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Olli Mustonen|Prokofiev: Piano Concertos Nos. 2 & 5

Prokofiev: Piano Concertos Nos. 2 & 5

Olli Mustonen, Hannu Lintu, Finnish Radio Symphony Orchestra

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Much like Prokofiev, pianist-composer Olli Mustonen leads a double career as a pianist and a composer – triple even, if you consider that he also conducts every now and then, exactly like Prokofiev –, which led him to perform with the Berliner Philharmonie, the New York Philharmonic, the Royal Concertgebouw, to only name three of the most prestigious orchestras. His repertoire not only covers the greatest works but also, and most importantly, lesser known compositions, by Alkan, Respighi or Scriabin for instance, and he has become a staunch advocate of Prokofiev. Here is his interpretation of the great Russian composer’s Second and Fifth Concertos. These are two works of his first maturity, one from 1923 – granted the original concerto dates back to 1913 but the score was lost and Prokofiev wrote it back from a reduction for piano, with numerous alterations – and the other from 1932 – created by the composer himself and Furtwängler, with the Berliner Philarmonie, in the presence of Hindemith and Stravinsky. Mustonen draws from Prokofiev’s playing style, considered at the time to be “made of steel”, which can be verified in the composer’s existing recordings and is generally required by piano writing itself. © SM/Qobuz

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Prokofiev: Piano Concertos Nos. 2 & 5

Olli Mustonen

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Piano Concerto No. 2 in G Minor, Op. 16 (1923 Version) (Sergei Prokofiev)

1
I. Andantino - Allegretto
00:11:58

Sergei Prokofiev, Composer - Finnish Radio Symphony Orchestra, Orchestra - Olli Mustonen, Artist, MainArtist - Hannu Lintu, Conductor

(C) 2017 Ondine (P) 2017 Ondine

2
II. Scherzo: Vivace
00:02:59

Sergei Prokofiev, Composer - Finnish Radio Symphony Orchestra, Orchestra - Olli Mustonen, Artist, MainArtist - Hannu Lintu, Conductor

(C) 2017 Ondine (P) 2017 Ondine

3
III. Intermezzo: Allegro moderato
00:07:04

Sergei Prokofiev, Composer - Finnish Radio Symphony Orchestra, Orchestra - Olli Mustonen, Artist, MainArtist - Hannu Lintu, Conductor

(C) 2017 Ondine (P) 2017 Ondine

4
IV. Finale: Allegro tempestoso
00:11:55

Sergei Prokofiev, Composer - Finnish Radio Symphony Orchestra, Orchestra - Olli Mustonen, Artist, MainArtist - Hannu Lintu, Conductor

(C) 2017 Ondine (P) 2017 Ondine

Piano Concerto No. 5 in G Major, Op. 55 (Sergei Prokofiev)

5
I. Allegro con brio
00:05:15

Sergei Prokofiev, Composer - Finnish Radio Symphony Orchestra, Orchestra - Olli Mustonen, Artist, MainArtist - Hannu Lintu, Conductor

(C) 2017 Ondine (P) 2017 Ondine

6
II. Moderato ben accentuato
00:04:02

Sergei Prokofiev, Composer - Finnish Radio Symphony Orchestra, Orchestra - Olli Mustonen, Artist, MainArtist - Hannu Lintu, Conductor

(C) 2017 Ondine (P) 2017 Ondine

7
III. Toccata: Allegro con fuoco
00:01:58

Sergei Prokofiev, Composer - Finnish Radio Symphony Orchestra, Orchestra - Olli Mustonen, Artist, MainArtist - Hannu Lintu, Conductor

(C) 2017 Ondine (P) 2017 Ondine

8
IV. Larghetto
00:06:27

Sergei Prokofiev, Composer - Finnish Radio Symphony Orchestra, Orchestra - Olli Mustonen, Artist, MainArtist - Hannu Lintu, Conductor

(C) 2017 Ondine (P) 2017 Ondine

9
V. Vivo
00:06:01

Sergei Prokofiev, Composer - Finnish Radio Symphony Orchestra, Orchestra - Olli Mustonen, Artist, MainArtist - Hannu Lintu, Conductor

(C) 2017 Ondine (P) 2017 Ondine

Album review

Much like Prokofiev, pianist-composer Olli Mustonen leads a double career as a pianist and a composer – triple even, if you consider that he also conducts every now and then, exactly like Prokofiev –, which led him to perform with the Berliner Philharmonie, the New York Philharmonic, the Royal Concertgebouw, to only name three of the most prestigious orchestras. His repertoire not only covers the greatest works but also, and most importantly, lesser known compositions, by Alkan, Respighi or Scriabin for instance, and he has become a staunch advocate of Prokofiev. Here is his interpretation of the great Russian composer’s Second and Fifth Concertos. These are two works of his first maturity, one from 1923 – granted the original concerto dates back to 1913 but the score was lost and Prokofiev wrote it back from a reduction for piano, with numerous alterations – and the other from 1932 – created by the composer himself and Furtwängler, with the Berliner Philarmonie, in the presence of Hindemith and Stravinsky. Mustonen draws from Prokofiev’s playing style, considered at the time to be “made of steel”, which can be verified in the composer’s existing recordings and is generally required by piano writing itself. © SM/Qobuz

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