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Schubert : Lieder, Schöne Müllerin, Winterreise...

Dietrich Fischer-Dieskau

Classical - Released January 1, 2005 | Deutsche Grammophon (DG)

Booklet Distinctions Diapason d'or - 4F de Télérama - Choc de Classica
This collection of all of Schubert's songs for low voice is one of the landmark recordings of the 20th century because it features two of the greatest Schubertians of their era, baritone Dietrich Fischer-Dieskau and pianist Gerald Moore. The recordings, made by Deutsche Grammophon between 1966 and 1972, come from Fischer-Dieskau's prime, when he was in his early to mid-thirties, his voice fully mature and its youthful bloom gloriously resplendent. He brought an acute, probing intelligence to everything he performed, as well as a penetrating, unmannered musicality, and those qualities are everywhere apparent in his Schubert lieder. Moore was primarily known as an accompanist, and in that role he was perhaps unsurpassed, but his contribution to the music is no way secondary. His playing has interpretive distinctiveness as well as the instinctive musicality of a performer deeply immersed in Schubert's sound world. The singer and pianist made multiple recordings of many of these songs and while aficionados may prefer a version of a song or cycle other than the one offered here, the version here is never less than superb.The set, which includes 463 songs on 21 discs, should be of utmost interest to any fans of the singer and pianist, and to anyone who loves Schubert, and to anyone who loves collaborative music-making of the highest order. The value of the limited edition set released in celebration of the singer's 85th birthday makes it a terrific bargain. The remastering is mostly exemplary and the sound is immaculate, warm, and present. There are a few technical glitches, like a slight click and skip in the introduction to "Wasserflut," but overall the sound is first-class. The balance is just about ideal; it's easy to shut one's eyes and imagine the performers there in the same room. Very highly recommended.© TiVo
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Schubert Sessions: Lieder with Guitar

Franz Schubert

Vocal Music (Secular and Sacred) - Released October 14, 2016 | Groupe Analekta, Inc

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Silent Dreams

Harriet Krijgh

Classical - Released October 1, 2021 | Universal Music, a division of Universal International Music BV

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Schubert: An mein Herz

Matthias Goerne

Classical - Released October 14, 2008 | harmonia mundi

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Schubert/Schumann Songs

Elly Ameling

Classical - Released January 1, 1980 | deutsche harmonia mundi

Distinctions The Qobuz Ideal Discography
It's not that the songs are fantastic, although Schubert and Schumann's songs are fantastic. It's not that Elly Ameling was young and full of spunk, although the young Elly Ameling was quite full of spunk. It's not that Jörg Demus is not a congenial accompanist, although he is as comfortable as a sofa and a tumbler of port. No, the reason that this disc is so terrific is that it disproves every rotten thing anyone's ever said about performances of Romantic music on period instruments because this is simply one of the most enchanting discs of echt Romantische Lieder ever recorded. Ameling's voice is so fresh and sweet, her tone so light and her technique so supple that she seems less a singer of the songs than the songs themselves given voice. And Demus' playing is so delicate but so strong, so lightly drawn, and so richly colored that one does not miss the sound of a concert grand, but rather revels in the sonorities of a hammerflugel. Only clarinetist Hans Deinzer in Schubert's Der Hirt auf dem Felsen (D. 965) takes some getting used to, and that's mostly because his tone is so wonderfully ripe and his playing is so marvelously dexterous. If all recordings of Romantic music played on period instruments sounded like this, all recordings of Romantic music would be played on period instruments. This is an exquisitely beautiful recording.© TiVo
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Schubert / Schumann: Songs

Elly Ameling

Classical - Released January 1, 1980 | deutsche harmonia mundi

It's not that the songs are fantastic, although Schubert and Schumann's songs are fantastic. It's not that Elly Ameling was young and full of spunk, although the young Elly Ameling was quite full of spunk. It's not that Jörg Demus is not a congenial accompanist, although he is as comfortable as a sofa and a tumbler of port. No, the reason that this disc is so terrific is that it disproves every rotten thing anyone's ever said about performances of Romantic music on period instruments because this is simply one of the most enchanting discs of echt Romantische Lieder ever recorded. Ameling's voice is so fresh and sweet, her tone so light and her technique so supple that she seems less a singer of the songs than the songs themselves given voice. And Demus' playing is so delicate but so strong, so lightly drawn, and so richly colored that one does not miss the sound of a concert grand, but rather revels in the sonorities of a hammerflugel. Only clarinetist Hans Deinzer in Schubert's Der Hirt auf dem Felsen (D. 965) takes some getting used to, and that's mostly because his tone is so wonderfully ripe and his playing is so marvelously dexterous. If all recordings of Romantic music played on period instruments sounded like this, all recordings of Romantic music would be played on period instruments. This is an exquisitely beautiful recording.© TiVo
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Lieder von Schubert, Brahms, Schumann

Vesselina Kasarova

Classical - Released April 5, 1999 | RCA Red Seal

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Schubert: Lieder

Hans Hotter

Classical - Released June 1, 1994 | Warner Classics

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Schubert: Schwanengesang

Christian Gerhaher

Classical - Released April 30, 1999 | ARTE NOVA Classics

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Schubert - Meta

Claire Huangci

Classical - Released October 20, 2023 | Berlin Classics

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Schubert: Lieder with Orchestra

Munich Radio Orchestra

Classical - Released October 6, 2023 | BR-Klassik

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One might react to this album with initial annoyance and ask whether it is really necessary to hear orchestrated versions of Schubert's supremely pianistic songs. It may come as a surprise, then, to find that most of these Lieder with Orchestra were arranged by great composers. They include Benjamin Britten, Jacques Offenbach, and Max Reger, who took on the job because, he said, he hated to hear a piano-accompanied song on an orchestral program. Perhaps the most surprising name to find is that of Anton Webern, but his arrangements are not the minimal, pointillistic things one might expect; he wrote these arrangements as a way of studying Schubert's music, and they are quite straightforward. Indeed, it is somewhat difficult to distinguish the arrangers simply by listening to the music; Schubert's melodic lines tend to suggest distinctive solutions. Perhaps Reger's are a bit more lush than the others, although his version of Erlkönig, D. 328, is one of the few numbers here that just doesn't work (there is no way to replicate the percussive quality of the accompaniment). As for the performances as such, Benjamin Appl is clearly an important rising baritone, and he has a wonderful natural quality in Schubert. An oddball release like this might seem an unusual choice for a singer in early career, but he contributes his own notes, and he seems to have undertaken the project out of genuine enthusiasm for the material. At the very least, he has brought some intriguing pieces out of the archives and given them highly listenable performances. The Munich Radio Orchestra, under the young Oscar Jockel, is suitably restrained and keeps out of Appl's way. This release made classical best-seller lists in the autumn of 2023.© James Manheim /TiVo
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Enigma

Sarah Aristidou

Classical - Released October 27, 2023 | Alpha Classics

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Franz Schubert : Sonate Arpeggione

Anne Gastinel

Chamber Music - Released September 20, 2005 | naïve classique

Hi-Res Booklet Distinctions Gramophone Editor's Choice - RTL d'Or - Victoire de la musique
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New Year's Concert 1992 (In the 150th Jubilee Year of the Wiener Philharmoniker)

Carlos Kleiber

Symphonic Music - Released March 9, 1992 | Sony Classical

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Schubert: Die schöne Müllerin, Schwanengesang & Winterreise

Christoph Prégardien

Classical - Released May 7, 2021 | Challenge Classics

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Schubert : Die schöne Müllerin, Op. 25

Andrè Schuen

Classical - Released March 5, 2021 | Deutsche Grammophon (DG)

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If the global pandemic allows it, the young baritone Andrès Schuen is expected in Papageno (The Magic Flute) at the Vienna Opera in spring 2021. He will be Figaro (The Marriage of Figaro) at the Aix-en-Provence Festival in the summer of the same year, and then Guglielmo (Cosi fan tutte) at the Salzburg festival.Hailing from the Italian Tyrol, close by Austria, Andrès Schuen has a solid CV. He studied song under Wolfgang Holzmair and Brigitte Fassbaender, and lieder under Daniel Heide. It is the latter that he has chosen again as a partner for this new album dedicated to the Schöne Müllerin (The Beautiful Miller) by Franz Schubert after the great success of their album Wanderer released in 2018.His fine, youthful and manly timbre works wonders throughout this cycle. It is a voyage through the joy and hope of youth, a joy soon tarnished by the cruel disillusionments of life. In the manner of an actor, and above all, a storyteller, Schuen gradually goes from laughter to tears and resignation. His style is unaffected, with a probity and simplicity that pleases. Accustomed to the Schubertiades of his neighbouring Schwarzenberg which he often visits, Andrès Schuen is supported by the attentive but somewhat matte piano playing of Daniel Heide, specialist in lieder and accompanist to the greatest voices of the day. © François Hudry/Qobuz
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Schubert: Arpeggione, Sonatina & Lieder Transcriptions

Anne Gastinel

Classical - Released September 20, 2005 | naïve

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Schubert: Die schöne Müllerin + 3 Lieder

Fritz Wunderlich

Classical - Released September 2, 2016 | Deutsche Grammophon (DG)

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Hope@Home

Daniel Hope

Classical - Released August 14, 2020 | Deutsche Grammophon (DG)

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It's not entirely clear where Daniel Hope's 2020 album Hope@Home was recorded: the location, except for one track recorded at the Frauenkirche in Dresden, is given merely as "Berlin." If it was indeed recorded at the violinist's home, he has a space with an unusually live acoustic that is somewhat at odds with the impression of intimacy that he seeks to convey. That's one of the few complaints here, however, for Hope has, in many ways, made a virtue of necessity. His program is built around a long list of guests, as if in the manner of a home musical soirée, including both instrumentalists and singers. The pianist on the majority of the tracks is Christoph Israel, who also serves as arranger, and it is the variety of these that really makes the album. Hope manages to pull off the idea of having a large group of talented house guests experimenting at the piano, and this is not easy to do with a convincing quality of spontaneity. Consider the unusual combination of Falla's "Asturiana" with Rudyard Kipling's poem "If," spoken by Iris Berben, or a yet more unexpected America the Beautiful. The main sequence of the program consists of a mix of classical (Schubert and Brahms) and popular American, British, and continental European songs. It may be calibrated to appeal to varied audiences, but it is relaxed, fun, often ingenious, and quite lovely.© James Manheim /TiVo
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Vanitas - Beethoven, Schubert & Rihm

Georg Nigl

Classical - Released November 13, 2020 | Alpha Classics

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Like the paintings of the Flemish Baroque painters, the ‘vanities’ presented here can be approached in two ways: on the one hand, as manifestations of doubts and anxieties at the fragility of human life; on the other, as delights to be savoured without moderation, celebrating earthly life through the senses and the pleasure that human beings can derive from them. After two critically acclaimed recordings each for Alpha, the baritone Georg Nigl and the pianist Olga Pashchenko explore the tortuous meanders of the human soul with vocal works by Schubert (an ‘existentialist’ composer if ever there was one), Beethoven (whose torments hardly need stressing) and the contemporary composer Wolfgang Rihm, whose highly expressionistic Jakob Lenz Nigl performed on stage in 2019. His piece Vermischter Traum, here given its world premiere, is dedicated to the Austrian singer. © Alpha Classics