Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Aurora Orchestra|Introit: The Music of Gerald Finzi

Introit: The Music of Gerald Finzi

Aurora Orchestra, Nicholas Collon

Digitales Booklet

Verfügbar in
24-Bit/96 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Instrumental arrangements of songs, not just those of Gerald Finzi, are a comparative rarity in classical music, and one would expect to find some kind of justification of the procedure in the notes to this Decca release. As it happens there is none, and you have to look to the packaging graphics to learn that the intent is to "aid wider appreciation of one of England's best-loved composers." That statement might be a bit contradictory, but apparently the idea is to draw in listeners who don't much care for art song. Your reaction to this may depend on how you feel about the enterprise in general, and hardcore Finzi fans may steer clear. But the album succeeds on its own terms. The Aurora Orchestra under Nicholas Collon offers some genuine orchestral works, including A Severn Rhapsody (1923), the piece that served notice that there was a new pastoralist in town. But sample instead one of the songs, perhaps Come away, come away, Death (track ten), one of several familiar Shakespeare items on the program. From this you'll learn several things. First, the saxophone of soloist Amy Dickson sings in all but words. Second, Finzi's melodies have a rather uncanny quality when shorn of the words: they seem to be straining toward something beyond themselves. And third, the pastoral tone of Finzi's music takes on a certain mystical quality when done this way. Although the music on the album is the work of several different arrangers, its tone and sound are remarkably consistent, and Dickson is used evocatively throughout. Unless you're repelled by the whole idea, give this album a chance: it's often gorgeous, and Decca's engineering work at Fairfield Halls, Croydon, is both appropriate as to sound design and technically flawless.

© TiVo

Weitere Informationen

Introit: The Music of Gerald Finzi

Aurora Orchestra

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

Lo, the full, final sacrifice, Op. 26 (Gerald Finzi)

1
Amen (Instrumental)
Amy Dickson
00:02:40

Amy Dickson, Soprano Saxophone, MainArtist, AssociatedPerformer - Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Richard Crashaw, Author - Paul Mealor, Arranger, Work Arranger - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer - Claire Hay, Asst. Recording Engineer, StudioPersonnel

℗ 2016 The Gerald Finzi Trust

Dies Natalis, Op. 8 - Arr. Sheppard (Gerald Finzi)

2
5. The Salutation (Instrumental)
Aurora Orchestra
00:04:17

Amy Dickson, Soprano Saxophone, MainArtist, AssociatedPerformer - Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Thomas Traherne, Author - Alexander Van Ingen, Producer, Recording Producer - Mike Sheppard, Arranger, Work Arranger - Claire Hay, Asst. Recording Engineer, StudioPersonnel

℗ 2016 The Gerald Finzi Trust

3
Who is Sylvia?, Op.18, No.2 (Instrumental)
Nicolas Fleury
00:01:42

Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Robin Hawkins, Asst. Recording Engineer, StudioPersonnel - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer - Mike Sheppard, Arranger, Work Arranger - Nicolas Fleury, French Horn, MainArtist, AssociatedPerformer

℗ 2016 The Gerald Finzi Trust

Love's Labour's Lost, Op. 28 (Gerald Finzi)

4
1. Soliloquy 1: So sweet a kiss the golden sun gives not (Instrumental)
Aurora Orchestra
00:01:43

Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Robin Hawkins, Asst. Recording Engineer, StudioPersonnel - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer

℗ 2016 The Gerald Finzi Trust

5
2. Soliloquy 2: Did not the heavenly rhetoric of thine eye (Instrumental)
Aurora Orchestra
00:01:32

Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Robin Hawkins, Asst. Recording Engineer, StudioPersonnel - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer

℗ 2016 The Gerald Finzi Trust

6
3. Soliloquy 3: On a day, alack the day (Instrumental)
Aurora Orchestra
00:01:16

Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Robin Hawkins, Asst. Recording Engineer, StudioPersonnel - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer

℗ 2016 The Gerald Finzi Trust

7
Clear and gentle stream, Op. 17, No. 4 (Instrumental)
Aurora Orchestra
00:04:30

HARVEY BROUGH, Arranger, Work Arranger - Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Robin Hawkins, Asst. Recording Engineer, StudioPersonnel - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer

℗ 2016 The Gerald Finzi Trust

8
Rollicum Rorum, Op. 15, No. 6 (Instrumental)
Aurora Orchestra
00:01:43

Amy Dickson, Soprano Saxophone, MainArtist, AssociatedPerformer - Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer - Mike Sheppard, Arranger, Work Arranger - Claire Hay, Asst. Recording Engineer, StudioPersonnel

℗ 2016 The Gerald Finzi Trust

9
Introit, Op. 6
Thomas Gould
00:08:34

Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Aurora Orchestra, Orchestra, MainArtist - Thomas Gould, Violin, MainArtist, AssociatedPerformer - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer - Claire Hay, Asst. Recording Engineer, StudioPersonnel

℗ 2016 The Gerald Finzi Trust

10
Come away, come away death, Op.18, No.1 (Instrumental)
Amy Dickson
00:03:43

Amy Dickson, Soprano Saxophone, MainArtist, AssociatedPerformer - Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Paul Mealor, Arranger, Work Arranger - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer - Claire Hay, Asst. Recording Engineer, StudioPersonnel

℗ 2016 The Gerald Finzi Trust

11
Prelude, Op. 25
Aurora Orchestra
00:04:30

Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Robin Hawkins, Asst. Recording Engineer, StudioPersonnel - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer

℗ 2016 The Gerald Finzi Trust

12
Romance, Op. 11
Aurora Orchestra
00:07:34

Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Robin Hawkins, Asst. Recording Engineer, StudioPersonnel - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer

℗ 2016 The Gerald Finzi Trust

13
To Lizbie Brown, Op.15, No.7 (Instrumental)
Amy Dickson
00:04:06

Amy Dickson, Alto Saxophone, MainArtist, AssociatedPerformer - Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer - Mike Sheppard, Arranger, Work Arranger - Claire Hay, Asst. Recording Engineer, StudioPersonnel

℗ 2016 The Gerald Finzi Trust

Dies Natalis, Op. 8 (Gerald Finzi)

14
1. Intrada
Aurora Orchestra
00:05:26

Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Thomas Traherne, Author - Alexander Van Ingen, Producer, Recording Producer - Claire Hay, Asst. Recording Engineer, StudioPersonnel

℗ 2016 The Gerald Finzi Trust

15
Fear no more the heat of the sun, Op.18, No.3 (Instrumental)
Amy Dickson
00:05:36

Amy Dickson, Alto Saxophone, MainArtist, AssociatedPerformer - Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Patrick Hawes, Arranger, Work Arranger - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer - Claire Hay, Asst. Recording Engineer, StudioPersonnel

℗ 2016 The Gerald Finzi Trust

16
A Severn Rhapsody, Op. 3 (Instrumental)
Aurora Orchestra
00:06:36

Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Robin Hawkins, Asst. Recording Engineer, StudioPersonnel - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer

℗ 2016 The Gerald Finzi Trust

17
Eclogue Op. 10
Tom Poster
00:11:05

Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Tom Poster, Piano, MainArtist, AssociatedPerformer - Aurora Orchestra, Orchestra, MainArtist - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer - Claire Hay, Asst. Recording Engineer, StudioPersonnel

℗ 2016 The Gerald Finzi Trust

Five Bagatelles, Op. 23 - Arr. Ashmore, Dickson (Gerald Finzi)

18
3. Carol
Amy Dickson
00:02:05

Amy Dickson, Arranger, Soprano Saxophone, Work Arranger, MainArtist, AssociatedPerformer - Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Aurora Orchestra, Orchestra, MainArtist - Lawrence Ashmore, Arranger, Work Arranger - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer - Claire Hay, Asst. Recording Engineer, StudioPersonnel

℗ 2016 The Gerald Finzi Trust

19
4. Forlana
Amy Dickson
00:03:01

Amy Dickson, Arranger, Soprano Saxophone, Work Arranger, MainArtist, AssociatedPerformer - Andrew Mellor, Recording Engineer, StudioPersonnel - Gerald Finzi, Composer - Aurora Orchestra, Orchestra, MainArtist - Lawrence Ashmore, Arranger, Work Arranger - Nicholas Collon, Conductor, MainArtist - Alexander Van Ingen, Producer, Recording Producer - Claire Hay, Asst. Recording Engineer, StudioPersonnel

℗ 2016 The Gerald Finzi Trust

Albumbeschreibung

Instrumental arrangements of songs, not just those of Gerald Finzi, are a comparative rarity in classical music, and one would expect to find some kind of justification of the procedure in the notes to this Decca release. As it happens there is none, and you have to look to the packaging graphics to learn that the intent is to "aid wider appreciation of one of England's best-loved composers." That statement might be a bit contradictory, but apparently the idea is to draw in listeners who don't much care for art song. Your reaction to this may depend on how you feel about the enterprise in general, and hardcore Finzi fans may steer clear. But the album succeeds on its own terms. The Aurora Orchestra under Nicholas Collon offers some genuine orchestral works, including A Severn Rhapsody (1923), the piece that served notice that there was a new pastoralist in town. But sample instead one of the songs, perhaps Come away, come away, Death (track ten), one of several familiar Shakespeare items on the program. From this you'll learn several things. First, the saxophone of soloist Amy Dickson sings in all but words. Second, Finzi's melodies have a rather uncanny quality when shorn of the words: they seem to be straining toward something beyond themselves. And third, the pastoral tone of Finzi's music takes on a certain mystical quality when done this way. Although the music on the album is the work of several different arrangers, its tone and sound are remarkably consistent, and Dickson is used evocatively throughout. Unless you're repelled by the whole idea, give this album a chance: it's often gorgeous, and Decca's engineering work at Fairfield Halls, Croydon, is both appropriate as to sound design and technically flawless.

© TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

The Köln Concert (Live at the Opera, Köln, 1975)

Keith Jarrett

Ravel : Complete Works for Solo Piano

Bertrand Chamayou

Fauré: Nocturnes & Barcarolles

Marc-André Hamelin

Fauré: Nocturnes & Barcarolles Marc-André Hamelin

Thomas Adès: Dante

Los Angeles Philharmonic

Thomas Adès: Dante Los Angeles Philharmonic
Mehr auf Qobuz
Von Aurora Orchestra

Road Trip

Aurora Orchestra

Road Trip Aurora Orchestra

Introit: The Music of Gerald Finzi

Aurora Orchestra

Music of the Spheres

Aurora Orchestra

Music of the Spheres Aurora Orchestra

Music of the Spheres

Aurora Orchestra

Music of the Spheres Aurora Orchestra

Insomnia

Aurora Orchestra

Insomnia Aurora Orchestra

Playlists

Das könnte Ihnen auch gefallen...

J.S. Bach: Goldberg Variations

Víkingur Ólafsson

J.S. Bach: Goldberg Variations Víkingur Ólafsson

Rachmaninoff: The Piano Concertos & Paganini Rhapsody

Yuja Wang

Beethoven and Beyond

María Dueñas

Beethoven and Beyond María Dueñas

Mendelssohn: Lieder ohne Worte

Igor Levit

A Symphonic Celebration - Music from the Studio Ghibli Films of Hayao Miyazaki

Joe Hisaishi