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Léon Berben|Melchior Schildt: Complete Organ Works

Melchior Schildt: Complete Organ Works

Léon Berben

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The historic organ of the church of Saint Stefan of Tangermünde in Saxen Anhalt (about 100km west of Berlin, to give you an idea) which was made in 1620, but has suffered all manner of misadventures over the centuries – restorations in 1712, 1790, 1858, 1913, 1929, before an "original state" restoration in 1994 – at the end of which it appears that around 50% of the original baroque instrument still exists, which is quite a considerable amount. And it is on this impressive instrument that the Dutch organist Léon Berben, a regular recipient of Chocs du Monde de la Musique, the Diapason d'Or and other awards, has chosen to play us a lovely handful of works by Melchior Schildt (1592-1667) and Delphin Strungk (1601-1694), two musicians who worked in northern Germany and the Netherlands, and for whom an instrument like the Tangermünde organ would have been an open book. The writing of this music follows the teachings of Sweelinck, of whom Schildt was a follower in Amsterdam in the 1610s; and it consolidates the north-German organ tradition which would later so grip Bach. Beautiful and rich organ sounds, beautiful and rich music, all wonderfully recorded - because recording an organ is devilishly tricky - this is an excellent contribution to the knowledge of this musical world. © SM/Qobuz

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Melchior Schildt: Complete Organ Works

Léon Berben

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1
Praeambulum in G Major
00:01:58

Léon Berben, Primary - Melchior Schildt, Composer

2017 Aeolus 2017 Aeolus

2
Praeludium a 5 Vocum in G Major
00:05:13

Léon Berben, Primary - Melchior Schildt, Composer

2017 Aeolus 2017 Aeolus

3
Choral in C Major "Herzlich lieb hab ich dich o Herr"
00:02:38

Léon Berben, Primary - Anonymous, Composer

2017 Aeolus 2017 Aeolus

4
Choral Prelude in C Major "Herzlich lieb hab ich dich o Herr"
00:04:17

Léon Berben, Primary - Melchior Schildt, Composer

2017 Aeolus 2017 Aeolus

5
Paduana Lachrymae in A Minor
00:05:55

Léon Berben, Primary - Melchior Schildt, Composer

2017 Aeolus 2017 Aeolus

6
Gleichwie das Feuer in G Minor
00:04:27

Léon Berben, Primary - Melchior Schildt, Composer

2017 Aeolus 2017 Aeolus

7
Magnificat noni toni: Meine Seele erhebet den Herren in D Minoir
00:10:31

Léon Berben, Primary - Delphin Strungk, Composer

2017 Aeolus 2017 Aeolus

8
Choral Prelude in F Major "Herr Christ der einig Gottessohn"
00:10:53

Léon Berben, Primary - Melchior Schildt, Composer

2017 Aeolus 2017 Aeolus

9
Choral Prelude in A Minor "Ach Gott, vom Himmel sieh' darein"
00:06:02

Léon Berben, Primary - Melchior Schildt, Composer

2017 Aeolus 2017 Aeolus

10
Praeludium in F Major
00:05:24

Léon Berben, Primary - Anonymous, Composer

2017 Aeolus 2017 Aeolus

11
Choral Prelude in F Major "Allein Gott in der Höh' sei Ehr"
00:01:44

Léon Berben, Primary - Melchior Schildt, Composer

2017 Aeolus 2017 Aeolus

12
Magnificat primi toni in D Minor
00:18:19

Léon Berben, Primary - Melchior Schildt, Composer

2017 Aeolus 2017 Aeolus

13
Praeambulum in G Minor
00:01:16

Léon Berben, Primary - Melchior Schildt, Composer

2017 Aeolus 2017 Aeolus

Album review

The historic organ of the church of Saint Stefan of Tangermünde in Saxen Anhalt (about 100km west of Berlin, to give you an idea) which was made in 1620, but has suffered all manner of misadventures over the centuries – restorations in 1712, 1790, 1858, 1913, 1929, before an "original state" restoration in 1994 – at the end of which it appears that around 50% of the original baroque instrument still exists, which is quite a considerable amount. And it is on this impressive instrument that the Dutch organist Léon Berben, a regular recipient of Chocs du Monde de la Musique, the Diapason d'Or and other awards, has chosen to play us a lovely handful of works by Melchior Schildt (1592-1667) and Delphin Strungk (1601-1694), two musicians who worked in northern Germany and the Netherlands, and for whom an instrument like the Tangermünde organ would have been an open book. The writing of this music follows the teachings of Sweelinck, of whom Schildt was a follower in Amsterdam in the 1610s; and it consolidates the north-German organ tradition which would later so grip Bach. Beautiful and rich organ sounds, beautiful and rich music, all wonderfully recorded - because recording an organ is devilishly tricky - this is an excellent contribution to the knowledge of this musical world. © SM/Qobuz

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