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A Few Small Repairs: 20th Anniversary Edition

Shawn Colvin

Alternative & Indie - Released October 1, 1996 | Columbia - Legacy

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A Few Small Repairs, the proper follow-up to Fat City, was recorded on the heels of Shawn Colvin's divorce. And while the album is certainly a response, she avoids the obvious clichés in dealing with the aftermath, revealing instead the complex thought processes and complete range of human emotion, from anger, sadness, confusion, yearning, and disillusionment to resolve and recovery. Colvin has always been a songwriter of note, but with A Few Small Repairs, she reaches new heights, painting hauntingly vivid images that address not only relationships but also life in general with great insight. The subject matter predictably gives a generally dark mood to the album, but musically, the results are both diverse and irresistibly catchy. A Few Small Repairs marks a reunion with former collaborator/producer John Leventhal, and the two have found a perfect blend between words, music, and tasteful, organic arrangements for Colvin's finest effort to date.© Chris Woodstra /TiVo
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Stankonia (20th Anniversary Edition) [Deluxe]

Outkast

Hip-Hop/Rap - Released October 31, 2000 | LaFace - Legacy

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When Stankonia was released in the Autumn of 2000, Outkast were already a major group. The duo was formed eight years previously by Andree 3000 and Big Boi on the school benches of their college in the Eastern district of Atlanta. They then went on to smash open the American rap scene in 1994 with the single Player’s Ball. Southernplayalisticadillacmuzik, with its mixture of over-the-top funky rap, TR-808s and live instrumentals became the go-to sound of ‘Dirty South’ rap. With ATliens (1996) and Aquemini (1998), OutKast created their own, distinct sound and mythology and saw real commercial success, literally putting Atlanta rap scene on the map. But it was with their fourth album that Andre and Big Boi became pop stars without resorting to blending more-accessible styles.Stankonia is a masterpiece of meta and postmodern street rap which merges politics, avant-garde and pure entertainment. It channels as much of Parliament’s P-Funk as it does the massive, supersonic rap sound that the Bomb Squad gave to Public Enemy and Ice Cube. Responsible for the majority of the production, Andre 3000 and Big Boi dabble also in dub, soul, rock and drum’n’bass. Larger than life musicians and unmatched storytellers, these two college friends make an unbeatable team and perfectly master their field here. From the polemic B.O.B. (Bombs Over Baghdad) – in which a remix by Zack de la Rocha (Rage Against The Machine) features on this anniversary edition – to the ultimate tracks that are So Fresh, So Clean (revisited with Snoop Dogg here for the record’s 20th birthday) to Ms. Jackson, the sensual banger We Luv Deez Hoez and the thrilling Gasoline Dreams, Stankonia is a firecracker of an album which paved the way for the maximalist and hard-hitting albums of a certain Kendrick Lamar. © Damien Besançon/Qobuz
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Gladiator: 20th Anniversary Edition

Hans Zimmer

Film Soundtracks - Released April 25, 2000 | Universal Music Classics

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Machine (20th Anniversary Edition)

Static-X

Rock - Released February 18, 2022 | Warner Records

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Empire - 20th Anniversary Edition

Queensrÿche

Rock - Released April 17, 1990 | Capitol Records

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The Convincer (20th Anniversary Edition)

Nick Lowe

Alternative & Indie - Released September 17, 2021 | Yep Roc Records

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Wanted! The Outlaws (1976-1996 - 20th Anniversary)

Waylon Jennings

Country - Released January 1, 1976 | RCA Records Label Nashville

Distinctions The Qobuz Ideal Discography
The term "outlaw" had been bandied about after Waylon Jennings' 1972 hit "Ladies Love Outlaws," but it didn't permanently gel until the release of the album Wanted! The Outlaws in 1976. The songs in this packaged product weren't new -- the album contained previously released material by Jennings, Willie Nelson, Tompall Glaser, and Jennings' wife Jessi Colter (who had hit the charts a year earlier with "I'm Not Lisa"). But it marked the industry's recognition of the changing times, and as the center point of a campaign to publicize Nashville's new "progressive" breed, it worked like a charm. It quickly became the first country album to sell more than a million copies, and it boosted the careers of all involved.© Kurt Wolff /TiVo
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YoonSang 20th Anniversary

Yoon Sang

Asia - Released April 14, 2011 | ODE I&C

Covers

Placebo

Alternative & Indie - Released March 24, 2003 | Elevator Lady Ltd

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20th Century Music for Flute & Guitar

Irene Kalisvaart

Chamber Music - Released November 12, 2021 | Naxos

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This album of 20th-century masterpieces for flute and guitar features works composed especially for this combination of instruments plus arrangements of works by Bartók and Ravi Shankar. Castelnuovo-Tedesco’s Sonatine for Flute and Guitar is considered to be one of the finest compositions for this combination of instruments, contrasting joyfulness with poignant melodies. The warm sound of the alto flute is given expressive range in Takemitsu’s Toward the Sea, while Piazzolla’s Histoire du Tango takes us on a journey from the form’s beginnings in the brothels of Buenos Aires, to its acceptance as one of the most loved musical art forms of the 20th century. © Naxos
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20th Century Foxtrots, Vol. 1: Austria & Czechia

Gottlieb Wallisch

Classical - Released February 14, 2020 | Grand Piano

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The Syncopate & Motivate Tour (Set 1)

Cory Wong

Soul - Released September 4, 2020 | Roundwound Media, LLC.

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20th Century Foxtrots, Vol. 4: France & Belgium

Gottlieb Wallisch

Classical - Released April 8, 2022 | Grand Piano

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Gottlieb Wallisch continues his acclaimed survey of jazz-influenced piano literature. In this volume we explore le tumulte noir ("the Black craze") in the French-speaking countries after the First World War, taking us to Paris and Brussels where the mood was hot for dancing. The fashionable status of this new craze attracted writers, composers, intellectuals and artists from all over the world, with American jazz music as the latest rage in the cafes and bistros of the day. The influence of dances from overseas spread like wildfire, taking hold amongst French and Belgian composers eager to free themselves from Germanic Wagnerism while riding the wave of popularity of hit records and cinema. © Grand Piano Records
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The Complete 20th Century Records Singles (1973-1979)

Barry White

R&B - Released April 13, 2018 | Island Def Jam

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Flauta Andina: 20th Century Music for Flute & Piano

Daniel Velasco

Chamber Music - Released August 12, 2022 | Naxos

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Vauxhall and I

Morrissey

Rock - Released March 22, 1994 | Rhino - Warner Records

While it isn't a gutsy rock & roll record like Your Arsenal, Vauxhall and I is equally impressive. Filled with carefully constructed guitar pop gems, the album contains some of Morrissey's best material since the Smiths. Out of all of his solo albums, Vauxhall and I sounds the most like his former band, yet the textured, ringing guitar on this record is an extension of his past, not a replication of it. In fact, with songs like "Now My Heart Is Full" and "Hold on to Your Friends," Morrissey sounds more comfortable and peaceful than he ever has. And "The More You Ignore Me, the Closer I Get," "Speedway," and "Spring-Heeled Jim" prove that he hasn't lost his vicious wit.© Stephen Thomas Erlewine /TiVo
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Vauxhall and I

Morrissey

Rock - Released March 22, 1994 | Rhino - Warner Records

While it isn't a gutsy rock & roll record like Your Arsenal, Vauxhall and I is equally impressive. Filled with carefully constructed guitar pop gems, the album contains some of Morrissey's best material since the Smiths. Out of all of his solo albums, Vauxhall and I sounds the most like his former band, yet the textured, ringing guitar on this record is an extension of his past, not a replication of it. In fact, with songs like "Now My Heart Is Full" and "Hold on to Your Friends," Morrissey sounds more comfortable and peaceful than he ever has. And "The More You Ignore Me, the Closer I Get," "Speedway," and "Spring-Heeled Jim" prove that he hasn't lost his vicious wit.© Stephen Thomas Erlewine /TiVo
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20th Century Piano Genius

Art Tatum

Jazz - Released January 1, 1996 | Verve

This double album was taped at a private party in 1956, featuring the amazing Art Tatum on solo piano. Tatum, who died the following year, never did decline, and he is in prime form throughout this highly enjoyable and frequently exciting set of standards. There are no real romps a la "Tiger Rag" but the 27 performances contain plenty of remarkable moments.© Scott Yanow /TiVo
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Vauxhall and I

Morrissey

Rock - Released March 18, 1994 | Rhino - Warner Records

While it isn't a gutsy rock & roll record like Your Arsenal, Vauxhall and I is equally impressive. Filled with carefully constructed guitar pop gems, the album contains some of Morrissey's best material since the Smiths. Out of all of his solo albums, Vauxhall and I sounds the most like his former band, yet the textured, ringing guitar on this record is an extension of his past, not a replication of it. In fact, with songs like "Now My Heart Is Full" and "Hold on to Your Friends," Morrissey sounds more comfortable and peaceful than he ever has. And "The More You Ignore Me, the Closer I Get," "Speedway," and "Spring-Heeled Jim" prove that he hasn't lost his vicious wit.© Stephen Thomas Erlewine /TiVo
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20th Century Feminine

Louise Chisson

Chamber Music - Released July 2, 2021 | haenssler CLASSIC

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"Recording an album is always an amazing adventure, this time even more so, and we are very grateful to everyone who made this album possible. But why was it so special? Firstly, because of the choice of program, of little known, exciting works, and secondly due to the fact that this project was overshadowed by the Covid-19 pandemic. Finally, there is the special significance that each of these works has attained precisely under the current circumstances. There is no doubt that the chronological sequence of the pieces tells a story documenting the development of musical styles over the course of the century in witness to contemporary events. But today, having experienced this music from the first lockdown through to the present day, the music itself and the sequencing have taken on a very significant relevance for us. From the melancholic, naïve and yet somewhat dreamy sounds of Lili Boulanger through the courage, tenderness and complexity of Grazyna Bacewicz, to Galina Ustvolskaya’s no-man’s land, where the absence of structured time reminds us of aimless days and hours without knowing what might happen the next day. And finally, Jennifer Higdon and her organized chaos that is nevertheless not hopeless, but a little rebellious, emotional, with deep insight into nature that seems to be a light and source of energy for humankind". (Louise Chisson and Tamara Atschba) © Haenssler Classic