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Magdalena Consort|"In Chains of Gold", The English Pre-Restoration Verse Anthem, Volume 1: Orlando Gibbons, Complete Consort Anthems

"In Chains of Gold", The English Pre-Restoration Verse Anthem, Volume 1: Orlando Gibbons, Complete Consort Anthems

Magdalena Consort, Fretwork & His Majestys Sagbutts & Cornetts

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Three ensembles of 17th-century music: Fretwork, His Majesty’s Sagbutts and Cornetts and the Magdalena Consort combine forces under the artistic direction of William Hunt for this first complete recording of the consort anthems of Orlando Gibbons. Let us here remind the reader that consort anthems were conceived as domestic music to be performed at the private homes of the nobility and gentry or at court; they are more often than not scored for voices and viols, with alternating instrumental and vocal moments – even if the viols, probably, were to play throughout. Consort anthems are different from verse anthems in that the latter were written for liturgical use, featuring one or more soloists, accompanied by the organ and alternating with passages for the full cathedral choir. To close the subject, the full anthem was entirely written for the chorus. Thus, the present recording shows us Gibbons as a composer for highly skilled amateurs, from the King’s own entourage down to the educated bourgeoisie. Alas, the scarcity of material that has come to us, as well as the flabbergasting diversity of manuscript or published sources, has brought the artists of this album to complete the extant consort anthems with a handful of other kinds of anthems, most likely verse anthems. But whatever the format, Gibbons appears here as a huge though somewhat neglected genius – the utter complexity of his music, his rather short life-span, as well as the fact that many a score may have been lost during the First Civil War and the bleak Cromwellian protectorate, may account for that relative neglect.

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"In Chains of Gold", The English Pre-Restoration Verse Anthem, Volume 1: Orlando Gibbons, Complete Consort Anthems

Magdalena Consort

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1
Behold, thou hast made my days
Charles Daniels
00:04:38

Charles Daniels, MainArtist - Orlando Gibbons, Composer - Fretwork, Ensemble - Magdalena Consort, Ensemble

(C) 2017 Signum Records (P) 2017 Signum Records

2
We praise thee, O Father
Eleanor Minney
00:04:59

Catherine King, MainArtist - Orlando Gibbons, Composer - Fretwork, Ensemble - Peter Harvey, MainArtist - Samuel Boden, MainArtist - Eleanor Minney, MainArtist - Nicholas Todd, MainArtist - Simon Gallear, MainArtist - Magdalena Consort, Ensemble

(C) 2017 Signum Records (P) 2017 Signum Records

3
In Nomine a5 No.1
Fretwork
00:04:12

Orlando Gibbons, Composer - Fretwork, Ensemble, MainArtist

(C) 2017 Signum Records (P) 2017 Signum Records

4
This is the record of John
Charles Daniels
00:04:07

Charles Daniels, MainArtist - Orlando Gibbons, Composer - Fretwork, Ensemble - Magdalena Consort, Ensemble

(C) 2017 Signum Records (P) 2017 Signum Records

5
Great King of Gods
Charles Daniels
00:04:46

Charles Daniels, MainArtist - Orlando Gibbons, Composer - Peter Harvey, MainArtist - Jeremy Budd, MainArtist - His Majestys Sagbutts & Cornetts, Ensemble - Silas Woolston, MainArtist

(C) 2017 Signum Records (P) 2017 Signum Records

6
Do not repine, fair sun part 1
Jeremy Budd
00:04:43

Orlando Gibbons, Composer - Fretwork, Ensemble - Peter Harvey, MainArtist - Jeremy Budd, MainArtist - Samuel Boden, MainArtist - Magdalena Consort, Ensemble

(C) 2017 Signum Records (P) 2017 Signum Records

7
Do not repine, fair sun part 2
Julia Doyle
00:03:03

Catherine King, MainArtist - Orlando Gibbons, Composer - Fretwork, Ensemble - Peter Harvey, MainArtist - Jeremy Budd, MainArtist - Julia Doyle, MainArtist - Samuel Boden, MainArtist - Magdalena Consort, Ensemble

(C) 2017 Signum Records (P) 2017 Signum Records

8
In Nomine a5 No.2
Fretwork
00:04:14

Orlando Gibbons, Composer - Fretwork, Ensemble, MainArtist

(C) 2017 Signum Records (P) 2017 Signum Records

9
Glorious and powerful God
Peter Harvey
00:05:04

Charles Daniels, MainArtist - Orlando Gibbons, Composer - Fretwork, Ensemble - Peter Harvey, MainArtist - Magdalena Consort, Ensemble

(C) 2017 Signum Records (P) 2017 Signum Records

10
Blessed are all they that fear the Lord
Samuel Boden
00:04:41

Catherine King, MainArtist - Charles Daniels, MainArtist - Orlando Gibbons, Composer - Fretwork, Ensemble - Peter Harvey, MainArtist - Jeremy Budd, MainArtist - Greg Skidmore, MainArtist - Samuel Boden, MainArtist - Eleanor Minney, MainArtist - Kirsty Whatley, MainArtist - Nicholas Todd, MainArtist - Simon Gallear, MainArtist - Magdalena Consort, Ensemble - Silas Woolston, MainArtist - Will Gaunt, MainArtist

(C) 2017 Signum Records (P) 2017 Signum Records

11
O all true faithful hearts
Charles Daniels
00:03:47

Catherine King, MainArtist - Charles Daniels, MainArtist - Orlando Gibbons, Composer - Peter Harvey, MainArtist - Eleanor Minney, MainArtist - His Majestys Sagbutts & Cornetts, Ensemble - Nicholas Todd, MainArtist - Simon Gallear, MainArtist - Magdalena Consort, Ensemble - Silas Woolston, MainArtist

(C) 2017 Signum Records (P) 2017 Signum Records

12
Sing unto the Lord
Peter Harvey
00:05:25

Charles Daniels, MainArtist - Orlando Gibbons, Composer - Fretwork, Ensemble - Peter Harvey, MainArtist - Jeremy Budd, MainArtist - Magdalena Consort, Ensemble - Will Gaunt, MainArtist

(C) 2017 Signum Records (P) 2017 Signum Records

13
In Nomine a5 No.3
Fretwork
00:03:46

Orlando Gibbons, Composer - Fretwork, Ensemble, MainArtist

(C) 2017 Signum Records (P) 2017 Signum Records

14
See, see, the Word is incarnate
Charles Daniels
00:05:54

Catherine King, MainArtist - Charles Daniels, MainArtist - Orlando Gibbons, Composer - Fretwork, Ensemble - Peter Harvey, MainArtist - Samuel Boden, MainArtist - Simon Gallear, MainArtist - Magdalena Consort, Ensemble

(C) 2017 Signum Records (P) 2017 Signum Records

15
Lord, grant grace
Eleanor Minney
00:03:09

Orlando Gibbons, Composer - Fretwork, Ensemble - Samuel Boden, MainArtist - Eleanor Minney, MainArtist - His Majestys Sagbutts & Cornetts, Ensemble - Magdalena Consort, Ensemble - Silas Woolston, MainArtist

(C) 2017 Signum Records (P) 2017 Signum Records

Albumbeschreibung

Three ensembles of 17th-century music: Fretwork, His Majesty’s Sagbutts and Cornetts and the Magdalena Consort combine forces under the artistic direction of William Hunt for this first complete recording of the consort anthems of Orlando Gibbons. Let us here remind the reader that consort anthems were conceived as domestic music to be performed at the private homes of the nobility and gentry or at court; they are more often than not scored for voices and viols, with alternating instrumental and vocal moments – even if the viols, probably, were to play throughout. Consort anthems are different from verse anthems in that the latter were written for liturgical use, featuring one or more soloists, accompanied by the organ and alternating with passages for the full cathedral choir. To close the subject, the full anthem was entirely written for the chorus. Thus, the present recording shows us Gibbons as a composer for highly skilled amateurs, from the King’s own entourage down to the educated bourgeoisie. Alas, the scarcity of material that has come to us, as well as the flabbergasting diversity of manuscript or published sources, has brought the artists of this album to complete the extant consort anthems with a handful of other kinds of anthems, most likely verse anthems. But whatever the format, Gibbons appears here as a huge though somewhat neglected genius – the utter complexity of his music, his rather short life-span, as well as the fact that many a score may have been lost during the First Civil War and the bleak Cromwellian protectorate, may account for that relative neglect.

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