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Jazz - Released January 1, 1980 | Concord Records


Jazz - Released April 19, 2013 | UNIVERSAL MUSIC LLC


Jazz - Released April 12, 2013 | J For Jazz Records


Jazz - Released January 1, 2001 | Concord Records

Ever since Charlie "Bird" Parker recorded his first Charlie Parker With Strings sessions in 1949 and 1950, jazz artists have hoped to enjoy the backing of lush string orchestras. But most will never get the chance because of the expense; it's a lot easier to pay four or five musicians than 15, 20, or 25. Ron Carter, however, did fulfill that dream in the late '70s and early '80s -- first on 1978's Pick 'Em, then on 1981's Super Strings. In 2001, Fantasy reissued those Milestone dates back to back on this 78-minute CD. Typically, a jazz-with-strings project will emphasize overdone standards, but Carter's own material dominates this CD; the only tunes that he didn't write are Gordon Parks' "Don't Misunderstand" and Miles Davis' "All Blues." Carter's composing is solid throughout, and the material he provides ranges from introspective ballads ("Tranquil," "Opus 2") to a funky, gospel-minded offering ("Uptown Conversation") and a melodic, Brazilian-flavored piece ("Bom Dia"). Meanwhile, "Eight" is a modal number that is obviously based on John Coltrane's "Impressions" and Miles Davis' "So What." Parts of the CD swing hard, and parts are unapologetically lush -- nonetheless, Carter maintains his integrity and avoids getting into elevator muzak. The bassist obviously realizes that lush doesn't have to mean muzak. Although not among Carter's essential CDs, Pick 'Em/Super Strings is an enjoyable disc that will appeal to those who have a taste for lavish orchestral jazz. ~ Alex Henderson

Jazz - Released January 1, 2008 | Concord Records


Jazz - Released June 19, 2007 | Blue Note Records

Although he has participated in a couple of Miles Davis tribute bands and Herbie Hancock's V.S.O.P., Ron Carter always resisted leading a CD of Davis tunes, until this project. Actually only seven of the ten songs that are performed by Carter's quartet on Dear Miles were associated with the trumpeter (not the two Carter originals or "As Time Goes By"), and "Bags' Groove" is a bit borderline. In any case, there are no trumpeters emulating Miles and these versions rarely hint at Davis' versions. This project simply served as a good excuse to play a variety of superior songs. Carter has plenty of solo space and sometimes takes the melodic lead. Pianist Stephen Scott gets his solos and occasionally throws in unexpected and offbeat song quotes. Drummer Payton Crossley and percussionist Roger Squitero are very much in the background. Dear Miles is a cheerful and upbeat session, most highly recommended to listeners who enjoy hearing a lot of bass solos. ~ Scott Yanow

Jazz - Released January 1, 1979 | Concord Records

Bassist Carter heads a sterling mid-sized band with three trumpeters and saxophonists and two trombones. He handles the job of being both the primary and secondary rhythm support, while guests Joe Henderson, Jon Faddis, and Frank Wess, among others, provide some standout solos. The ensemble interaction clicks as well. ~ Ron Wynn

Jazz - Released August 15, 2017 | Belle Wood


Jazz - Released July 18, 2017 | golden times


Jazz - Released June 15, 2017 | cappo digital


Jazz - Released April 28, 2017 | IN+OUT Records


Jazz - Released April 25, 2017 | cappo digital


Jazz - Released March 26, 2017 | fsp analog


Jazz - Released March 17, 2017 | HCR Music


Jazz - Released February 25, 2017 | cappo digital