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Carolyn Sampson|JS Bach : Cantatas for soprano

JS Bach : Cantatas for soprano

Carolyn Sampson, Freiburger Barockorch., Petra Müllejans

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Language available : english

The three Bach cantatas presented on this album belong to the composer’s Weimar period (where he lived and worked from 1708 to 1717), written between 1711 and 1714. Bach was still a young composer then, but the full body of his artistry is already present, and one can but shake the head in disbelief: where did the fellow find the source of such intense emotion, such harmonic and melodic boldness? The beginning of "Weichet nur, betrübte Schatten" ("Yield now, troubling shadows") unfolds a succession of harmonies which seem to have no logical link with each other, some kind of non-tonality – this being the way the composer describes in music the aforementioned lugubrious shadows. Arias alternately heartbreaking and tender, instrumental inventiveness, you name it, Bach has it. Soprano Carolyn Sampson, accompanied by the Freiburger Barockorchester (together with baritone Andreas Wolf for the cantata "Tritt auf die Glaubensbahn"), lends her voice with dedication to the music, combining the teachings of historically informed performance with a solid sense of emotion, indispensable for such masterpieces. © SM/Qobuz

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JS Bach : Cantatas for soprano

Carolyn Sampson

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Weichet Nur, Betrübte Schatten, BWV 202 (Johann Sebastian Bach)

1
I. Aria "Weichet nur, betrübte Schatten"
Carolyn Sampson
00:06:37

Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

2
II. Recitativo "Die Welt wird wieder neu"
Carolyn Sampson
00:00:25

Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

3
III. Aria "Phoebus eilt mil schnellen Pferden"
Carolyn Sampson
00:03:32

Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

4
IV. Recitativo "Drum sucht auch Amor sein Vergnügen"
Carolyn Sampson
00:00:37

Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

5
V. Aria "Wenn die Frühlingslüfte streichen"
Carolyn Sampson
00:02:53

Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

6
VI. Recitativo "Und dieses ist das Glücke"
Carolyn Sampson
00:00:43

Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

7
VII. Aria "Sich üben im Lieben"
Carolyn Sampson
00:04:19

Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

8
VIII. Recitativo "So sei das Band der keuschen Liebe"
Carolyn Sampson
00:00:23

Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

9
IX. Gavotte Sehet in Zufriedenheit
Carolyn Sampson
00:01:41

Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

Tritt auf die Glaubensbahn, BWV 152 (Johann Sebastian Bach)

10
I. Sinfonia
Freiburger Barockorchester
00:03:19

Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

11
II. Aria "Tritt auf die Glaubensbahn" (bass)
Andreas Wolf
00:02:41

Andreas Wolf, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

12
III. Recitativo "Der Heiland ist gesetzt" (bass)
Andreas Wolf
00:02:00

Andreas Wolf, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

13
IV. Aria "Stein, der über alle Schätze" (soprano)
Carolyn Sampson
00:04:37

Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

14
V. Recitativo "Es ärgre sich die kluge Welt" (bass)
Andreas Wolf
00:01:21

Andreas Wolf, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

15
VI. Aria "Wie soll ich dich, Liebster der Seele, umfassen?" (duetto)
Carolyn Sampson
00:04:23

Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Andreas Wolf, Performer, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

Mein Herze schwimmt im Blut, BWV 199 (Johann Sebastian Bach)

16
I. Recitativo "Mein Herze schwimmt im Blut"
Carolyn Sampson
00:02:01

Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

17
II. Aria "Stumme Seufzer, stille Klagen"
Carolyn Sampson
00:07:46

Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

18
III. Recitativo "Doch Gott muß mir genädig sein"
Carolyn Sampson
00:01:01

Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

19
IV. Aria "Tief gebückt und voller Reue"
Carolyn Sampson
00:07:52

Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

20
V. Recitativo "Auf diese Schmerzensreu"
Carolyn Sampson
00:00:13

Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

21
VI. Choral "Ich, dein betrübtes Kind"
Carolyn Sampson
00:01:45

Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

22
VII. Recitativo "Ich lege mich in diese Wunden"
Carolyn Sampson
00:00:45

Carolyn Sampson, Performer, Primary - Petra Mullejans, Conductor, Primary - Freiburger Barockorchester, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

23
VIII. Aria "Wie freudig ist mein Herz"
Carolyn Sampson
00:02:10

Carolyn Sampson, Performer, Primary - Freiburger Barockorchester, Primary - Petra Mullejans, Conductor, Primary - Johann Sebastian Bach, Composer

2017 harmonia mundi harmonia mundi 2017

Albumbeschreibung

The three Bach cantatas presented on this album belong to the composer’s Weimar period (where he lived and worked from 1708 to 1717), written between 1711 and 1714. Bach was still a young composer then, but the full body of his artistry is already present, and one can but shake the head in disbelief: where did the fellow find the source of such intense emotion, such harmonic and melodic boldness? The beginning of "Weichet nur, betrübte Schatten" ("Yield now, troubling shadows") unfolds a succession of harmonies which seem to have no logical link with each other, some kind of non-tonality – this being the way the composer describes in music the aforementioned lugubrious shadows. Arias alternately heartbreaking and tender, instrumental inventiveness, you name it, Bach has it. Soprano Carolyn Sampson, accompanied by the Freiburger Barockorchester (together with baritone Andreas Wolf for the cantata "Tritt auf die Glaubensbahn"), lends her voice with dedication to the music, combining the teachings of historically informed performance with a solid sense of emotion, indispensable for such masterpieces. © SM/Qobuz

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