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J'écoute Mozart et Haydn avec mon papa

Iddo Bar-Shaï

Classical - Released December 3, 2012 | Mirare

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Mozart: Horn Concertos & Bassoon Concerto

Louis-Philippe Marsolais

Classical - Released March 1, 2017 | ATMA Classique

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Sonate pour Piano No. 16 en Do Majeur, K. 545: I. Allegro

Ut Re Mi

Classical - Released October 28, 2022 | Ut Re Mi

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Sonate pour Piano No. 16 en Do Majeur, K. 545: I. Allegro

Ut Re Mi

Classical - Released May 2, 2022 | Ut Re Mi

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Monique de la Bruchollerie (Inédits 1959-1962)

Monique De La Bruchollerie

Solo Piano - Released October 28, 2005 | INA Mémoire vive

Booklet Distinctions Diapason d'or - 4 étoiles du Monde de la Musique
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Mozart: String Quintets K. 515 & 516

Quatuor Ébène

Quintets - Released March 10, 2023 | Warner Classics

Hi-Res Booklet Distinctions Diapason d'or
The 2004 edition of the ARD International Competition in Munich saw the paths of violist Antoine Tamestit and members of the Ebène Quartet cross. A meeting of champions on a day to remember, with these artists taking first place in their respective categories. Their collaborations have multiplied over the years, finally converging on a first joint recording entitled Round Midnight, which ended with a sumptuous rendition of Schoeberg’s Transfigured Night.But in this case the new ensemble is committed to the genius of Mozart, through his Quintet No. 3 K.515 and No. 4 K.516. In the first, the group explores the highly contrasting moods in Mozart's writing, alternating between the abundant energy of the first and fourth movements, and the melancholic lethargy of the second and third. A roller coaster of emotions, guided by clever playing and a lovely, enveloping tonality. On the other hand, Quartet K.516 has darker colours, the key of G minor in Mozart's work often being associated with distress and sorrow. It took on a particular meaning in 1787, at a time when the composer was worried about his father's health. The Ebène quartet and Tamestit draw a striking chiaroscuro from the score, magnified by intelligent choices with regards to the tempi, leaving room for perfect spaces that allow the piece to breathe. © Pierre Lamy/Qobuz
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Mozart: Violin Concerto No.3 In G, K.216; Violin Concerto No.5 In A, K.219

Anne-Sophie Mutter

Classical - Released August 1, 1978 | Deutsche Grammophon (DG)

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Mozart: Sonatas for Fortepiano & Violin, Vol. 3

Isabelle Faust

Classical - Released May 21, 2021 | harmonia mundi

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By modifying the balance of the dialogue between the two protagonists, whom he turns into genuine alter egos, Mozart leads the genre of the sonata for fortepiano and violin onto the road to modernity. Isabelle Faust and Alexander Melnikov present here the third volume of an exciting complete set on period instruments. Their playing, showing "great elegance and utter rigour", is distinguished by "a tender and delicate expressiveness served by exceptionally subtle nuances" (Classica). © harmonia mundi
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Mozart: Complete Piano Sonatas

Yeol Eum Son

Classical - Released March 17, 2023 | naïve

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Mozart: The Violin Concertos

Julia Fischer

Concertos - Released January 25, 2019 | PentaTone

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Bacchanale: Saint-Saëns et la Méditerranée

Orchestre Divertimento

Classical - Released March 24, 2023 | harmonia mundi

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The Orchestre Divertimento and its conductor, Zahia Ziouani, often juxtapose European repertory with music from other parts of the world. Ziouani, who is of Algerian background, has a particular interest in the music of that country. She could not have found a composer whose works were more congenial to such a project than Camille Saint-Saëns, who visited Algeria no fewer than 18 times and composed a Suite algérienne, Op. 60, that is heard here, broken up and interspersed with Arabic music. What makes Ziouani's project unique is that there are not two types of music here but three. Many of the Saint-Saëns works are preceded by improvisations in the classical Arabic idiom, on oud, qanun, a traditional viol, derbouka, and the riqq drum. These are quite a musical distance from Saint-Saëns, but Ziouani introduces contemporary Arabic songs, of a semi-popular nature, as an intermediate step. The sets are mostly in related tonalities. This is an ingenious idea that sheds light on both Saint-Saëns, on what he heard when he heard Algerian music, and on the nature of contemporary popular traditions that are rooted in the classical music of the world. The Saint-Saëns performances themselves are entirely creditable, and the album is well recorded at a couple of different locations. A unique release that makes one want to hear more from this distinctive ensemble. © James Manheim /TiVo
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Mozart : Messe en ut mineur K. 427

Claudio Abbado

Sacred Vocal Music - Released August 23, 1991 | Sony Classical

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Mozart: The Complete Piano Sonatas & Variations

Daniel Barenboim

Classical - Released August 26, 2022 | Warner Classics

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Reynaldo Hahn

Quatuor Tchalik

Chamber Music - Released November 13, 2020 | Alkonost Classic

Hi-Res Booklet Distinctions 4F de Télérama
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Fauré: Intégrale de l’oeuvre pour piano, Vol 3

Jean-Claude Pennetier

Solo Piano - Released October 1, 2015 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason
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La grande sarabande de Handel

Karol Teutsch, Orchestre Leopoldinum-Wroclaw

Classical - Released September 1, 1992 | naïve classique

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Mozart: Messe en ut mineur

Philippe Herreweghe

Masses, Passions, Requiems - Released May 1, 2003 | harmonia mundi