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Heimweh: Schubert Lieder

Anna Lucia Richter

Classical - Released February 1, 2019 | PentaTone

Hi-Res Booklet Distinctions Gramophone Editor's Choice
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Kathleen Battle: Essentials

Kathleen Battle

Classical - Released January 24, 2020 | Deutsche Grammophon (DG)

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Rudolf Serkin plays Schubert

Rudolf Serkin

Solo Piano - Released May 15, 2015 | Sony Classical

Distinctions Diapason d'or - Choc de Classica
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Schubert/Schumann Songs

Elly Ameling

Classical - Released January 1, 1980 | deutsche harmonia mundi

Distinctions The Qobuz Ideal Discography
It's not that the songs are fantastic, although Schubert and Schumann's songs are fantastic. It's not that Elly Ameling was young and full of spunk, although the young Elly Ameling was quite full of spunk. It's not that Jörg Demus is not a congenial accompanist, although he is as comfortable as a sofa and a tumbler of port. No, the reason that this disc is so terrific is that it disproves every rotten thing anyone's ever said about performances of Romantic music on period instruments because this is simply one of the most enchanting discs of echt Romantische Lieder ever recorded. Ameling's voice is so fresh and sweet, her tone so light and her technique so supple that she seems less a singer of the songs than the songs themselves given voice. And Demus' playing is so delicate but so strong, so lightly drawn, and so richly colored that one does not miss the sound of a concert grand, but rather revels in the sonorities of a hammerflugel. Only clarinetist Hans Deinzer in Schubert's Der Hirt auf dem Felsen (D. 965) takes some getting used to, and that's mostly because his tone is so wonderfully ripe and his playing is so marvelously dexterous. If all recordings of Romantic music played on period instruments sounded like this, all recordings of Romantic music would be played on period instruments. This is an exquisitely beautiful recording.© TiVo
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Schubert / Schumann: Songs

Elly Ameling

Classical - Released January 1, 1980 | deutsche harmonia mundi

It's not that the songs are fantastic, although Schubert and Schumann's songs are fantastic. It's not that Elly Ameling was young and full of spunk, although the young Elly Ameling was quite full of spunk. It's not that Jörg Demus is not a congenial accompanist, although he is as comfortable as a sofa and a tumbler of port. No, the reason that this disc is so terrific is that it disproves every rotten thing anyone's ever said about performances of Romantic music on period instruments because this is simply one of the most enchanting discs of echt Romantische Lieder ever recorded. Ameling's voice is so fresh and sweet, her tone so light and her technique so supple that she seems less a singer of the songs than the songs themselves given voice. And Demus' playing is so delicate but so strong, so lightly drawn, and so richly colored that one does not miss the sound of a concert grand, but rather revels in the sonorities of a hammerflugel. Only clarinetist Hans Deinzer in Schubert's Der Hirt auf dem Felsen (D. 965) takes some getting used to, and that's mostly because his tone is so wonderfully ripe and his playing is so marvelously dexterous. If all recordings of Romantic music played on period instruments sounded like this, all recordings of Romantic music would be played on period instruments. This is an exquisitely beautiful recording.© TiVo
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Schubert: Piano Trios Nos. 1 & 2

Oliver Schnyder Trio

Classical - Released April 9, 2013 | RCA Red Seal

Hi-Res Booklet
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Schubert: Der Hirt Auf Dem Felsen

Aline Kutan

Classical - Released November 1, 2004 | ATMA Classique

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Schubert: Der Hirt auf dem Felsen, Op. posth. 129 - Spohr: 6 Deutsche Lieder, Op. 103

Basia Retchitzka

Classical - Released August 9, 1978 | VDE-GALLO

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Schubert: Der Hirt auf dem Felsen, D. 965, Op. posth. 129 (Live)

Suzi More

Classical - Released October 21, 2016 | Lil Red Hen Records