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Vocal Music (Secular and Sacred) - Released June 5, 2012 | Ondine

Hi-Res Booklet Distinctions 4F de Télérama - 4 étoiles Classica - Hi-Res Audio - La Clef du mois RESMUSICA
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Mélodies (French) - Released October 20, 2015 | Alpha

Hi-Res Booklet Distinctions 5 de Diapason - 4F de Télérama - Gramophone Editor's Choice
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Art Songs, Mélodies & Lieder - Released October 30, 2007 | Naxos

Hi-Res Booklet Distinctions Diapason d'or - 4 étoiles du Monde de la Musique
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Vocal Music (Secular and Sacred) - Released May 31, 2017 | Alpha

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Editor's Choice
After an album of French songs (Néère) that earned her a "Gramophone Award" in 2016, Véronique Gens presents her new recital, this time with orchestra, which gives her an opportunity to display the maturity of her ‘Falcon’ soprano, the central tessitura typical of French Romantic opera, which takes its name from Cornélie Falcon, who created the works of Meyerbeer and Halévy staged in the 1830s. She pays tribute here to a number of composers whose unknown operas she was the first to reveal in projects mounted by the Palazzetto Bru Zane, including David, Godard, Saint-Saëns and Halévy. The programme selects arias from all the genres in vogue in the Romantic era: opera (Saint-Saëns, Halévy, Godard, Février), opéra-comique (David), oratorio (Franck, Massenet) and the cantata for the Prix de Rome (Bizet, Bruneau). A nod to Wagner and his Tannhäuser – in its French translation of the 1860s – completes this programme conducted by a longstanding colleague of the soprano, one of the leading specialists in French music, Hervé Niquet. © Alpha Classics
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Art Songs, Mélodies & Lieder - Released November 1, 2004 | Naxos

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Classical - Released January 1, 2000 | Decca

Classical - Released May 8, 2006 | Warner Classics

The tragic operas of the French Baroque can be rough going for the new listener, whose eyes may glaze over when hearing about rules of French prosody, classical models, and Lully's dominance of the scene. But this single-disc recital solves any problems you may have had in encountering operatic music from Lully to Gluck. Credit soprano Véronique Gens, who has often sung lighter material and now is turning to the serious works of Rameau and his era at just the right time. Her voice is impressively versatile, with a muscular medium-wave vibrato that can easily drop off into a stage whisper or rise into anger. Credit conductor Christophe Rousset and his group Les Talens Lyriques, with their on-the-ball, sensitive accompaniment and unique catgut-scraping string sound. Credit booklet writer Jean Duron for a quick, painless introduction to the 100-year history of how French opera composers, working in the centralized musical system of the French monarchy, responded to the musical world as it changed around them. Credit the engineers from Virgin Classics, who have made the Church of Notre Dame-du-Liban in Paris into something resembling a close-up, row-five theatrical experience, and caught the powerful sense of immediacy and communication in Gens' singing. And credit whoever devised the program, which offers good-sized chunks of music from various operas, complete with overtures and other instrumental interludes, instead of a sequence of disconnected arias and random sonatas linked to the main program only by chronology. This album will earn praise from those who follow Gens closely, and for the general listener looking to hear some French Baroque opera arias it's a godsend -- the tragic heroine is a central figure of the era, and Gens and company have brought her fully to life.

Opera - Released January 3, 2012 | Dynamic

Opera - Released January 1, 2004 | Dynamic

Classical - Released January 1, 2002 | Accord