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Carnival of Rust

Poets Of The Fall

Rock - Released April 12, 2006 | Insomniac

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Wu-Tang Forever

Wu-Tang Clan

Hip-Hop/Rap - Released June 3, 1997 | LOUD Records

By the time the Wu-Tang Clan finished their first round of solo projects and reconvened for their second album as a group, the double-disc album had become the hip-hop fad of the moment. So why not give it a shot? With a main crew of nine MCs (plus new protégé Cappadonna), the Wu wouldn't have to depend heavily on guest appearances to flesh out two whole discs of material, as Biggie and 2Pac had. While the result, Wu-Tang Forever, is frequently brilliant, it's also sprawling and unfocused, losing its handle on the carefully controlled chaos of Enter the Wu-Tang. On the one hand, there's more social consciousness on Wu-Tang Forever, taking hard looks at ghetto life while finding pathos and offering encouragement and uplift ("A Better Tomorrow," "Impossible"). On the other hand, you also get some of the group's most explicit sex raps yet ("Maria," "The Projects," the utterly bizarre ODB solo track "Dog Shit"). In other words, the group is starting to go off in more individual directions here, making it harder to maintain an overall focus. Once you get past the rambling Five Percenter introduction, the first disc is pretty tight, partly because it was kept short to leave room for enhanced CD content. The second disc is far too long, diluting the impact of its better songs (the terrific single "Triumph") with an excess of lackluster material. Wu-Tang Forever easily would have made a brilliant single CD; RZA's production is more polished than the debut, thanks to a bigger budget and better equipment, and leans heavily on soundtrack-style strings to underscore the album's cinematic scope. Some hailed Wu-Tang Forever as the best double-disc hip-hop album yet released, but others regarded it as a disappointment; despite its many high points, it's the first time the Wu didn't quite fulfill their ambitions.© Steve Huey /TiVo
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In Search of a Better Tomorrow

EABS

Jazz - Released May 12, 2023 | Astigmatic Records

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For A Better Tomorrow

Michel Reis

Jazz - Released December 1, 2023 | Cam Jazz

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KALAK

Sarathy Korwar

Jazz - Released November 11, 2022 | The Leaf Label

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Volturnus

Audiomachine

Soundtracks - Released March 6, 2018 | Audiomachine

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The End of The F***ing World 2

Graham Coxon

Film Soundtracks - Released November 8, 2019 | Graham Coxon

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Tell Me About Tomorrow

jxdn

Alternative & Indie - Released July 2, 2021 | DTA - Elektra

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On his full-length debut, 2021's rambunctiously hooky Tell Me About Tomorrow, singer Jaden Hossler (aka Jxdn) sounds like the punky, confident little brother of blink-182. The comparison makes sense as the album features blink-182 drummer Travis Barker who produced, co-wrote, and plays on all the tracks. Hossler even samples blink's 2003 song "Feeling This" to nice effect for his own "Wasted Year." Also emerging as a kind of big brother figure is Machine Gun Kelly, who lends his burnished emo-croon to the anthemic "Wanna Be." Hossler, a Tennessee native, sings with the kind of defiant nasal tone that marks some of the best punk-pop. It's a sound he excels at throughout Tell Me About Tomorrow as he details his issues with mental health, drugs, and relationships both good and bad. The latter-half of the album dips more toward the moody hip-hop and rap-influenced approach of artists like Blackbear and Juice WRLD, but the songs remain engaging. Underpinning all of Tell Me About Tomorrow is Barker's taut muscular drumming and adept production, lending both a credibility and slick studio-sheen to Jxdn's irresistible pop-punk songs.© Matt Collar /TiVo
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A Better Tomorrow

Wu-Tang Clan

Hip-Hop/Rap - Released November 28, 2014 | Asylum - Warner Records

Released along with Once Upon a Time in Shaolin -- their locked-down, $5 million dollar, single-copy album-as-art release -- A Better Tomorrow is further proof that, in 2014, the Wu-Tang Clan are a concept or collective led by RZA, and not necessarily a group. Their previous 2007 effort, 8 Diagrams, was the first clue that things would never be the same post-Ol' Dirty Bastard, but they could be quite good, excellent even, as long as one doesn't expect the lean, mean Shaolin machine of the past. Like 8 Diagrams, A Better Tomorrow seemed quite unlikely to see release with key member Raekwon being a vocal holdout, and here, the festival circuit, post-ODB Wu-Tang rolls on with little of that holdout's help. Member Ghostface Killah is here less than usual as well, and when he's in control of a cut, be brings in his frequent solo collaborator Adrian Younge, like on "Crushed Egos," but it's a highlight where RZA dives in fully, as if Ghostface's noir LP Twelve Reasons to Die was a co-branded Bobby Digital effort. Insiders and longtime fans will get the drift, while everyone else has the group's early albums for an intro, but solid, crossover appeal still comes in the form of the singles "Keep Watch" (a supreme, electro-powered Wu-Robot), "Ron O'Neal" (an organic, Roots-flavored funkster), and "Ruckus in B Minor" (a punchy history of the group with Rick Rubin adding some "99 Problems"-styled co-production). Backing up these frontline stunners are weighty album cuts like "Miracle," where the group go big, ballad, and emo, which causes Ghostface to confess "since mama died, I never wild out," then the rickety "Necklace" successfully adds indie rap to the LP's many flavors, along with some venom and teeth. RZA executive produces to perfection, and somehow, orders this diverse, 15-song track list into a sensible flow. Don't call it a comeback, call it a collective, or a compilation from solo artists who sound enthused to be back with an especially inspired RZA as ringleader.© David Jeffries /TiVo
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HERE'S TO A BETTER TOMORROW

Greaf

Hip-Hop/Rap - Released June 7, 2021 | TeamSESH

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Hello Tomorrow

Dave Koz

Jazz - Released January 1, 2010 | Concord Records

Other than a Christmas album and a greatest-hits collection, we haven't heard anything new from contemporary jazz saxophonist Dave Koz since his successful 2007 date At the Movies (though recording somewhat infrequently has been a Koz trademark). Hello Tomorrow, his first date for Concord, is not only full of new tunes in a diverse array, but hosts an impressive cast of band and guest players, as well. Produced by John Burk and Marcus Miller, the set kicks off with the euphoric jazz-funk groover "Put the Top Down," featuring Lee Ritenour on lead guitar, Ray Parker, Jr. on rhythm, Brian Culbertson handling the synths and programming, Omar Hakim on drums, Sheila E. on percussion, and a three-piece horn section adding to Koz's alto. It's followed by the lithe, nocturnal, sensual funk that is "When Will I Know for Sure," with Boney James playing tenor in concert with Koz. "Getaway," with its breezy pop Caribbean sheen, features Jonathan Butler and Sheila E. duetting; Butler handles the guitar chores as well. Koz provides a serviceable vocal on a cover of "This Guy's in Love with You," with the tune's original hitmaker Herb Alpert guesting on trumpet; the latter's version wins, hands down. Jeff Lorber helps out on two solid cuts here in "Anything's Possible" and what is sure to be a format smash in "Remember Where You Come From" that also includes the four-piece horn section. There's an uncharacteristic contemporary jazz-blues in "There's a Better Way," with Keb' Mo' on vocals and acoustic guitar; he also appears on the uplifting, 21st century take on jazzy Big Easy R&B in "Think Big," with Christian Scott laying the N.O. tradition on thick with his trumpet. Why two small group ballads were chosen to close the set is questionable, but the brief "What You Leave Behind" is a nice outro. Given how seamlessly the rest of this fits together, Hello Tomorrow is no doubt one of the most ambitious recordings in Koz's catalog.© Thom Jurek /TiVo
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Musique Pour S'entrainer & Courir

Motivation Sport Fitness

Dance - Released April 6, 2018 | Workout Kz

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Yesterday's Tomorrow

Phony PPL

Hip-Hop/Rap - Released January 13, 2015 | PHONY PPL LLC

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Wu-Tang Forever

Wu-Tang Clan

Hip-Hop/Rap - Released June 3, 1997 | LOUD Records

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Hungry People

Rabih Abou-Khalil

Jazz - Released October 9, 2012 | world village

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007 - James Bond Classics - Skyfall (50 Years Edition)

007 Collective

Soundtracks - Released October 30, 2012 | Platinum Entertainment Inc.

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Tomorrow May Not Be Better

Bastian Baker

Pop - Released September 9, 2011 | Padprod SA

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A Better Tomorrow

Wu-Tang Clan

Hip-Hop/Rap - Released November 28, 2014 | Asylum - Warner Records

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Released along with Once Upon a Time in Shaolin -- their locked-down, $5 million dollar, single-copy album-as-art release -- A Better Tomorrow is further proof that, in 2014, the Wu-Tang Clan are a concept or collective led by RZA, and not necessarily a group. Their previous 2007 effort, 8 Diagrams, was the first clue that things would never be the same post-Ol' Dirty Bastard, but they could be quite good, excellent even, as long as one doesn't expect the lean, mean Shaolin machine of the past. Like 8 Diagrams, A Better Tomorrow seemed quite unlikely to see release with key member Raekwon being a vocal holdout, and here, the festival circuit, post-ODB Wu-Tang rolls on with little of that holdout's help. Member Ghostface Killah is here less than usual as well, and when he's in control of a cut, be brings in his frequent solo collaborator Adrian Younge, like on "Crushed Egos," but it's a highlight where RZA dives in fully, as if Ghostface's noir LP Twelve Reasons to Die was a co-branded Bobby Digital effort. Insiders and longtime fans will get the drift, while everyone else has the group's early albums for an intro, but solid, crossover appeal still comes in the form of the singles "Keep Watch" (a supreme, electro-powered Wu-Robot), "Ron O'Neal" (an organic, Roots-flavored funkster), and "Ruckus in B Minor" (a punchy history of the group with Rick Rubin adding some "99 Problems"-styled co-production). Backing up these frontline stunners are weighty album cuts like "Miracle," where the group go big, ballad, and emo, which causes Ghostface to confess "since mama died, I never wild out," then the rickety "Necklace" successfully adds indie rap to the LP's many flavors, along with some venom and teeth. RZA executive produces to perfection, and somehow, orders this diverse, 15-song track list into a sensible flow. Don't call it a comeback, call it a collective, or a compilation from solo artists who sound enthused to be back with an especially inspired RZA as ringleader.© David Jeffries /TiVo
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Solely

Natalie Jane Hill

Alternative & Indie - Released October 29, 2021 | Dear Life Records

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Make It Pop: Tomorrow Is Ours

XO-IQ

Pop - Released December 18, 2015 | DHX Music

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