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'The Story of Light' EP.1 - The 6th Album

SHINee

Asia - Released May 28, 2018 | SM Entertainment

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Evol

Sonic Youth

Alternative & Indie - Released May 28, 2012 | Squeaky Squawk

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Double Dose

Hot Tuna

Pop/Rock - Released February 7, 1978 | Legacy Recordings

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LOOK AT ME: THE ALBUM

Xxxtentacion

Hip-Hop/Rap - Released June 10, 2022 | Columbia

On the 16th of June 2018, one year after his death, XXXTENTACION’s management announced the release of a documentary dedicated to the rapper. Due to the health crisis and various other delays, it ended up being released nearly four years later on the 26th of May 2022, an unusually long time considering how quickly the rapper’s team were able to pump his music out during his lifetime. This album is the original soundtrack that accompanies the documentary, which is entitled Look at Me: XXXTentacion. The tracklist features a series of recordings that were produced in a hurry. Even so, the record is laiden with a beautiful nostalgia, particularly in Vice City, a surprising opening track, however, the dark and distorted aspect of XXX’s music quickly takes over. This darkness can be heard on tracks like FUXK, featuring his good friend Ski Mask The Slump God. There are a few unreleased tracks here too. This is an album that draws attention to XXX’s extensive and varied talents, revealing a broad posthumous discography despite the rapper being just 20-years-old when he died. © Brice Miclet/Qobuz
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Nightmare Daydream

the Velveteers

Rock - Released October 8, 2021 | Easy Eye Sound

Hi-Res
Nightmare Daydream, the Velveteers' debut album, is an explosive cocktail of powerful riffs and punchy rhythms. One can't help but hear in it echoes of Led Zeppelin or even T. Rex. The secret ingredients? Two drumkits and the ubiquitous Dan Auerbach behind the console. This one half of the Black Keys has found an ideal project: "I instantly dug them. They’re amazing live, and their videos are so creative. And they just sound so powerful. Any time you doubletrack drums on a record, it’s going to sound so heavy. Then you put that together with this baritone guitar player who is so unique, and it’s so bombastic. There’s nothing like them.” And indeed, we find the heavy stuff right away with Dark Horse, which combines the same elements that we will encounter throughout this record listening: saturated guitars and tempestuous drums contrasting with melodic interludes with sixties accents. When a lull appears, on the No Doubt-esque Brightest Light, it's not for very long, and it only makes it more affecting when, on Choking, we hear Demi Demitro's voice chopped up by her two drummers and wrapped up in her dissonant riffs. The moments of lightness sound as if Asteroids Galaxy Tour were gigging in a haunted castle (Nightmare Daydream). We also find the bombast that Auerbach loves so much at the end of the album, on Limboland with its melancholic violins which have the air about them of someone trying to clean up after a tornado. But they're still worth playing seriously loud. © Alexander Fay/Qobuz
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Decade

Aleksandar Dimitrijevic

Miscellaneous - Released June 9, 2015 | Imperativa Records

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Live in Bratislava

Fabrizio Paterlini

Miscellaneous - Released December 4, 2015 | Fabrizio Paterlini

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Whenever, If Ever

The World Is A Beautiful Place & I Am No Longer Afraid To Die

Pop/Rock - Released June 18, 2013 | The World Is a Beautiful Place & I Am No Longer Afraid to Die

Connecticut indie-emo rockers the World Is a Beautiful Place & I Am No Longer Afraid to Die bring their particular brand of post-rock-informed emo songs to their debut album Whenever, If Ever, evoking the same sentimentally terse dynamics of '90s hardcore offshoots like Sunny Day Real Estate, Cap'n Jazz, and Mineral. While staying pretty true to the blueprint of the early emo genre with obtuse yet jangly guitar lines and urgent vocals, tracks like "Flightboat" blend in post-rock elements like buoyant trumpet and airy synth lines. © Fred Thomas /TiVo
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Nightmare Daydream

the Velveteers

Rock - Released October 8, 2021 | Easy Eye Sound

Nightmare Daydream, the Velveteers' debut album, is an explosive cocktail of powerful riffs and punchy rhythms. One can't help but hear in it echoes of Led Zeppelin or even T. Rex. The secret ingredients? Two drumkits and the ubiquitous Dan Auerbach behind the console. This one half of the Black Keys has found an ideal project: "I instantly dug them. They’re amazing live, and their videos are so creative. And they just sound so powerful. Any time you doubletrack drums on a record, it’s going to sound so heavy. Then you put that together with this baritone guitar player who is so unique, and it’s so bombastic. There’s nothing like them.” And indeed, we find the heavy stuff right away with Dark Horse, which combines the same elements that we will encounter throughout this record listening: saturated guitars and tempestuous drums contrasting with melodic interludes with sixties accents. When a lull appears, on the No Doubt-esque Brightest Light, it's not for very long, and it only makes it more affecting when, on Choking, we hear Demi Demitro's voice chopped up by her two drummers and wrapped up in her dissonant riffs. The moments of lightness sound as if Asteroids Galaxy Tour were gigging in a haunted castle (Nightmare Daydream). We also find the bombast that Auerbach loves so much at the end of the album, on Limboland with its melancholic violins which have the air about them of someone trying to clean up after a tornado. But they're still worth playing seriously loud. © Alexander Fay/Qobuz
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Light Em Up - Ep#1

The Loops of Fury

Electronic - Released October 5, 2012 | U&A Recordings