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Results 1 to 20 out of a total of 4574
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Beethoven Symphonies

Emmanuel Krivine

Symphonic Music - Released March 21, 2011 | naïve

Booklet Distinctions Gramophone Editor's Choice
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Hélène de Mongeroult, portrait d'une compositrice visionnaire

Marcia Hadjimarkos

Classical - Released September 20, 2023 | iMD-Seulétoile

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Chopin, Schubert & Prokofiev

Yulianna Avdeeva

Classical - Released September 8, 2014 | Mirare

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Johann Christian Bach: Sonates pour clavier Op. 5 & Op. 17

Johann Christian Bach

Classical - Released May 17, 2010 | Saphir Productions

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Chopin: 26 Préludes - Scriabine: Sonate Op. 19 No. 2

Beatrice Rana

Classical - Released September 2, 2012 | ATMA Classique

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Alexander Scriabin : Intégrale des Etudes pour piano

Andrei Korobeinikov

Solo Piano - Released October 6, 2014 | Mirare

Hi-Res Booklet Distinctions 4 étoiles Classica
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Schobert: Sinfonies au salon

Martin Gester

Classical - Released April 18, 2018 | Ligia

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Fauré: Nocturnes pour Piano, Theme et Variations Op. 73 by Eric Heidsieck

Eric Heidsieck

Classical - Released February 9, 2023 | Alexandre Bak - Classical Music Reference Recording

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Hélène de Montgeroult: La marquise et la marseillaise

Bruno Robilliard

Classical - Released November 21, 2005 | HORTUS

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Brahms: Piano Works (Klavierstücke Op. 76, Intermezzi Op. 117, etc.)

Adam Laloum

Classical - Released January 18, 2011 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason
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La Folle Journée 2016 - La Nature

Orchestre d'Auvergne

Classical - Released January 22, 2016 | Mirare

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Beethoven: Piano Sonatas Nos. 21, 12 & 32

Nicholas Angelich

Classical - Released May 10, 2005 | Mirare

Distinctions Choc de Classica
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J'écoute Mozart et Haydn avec mon papa

Iddo Bar-Shaï

Classical - Released December 3, 2012 | Mirare

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Récital de Besançon, 7 septembre 1956

Clara Haskil

Classical - Released June 27, 2001 | INA Mémoire vive

Distinctions Diapason d'or de l'année - Diapason d'or - Choc du Monde de la Musique - Recommandé par Répertoire
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Monique de la Bruchollerie (Inédits 1959-1962)

Monique De La Bruchollerie

Solo Piano - Released October 28, 2005 | INA Mémoire vive

Booklet Distinctions Diapason d'or - 4 étoiles du Monde de la Musique
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Le chant du violoncelle

Edouardo Torbianelli

Classical - Released November 20, 2020 | Paraty

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Chopin and Franchomme’s collaboration and sincere friendship rested on a double understanding : they were linked both by a communion of feeling, so precious to the Polish exile in the Paris mondain of the time, and an artistic symbiosis that fed both on an affinity in the mastery of their instrument, and on the sharing of such basic musical values as authenticity, simplicity, elegance, and nobility of expression. Edoardo Torbianelli and Fernando Caida-Greco first played together in 2000 as a trio formation, with the violinist Amandine Beyer, within the Schola Cantorum Basiliensis. Their collaboration led to a musical dialogue based on extensive research, with a particular focus on the Romantic repertoire, revisited in the light of the aesthetic and technical knowledge acquired over 20 years of research. © Paraty
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Scarlatti: Ombre et lumière

Anne Queffélec

Classical - Released January 12, 2015 | Mirare

Hi-Res Booklet Distinctions Diapason d'or
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Beethoven: Symphony No. 3, Op. 55 "Eroica" - Strauss: Horn Concerto No. 1, Op. 11 (Live)

Pittsburgh Symphony Orchestra

Classical - Released September 21, 2018 | Reference Recordings

Hi-Res Booklet Distinctions 5 Sterne Fono Forum Klassik
Returning to the symphonies of Ludwig van Beethoven in his Pittsburgh Live series on Reference Recordings, Manfred Honeck rigorously explores the Symphony No. 3 in E flat major, "Eroica," paired with Richard Strauss' Horn Concerto No. 1 in E flat major. Honeck's 2015 release of the Symphony No. 5 in C minor and the Symphony No. 7 in A major demonstrated his in-depth analyses of the scores and his careful consideration of evidence about performances in Beethoven's time, including documents and original sketches that revealed much about early Romantic practices. By observing the historical method and avoiding conventional approaches, Honeck has adjusted the Pittsburgh Symphony Orchestra's sound and brought out details and sonorities that have often been buried in mainstream performances. Honeck also calls for brisk tempos, crisp articulation, and spry, dance-like rhythms, which alleviate some of this heavyweight symphony's pugnaciousness and brings a somewhat lighter touch to the "Eroica." Strauss' Horn Concerto No. 1, featuring a polished solo part by William Caballero, is suitable filler, matching the key and moods of the "Eroica" and sharing its robust energy, though by the time Strauss composed it, the influence of Beethoven had been filtered through Schumann and Brahms, so the work shows a conservative side in youthful reaction against Wagner. Reference Recordings' sound is as clean and focused as could be desired, and this hybrid SACD gives great presence to the players and leaves a vibrant impression. © TiVo
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Beethoven: Symphonies Nos. 1-9

Bernard Haitink

Classical - Released September 12, 2006 | LSO Live

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Beethoven's nine symphonies -- what can one say? The greatest body of orchestral works ever composed? Probably. The most performed body of orchestral works ever composed? Certainly. The most recorded body of orchestral works ever composed? Absolutely. Not only has virtually every conductor recorded a Beethoven cycle, some of them have gotten to record it multiple times: Abbado, Bernstein, Solti, Karajan, and Haitink, among others. What does this proliferation tell us? Usually nothing about the music that hasn't been heard before, but sometimes something about what the conductor thinks about the music. These performances with the London Symphony Orchestra recorded in 2005 and 2006 tell what Bernard Haitink thinks about the greatest body of orchestral works ever composed. And what does Haitink think? Pretty much nothing that hasn't been thought before. His tempos are neither too fast nor too slow, but straight down the moderato. His dynamics are neither too loud nor too quiet, but right in the mezzo. His textures are clear and lucid. His colors are blended and smooth. His interpretations are solid and sincere. But what does Haitink tell us about what he thinks about Beethoven's symphonies? Pretty much nothing except that he is an experienced conductor with a superb baton technique who keeps his opinions to himself. The London Symphony's playing is enthusiastic but too often ragged around the edges for comfort. LSO Live's recording is transparent but the perspective seems to shift from work to work -- sometimes the strings are too far away, other times the brass are too close.© TiVo
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Beethoven Complete Symphonies

Staatskapelle Dresden

Classical - Released May 28, 2021 | Brilliant Classics