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After making a promising start with their self-titled debut, Loverboy hit the big time in 1981 with Get Lucky. This canny combination of AOR hooks and new wave production gloss boasts some memorable radio-ready tunes but isn't as solid an album as its success might lead one to believe. The best tunes on Get Lucky were the songs that became its hit singles: "Working for the Weekend" is a party anthem that blends some gutsy hard-rock guitar riffs with a synthesizer-drenched new wave rhythm arrangement to become a huge hit, while "The Lucky Ones" layers clever lyrics about the jealousy that success inspires in others over a song that mixes pomp rock grandeur with a punchy AOR arrangement full of gutsy yet slick guitar riffs. Loverboy got additional airplay with "When It's Over," a moody power ballad that boasts a show-stoppingly emotional vocal performance from Mike Reno, and "Take Me to the Top," a sleek mid-tempo piece built on a hypnotic synthesizer arrangement. The rest of Get Lucky isn't as impressive as these hits because it relies on filler to pad the album out: "Gangs in the Street" is an overwrought song about street tensions whose lyrics are melodramatic to the point of being unintentionally funny, and "Emotional" is a sloppy bar band jam with annoyingly sexist lyrics and an awful vocal from Paul Dean. Due to this overabundance of less than stellar tracks, Get Lucky fails to be as consistent a listen as Loverboy or Keep It Up, but offers enough solid tracks to please the group's fans and AOR fanatics. Other listeners may want to check out the album's highlights on a compilation before picking it up.
© Donald A. Guarisco /TiVo
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Matt Frenette, Percussion - Matt Frenette, Drums - Mike Reno, Vocal - Mike Reno, Composer - Mike Reno, Lyricist - Scott Smith, Acoustic Bass - David Steele, Background Vocal - Bruce Fairbairn, Producer - George Marino, Re-Mastering Engineer - Rob Porter, 2nd Engineer - Nancy Nash, Background Vocal - Loverboy, Performer - Paul Dean, Composer - Paul Dean, Background Vocal - Paul Dean, Lyricist - Paul Dean, Guitar - Keith Stein, Engineer - Marc LaFrance, Background Vocal - Paul Warren Dean, Producer - Matthew Frenette, Composer - Matthew Frenette, Lyricist - Doug Johnson, Saxophone - Doug Johnson, Keyboards - Doug Johnson, Synthesizer
(P) 1981 SONY BMG MUSIC (CANADA) INC.
Rob Porter, 2nd Engineer - Mike Reno, Composer - Mike Reno, Lyricist - Keith Stein, Engineer - Bruce Fairbairn, Producer - Paul Warren Dean, Producer - Paul Dean, Composer - Paul Dean, Lyricist - Loverboy, Performer
(P) 1981 SONY BMG MUSIC (CANADA) INC.
J. Vallance, Composer - J. Vallance, Lyricist - Bruce Fairbairn, Producer - M. Frenette, Composer - M. Frenette, Lyricist - M. Reno, Lyricist - M. Reno, Composer - Paul Dean, Producer - B. Adams, Lyricist - B. Adams, Composer - Loverboy, Performer
(P) 1981 Sony Music Entertainment (Canada) Inc.
B. FAIRBAIRN, Producer - Bruce Fairbairn, Producer - Bob Rock, Engineer - M. Reno, Composer - George Marino, Mastering Engineer - George Marino, Re-Mastering Engineer - Rob Porter, 2nd Engineer - Mike Fraser, 2nd Engineer - Paul Dean, Producer - Loverboy, Performer - Keith Stein, Engineer - P. DEAN, Composer - P. DEAN, Producer - Doug Johnson, Saxophone
(P) 1981 Sony Music Entertainment (Canada) Inc.
Bruce Fairbairn, Producer - Loverboy, Performer - Paul Dean, Lyricist - Paul Dean, Composer - Paul Dean, Producer
(P) 1981 Sony Music Entertainment (Canada) Inc.
Mike Reno, Composer - Mike Reno, Lyricist - Denise Thurlow, Composer - Denise Thurlow, Lyricist - Scott Smith, Composer - Scott Smith, Lyricist - Bruce Fairbairn, Producer - Rob Porter, 2nd Engineer - Loverboy, Performer - Paul Dean, Composer - Paul Dean, Lyricist - Keith Stein, Engineer - Paul Warren Dean, Producer
(P) 1981 Sony Music Entertainment (Canada) Inc.
Matthew Frenette, Composer - Matthew Frenette, Lyricist - Mike Reno, Lyricist - Mike Reno, Composer - Doug Johnson, Composer - Doug Johnson, Lyricist - Bruce Fairbairn, Producer - Loverboy, Performer - Paul Dean, Composer - Paul Dean, Lyricist - Paul Dean, Producer
(P) 1981 Sony Music Entertainment (Canada) Inc.
B. FAIRBAIRN, Producer - Bob Rock, Engineer - D. Johnson, Composer - George Marino, Mastering Engineer - Rob Porter, 2nd Engineer - Mike Fraser, 2nd Engineer - Loverboy, Performer - Keith Stein, Engineer - P. DEAN, Composer - P. DEAN, Producer
(P) 1981 Sony Music Entertainment (Canada) Inc.
Matt Frenette, Percussion - Matt Frenette, Drums - Mike Reno, Vocal - Mike Reno, Composer - Mike Reno, Lyricist - Scott Smith, Acoustic Bass - David Steele, Background Vocal - Bruce Fairbairn, Producer - George Marino, Re-Mastering Engineer - Rob Porter, 2nd Engineer - Nancy Nash, Background Vocal - Loverboy, Performer - Paul Dean, Background Vocal - Paul Dean, Composer - Paul Dean, Guitar - Paul Dean, Lyricist - Keith Stein, Engineer - Marc LaFrance, Background Vocal - Paul Warren Dean, Producer - Doug Johnson, Saxophone - Doug Johnson, Keyboards - Doug Johnson, Composer - Doug Johnson, Lyricist - Doug Johnson, Synthesizer
(P) 1981 Sony Music Entertainment (Canada) Inc.
Albumbeschreibung
After making a promising start with their self-titled debut, Loverboy hit the big time in 1981 with Get Lucky. This canny combination of AOR hooks and new wave production gloss boasts some memorable radio-ready tunes but isn't as solid an album as its success might lead one to believe. The best tunes on Get Lucky were the songs that became its hit singles: "Working for the Weekend" is a party anthem that blends some gutsy hard-rock guitar riffs with a synthesizer-drenched new wave rhythm arrangement to become a huge hit, while "The Lucky Ones" layers clever lyrics about the jealousy that success inspires in others over a song that mixes pomp rock grandeur with a punchy AOR arrangement full of gutsy yet slick guitar riffs. Loverboy got additional airplay with "When It's Over," a moody power ballad that boasts a show-stoppingly emotional vocal performance from Mike Reno, and "Take Me to the Top," a sleek mid-tempo piece built on a hypnotic synthesizer arrangement. The rest of Get Lucky isn't as impressive as these hits because it relies on filler to pad the album out: "Gangs in the Street" is an overwrought song about street tensions whose lyrics are melodramatic to the point of being unintentionally funny, and "Emotional" is a sloppy bar band jam with annoyingly sexist lyrics and an awful vocal from Paul Dean. Due to this overabundance of less than stellar tracks, Get Lucky fails to be as consistent a listen as Loverboy or Keep It Up, but offers enough solid tracks to please the group's fans and AOR fanatics. Other listeners may want to check out the album's highlights on a compilation before picking it up.
© Donald A. Guarisco /TiVo
About the album
- 1 disc(s) - 9 track(s)
- Total length: 00:40:00
- Main artists: Loverboy
- Composer: Various Composers
- Label: Columbia
- Genre: Metal Hardrock
(P) 1981 Sony Music Entertainment (Canada) Inc.
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