nothing suggested something like The Union, a full-fledged duet album with Russell designed to raise the profile of the rock & roll maverick. Like all lifers, Russell never disappeared -- he just faded, playing small clubs throughout the U.S., spitting out bewildering self-released albums of MIDI-synth boogie, never quite connecting with the spirit of his wonderful early-‘70s albums for his Shelter label. The Union quite deliberately evokes the spirit of 1970, splicing Russell’s terrific eponymous LP with Elton’s own self-titled record and Tumbleweed Connection. In that sense, it’s a kissing cousin to John’s last album, 2006’s The Captain and the Kid, which was designed as an explicit sequel to 1975’s golden era-capping Captain Fantastic and the Brown Dirt Cowboy, but thanks to producer T-Bone Burnett, The Union dials down Bernie Taupin’s inherent pomp and ratchets up the roots. Burnett had John and Russell record live in the studio, trading verses and solos, letting the supporting band breathe and follow their loping lead. This relaxed, natural interplay cuts through the soft haze of Burnett’s analog impressionism, giving the record a foundation of true grit. If there are no immediate knockouts among this collection of 14 original songs, the tunes are slow, steady growers, taking root with repeated spins, with the sound of John and Russell’s piano-and-voice duets providing ample reason to return to The Union after its first play. And even once the songs take hold, what lingers with The Union is that natural interplay, how John and Russell easily connect with their past without painstakingly re-creating it. Surely, it’s a revival for Leon Russell, who has spent decades in the wilderness, but it’s not a stretch to say The Union revitalizes Elton John just as much as it does his idol: he hasn’t sounded this soulful in years.© Stephen Thomas Erlewine /TiVo
From
HI-RES$96.38
CD$64.25

True Genius

Ray Charles

Soul - Released September 10, 2021 | Tangerine Records

Hi-Res
In the year of his 90th birthday (which he would have celebrated on the 23rd of September 2020 had he not died in 2004), Ray Charles is honoured with a new 90-track compilation box set. Just another compilation like all the rest? Yes and no. Ray Charles is undoubtedly one of the most-compiled artists in the history of music. Published by Tangerine, the label that the musician set up at the end of the 50s to keep the rights to his songs, this box set starts out like all the others: with the post-Atlantic hits, Georgia On My Mind, Hit The Road Jack, One Mint Julep, Busted... These are timeless treasures of proto-soul, but there doesn't seem to be much novelty here. The rest is much more interesting, and much rarer: tracks recorded between the second half of the 1960s and the 2000s, many of which were only released on vinyl, never reissued on CD and until now unavailable on digital. This is the first time that Ray Charles' lesser-known years have been given the compilation treatment in this way, and it is a revelation. In the 90s and 2000s, the production of his songs had a synthetic feel, and they did not age too well. These rarer songs are often hidden gems of southern soul, flavoured with country and wrapped in sumptuous symphonic orchestrations. Whether he is singing the Muppets (It's Ain't Easy Being Green) or Gershwin (Summertime, a duet with Cleo Laine), Ray Charles is always deeply moving. Now, the dream is to hear reissues of all these albums in their entirety. © Stéphane Deschamps/Qobuz
From
HI-RES$18.09
CD$15.69

Human

Three Days Grace

Rock - Released March 27, 2015 | RCA Records Label

Hi-Res
From
HI-RES$18.09
CD$15.69

In the Blue Light

Paul Simon

Rock - Released September 7, 2018 | Legacy Recordings

Hi-Res Booklet
As the saying goes, if you want something done right, you’d better do it yourself. This is why Paul Simon entrusted the cover of his own songs to… Paul Simon! Except that Art Garfunkel’s former accomplice completely reshapes his past tracks. Ten songs in total, forgotten for the most part, handpicked from his albums There Goes Rhymin' Simon (1973), Still Crazy After All These Years (1975), One-Trick Pony (1980), Hearts and Bones (1983), The Rhythm of the Saints (1990), You're the One (2000) and So Beautiful or So What (2011). By re-orchestrating them as jazz − sometimes even classical − pieces (gone with his folk and world temptations!), he folds his art flat and demonstrates how timeless his compositions are. For such a refined stylistic exercise, Simon surrounded himself with musicians as legendary as himself. Wynton Marsalis’ trumpet, Bill Frisell’s guitar, Bryce Dessner’s (from The National) arrangements, Jack DeJohnette and Steve Gadd’s drums, Joe Lovano’s saxophone, young Sullivan Fortner’s piano as well as John Patitucci’s bass further reinforce the project. But beyond this star-loaded panel, In The Blue Light truly fascinates for its unusual melancholy. At 76 years old, Paul Simon hasn’t authored a legacy piece, but rather the work of a wise man who glances in the rear-view mirror with great originality. © Max Dembo/Qobuz