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Bach Up

Dimitri Naïditch

Jazz - Released November 15, 2019 | Dinaï Records

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Le Clavier bien tempéré (Livre I)

Pierre Hantaï

Chamber Music - Released November 28, 2002 | Mirare

Distinctions 5 de Diapason - Choc du Monde de la Musique - 10 de Répertoire - 4F de Télérama - Joker de Crescendo
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Le Clavier bien tempéré (Livre I)

Jenő Jandó

Classical - Released November 6, 1997 | Naxos

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Johann Sebastian Bach : The Well-Tempered Clavier, Book two (Le Clavier bien tempéré, livre 2)

Christophe Rousset

Classical - Released November 4, 2013 | Aparté

Hi-Res Booklet Distinctions 5 de Diapason - Choc de Classica
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Play Bach N. 2

Jacques Loussier

Jazz - Released January 1, 1960 | Universal Music Division Decca Records France

Jazz Piano French Touch - Petrucciani, Legrand, Loussier,

Jacques Loussier

Jazz - Released November 11, 2020 | UME - Global Clearing House

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Johann Sebastian Bach : Œuvres pour clavier

Christophe Rousset

Classical - Released November 4, 2010 | Aparté

Hi-Res Booklet Distinctions Diapason d'or - Choc de Classica - Choc Classica de l'année
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J. S. Bach: Le clavier bien tempéré, Livre I

Chantal Stigliani

Classical - Released January 21, 2019 | Calliope

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Le Clavier bien tempéré (Livre I)

Luc Beauséjour

Classical - Released March 27, 2007 | Naxos

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J'écoute Bach et Haendel avec ma maman

Anne Queffélec

Classical - Released December 3, 2012 | Mirare

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Bach: The Well-Tempered Clavier, Book 1 (5.1 Edition)

Christophe Rousset

Classical - Released March 18, 2016 | Aparté

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Bach: Le clavier bien tempéré, Livre 2

Jérôme Granjon

Classical - Released March 15, 2021 | Anima-Records

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After Bach

Brad Mehldau

Jazz - Released March 9, 2018 | Nonesuch

Hi-Res Booklet Distinctions 5 Sterne Fono Forum Jazz
Without being a mandatory baptism of fire, Jean-Sébastien Bach has always been a captivating magnet for many jazz musicians. So much so that people like Jacques Loussier, Keith Jarrett, the Modern Jazz Quartet, Dan Tepfer or Edouard Ferlet to name but a handful, all tackled head on, and for good reason, the work of the Cantor of Leipzig . The choice made by Brad Mehldau is a hybrid. The American pianist does not create here a jazz album strictly speaking - fans of "Jazzy Bach" can go home straight away - but he mixes themes of Bach - four preludes and a fugue - to personal and contemporary pieces; as intriguing answers or mirror games to original works. The exercise is all the more interesting because part of Bach's work took the form of improvisation. As for Mehldau, his style, but also his compositions, have always contained elements echoing the German composer. We know the rhythmic force of Bach's writing that appeals to jazz musicians. But here, the pianist has thought through his record in its entirety, never trying to separate his works from that of the other. The result is therefore confusing at first (especially for those familiar with the preludes and fugues of the original) but fascinating above all else. Because After Bach is anything but an impressive show of class (Brad Mehldau does not need that much, his virtuosity as a great no longer needs to be proven) but rather an exciting reflection on the life of a score through the centuries. © Marc Zisman/Qobuz
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La Danse

Martin James Bartlett

Classical - Released January 26, 2024 | Warner Classics

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Maurice Ravel's Le tombeau de Couperin has sometimes been paired with music by its namesake, naturally enough, but here, pianist Martin James Bartlett expands the concept a bit, adding Rameau at the beginning, some little two-piano pieces by Reynaldo Hahn and Ravel's apocalyptic La valse as a grand finale. The result is that he looks outward from the neoclassic world, catching the memorial function of Le tombeau de Couperin (the work's six movements memorialize friends of the composer killed in World War I) and carrying overtones of the whole world that vanished with the war. The inclusion of the pair of two-piano pieces from Le ruban dénoué by the intensely nostalgic Hahn intensifies the mood. Bartlett's tone is measured, avoiding sentiment and holding to an elevated aesthetic. His La valse has an impact that is all the greater in this context. Ravel denied that this work was a symbolic representation of the decline of the old central European culture or of anything else, but one might rejoin that he did not have to realize it for this to be so. Hahn plays the work in its single-piano arrangement, made by Ravel. This is not often heard, due not only to its sheer difficulty but also because of its swirling density. Having introduced the second piano of Alexandre Tharaud in the Hahn works, Bartlett could easily have kept it on for the Ravel. However, his decision was intelligent; the single-piano arrangement has an overwhelming quality that works very well here. This is an unusually cohesive and powerful program, beautifully performed, and the album landed on classical best-seller lists in early 2024.© James Manheim /TiVo
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Bach : Contemplation

Anne Queffélec

Classical - Released January 8, 2009 | Mirare

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Bach: Well Tempered Clavier, I & II (Live Innsbruck 1973)

Sviatoslav Richter

Classical - Released May 20, 2016 | Parnassus

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Bach : The Well-Tempered Clavier, Book 1

Christophe Rousset

Classical - Released March 18, 2016 | Aparté

Hi-Res Booklet Distinctions Choc de Classica
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Bach: The Well-Tempered Clavier, Books 1 & 2 by Edwin Fischer

Edwin Fischer

Classical - Released January 7, 2022 | Alexandre Bak - Classical Music Reference Recording

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