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60 comptines à mimer et jeux de doigts

Sarah Thaïs

Children - Released March 30, 2018 | Warner (France)

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75 chansons comptines et jeux de doigts

Agnès Chaumié

Children - Released February 16, 1987 | iMD-munki

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Films romantiques - La bande originale du cinéma des années 80 et 90

Musique De Film

Film Soundtracks - Released August 1, 2014 | City Sounds Music

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Comptines et jeux de doigts, vol. 6

Rémi Guichard

Children - Released June 2, 2017 | Formulette Production

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60 Comptines et jeux de doigts

Jean-François Alexandre

Children - Released September 9, 2013 | naïve Jeunesse

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Oh ! Les mains (20 comptines et jeux de doigts pour les tout-petits)

Jacques Haurogné

Children - Released September 11, 2015 | Victorie music

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Debussy: Complete Orchestral Work

Jun Märkl

Classical - Released January 30, 2012 | Naxos

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Ravel : Complete Works for Solo Piano

Bertrand Chamayou

Classical - Released January 15, 2016 | Erato - Warner Classics

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Editor's Choice - 4 étoiles Classica - 5 Sterne Fono Forum Klassik
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Stravinsky: Petrushka; Debussy: Jeux, Prélude

Orchestre de Paris

Classical - Released March 8, 2024 | Decca Music Group Ltd.

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Lully: Thésée

Les Talens Lyriques

Opera - Released October 13, 2023 | Aparté

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Christophe Rousset and his Les Talens Lyriques continue their exploration of the operas of Jean-Baptiste Lully for the Aparte label with 1675's Thésée ("Theseus"), the composer's third "tragédie en musique" with librettist by Philippe Quinault. Commissioned by King Louis XIV, the libretto recounts some early-life exploits of the titular character from Ovid's Metamorphoses. It was immensely popular for more than a century before finding itself in less demand than later, more compact versions of Quinault's text, which were set by composers such as Handel (Teseo, 1712). What is there for a king and his court not to like when the Prologue declares the king a god and sings the praises of king and kingdom? Rousset has his Les Talens Lyriques in fine form, and the ensemble plays crisply and concisely throughout. Rousset, conducting from the harpsichord, keeps the action moving in this colossal and dramatic work. The soloists, especially mezzo-soprano Karine Deshayes as Médée ("Medea") and tenor Mathias Vidal as the titular Thésée, display clear expertise in the realm of early French opera. This work is a major vehicle for mezzos in the role of the jealous sorceress Médée, and Deshayes is splendid. The Prologue has some awkward, almost hesitant singing from the chorus, but as the work progresses, the Chœur de chambre de Namur becomes stronger and, in the end, proves to be an asset to the whole (consider their turn as the inhabitants of the underworld with Deshayes on "Sortez, ombres, sortez de la nuit éternelle" from Act Two). This is a worthy addition of a lesser-known opera to the growing Lully collection from Les Talens Lyriques.© Keith Finke /TiVo
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Debussy: C'est l'extase - La mer

Vannina Santoni

Classical - Released June 9, 2023 | Alpha Classics

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Casual buyers and browsers should note that the vocal works on this album, accompanied by orchestra, are not the original works of Debussy. They were made in 2012 by composer Robin Holloway at the request of the San Francisco Symphony Orchestra. They were performed at that time by Renée Fleming but have not been recorded until now. The settings are unorthodox and never boring, and they will probably strike different listeners in different ways. Holloway reorders the songs, believing that they were not intended as a sequenced set (probably debatable), inserts some of the composer's Verlaine settings in the new ordering, adds transitions between most of them, and tacks on a high-powered epilogue of his own. The end result, perhaps, is Debussy for the 21st century, amped up and intense, with hidden psychological themes and ideas wrung out and brought to the fore by the orchestration. There will be little disagreement, however, about two of the main attractions: soprano Vannina Santoni is a talented newcomer from whom one wants to hear more, and Mikko Franck, heard at the end in La Mer, is an excellent Debussy conductor; his rendition of this well-trodden work is full of detail and entirely absorbing. Santoni has a big voice that stands up to these orchestrations, and Alpha's sound from the Radio France auditorium keeps everything in balance. Nothing if not an intriguing Debussy release. © James Manheim /TiVo
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60 Comptines pour Enfants et Bébés

La Reine des chansons pour enfants et bébés

Children - Released February 21, 2018 | La Reine des chansons pour enfants et bébés

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Stephane Deneve conducts Debussy

Stéphane Denève

Symphonies - Released May 1, 2012 | Chandos

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Stéphane Denève has established himself as a versatile maestro with a highly varied repertoire, from concert fare to operas, but his recordings have revealed him to be a specialist in French orchestral music, notably in his coverage of works by Albert Roussel and Guillaume Connesson. This double hybrid SACD from Chandos offers Denève's interpretations of the orchestral works of Claude Debussy, and the lavishly detailed and expressive performances by the Royal Scottish National Orchestra show a conductor and an orchestra in complete sympathy with the music. Because the presentation by Chandos is first-rate from an audiophile perspective, with spectacular reproduction and close-up, credible presence, the listener is immersed in Debussy's dazzling colors from the opening of Images, and surrounded by fully dimensional sonorities throughout the album, which includes such other masterpieces of impressionist music as Jeux, Nocturnes, La Mer, Printemps, and Prélude à l'après-midi d'une faune. When the clarity of the notes, the richness of the timbres, and the depth of the orchestra's sound are appreciated altogether, it's truly a seductive experience, and Debussy's lush and atmospheric music achieves its potential in this impressive package. Indeed, it's difficult to pull away from these gorgeous performances, so prepare to listen to both SACDs in one long, leisurely sitting. It's that good.© TiVo
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Debussy: Préludes du 2e Livre, La Mer (transc. Debussy)

Alexander Melnikov

Classical - Released June 29, 2018 | harmonia mundi

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Released as one of nine new albums dedicated to Debussy by harmonia mundi to mark the centenary of the French composer's birth, this volume offers the Second Book of the Preludes played by Alexander Melnikov on an Erard piano. The world of Debussyan piano relied so heavily on timbre that pianists and editors alike often prefer one or another make so as to get a grip on the specificities of the music. Alexander Melnikov is one of those rare Russian artists to take an interest in ancient instruments. This student of Sviatoslav Richter was quickly captivated by this kind of work, working with Andreas Staier and Alexey Lubimov and playing with specialised ensembles like the Concerto Köln or the Berlin Akademie für Alte Musik. His performance of the Preludes by Debussy at London's Wigmore Hall was particularly well received by critics who described the Russian pianist as a "sorcerer" who is highlighting "ravishing", "violent", "terrifying" music. An iridescent orchestral masterpiece, La Mer is difficult to boil down to a four-handed piano piece, and Debussy disowned his transcription, leaving it to André Caplet to prepare another one for two four-handed pianos. Alexandre Melnikov and Olga Pashchenko have taken up the challenge to prove that the auteur's transcription is not at all "unplayable". © François Hudry/Qobuz
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Debussy: La Mer; Prélude à l'après-midi d'un faune; Jeux, etc.

Ernest Ansermet, Orchestre de la Suisse Romande

Classical - Released January 1, 2013 | Decca Music Group Ltd.

Hi-Res Distinctions The Qobuz Ideal Discography
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Mer(s)

Mathieu Herzog

Classical - Released December 1, 2023 | Appassionato, le label

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Debussy: La Mer & Première Suite d'Orchestre

Les Siècles

Symphonies - Released November 25, 2022 | harmonia mundi

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La Mer is one of Debussy's most universally admired orchestral works. By contrast, his Première Suite pour orchestre was lost for more than a century, and came as a complete discovery in 2013 when Les Siècles made the world premiere recording, played on instruments of the period. Now here is a brand-new remastering. An ideal opportunity to view in a fresh light the career of a composer we thought we "knew everything about". © harmonia mundi