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Classical - Released August 29, 2014 | Erato - Warner Classics

Hi-Res Booklet Distinctions Diapason d'or de l'année - Diapason d'or - Gramophone Editor's Choice - Diamant d'Opéra - Choc de Classica - Exceptional Sound Productions
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Classical - Released November 4, 2016 | Erato - Warner Classics

Hi-Res Booklet Distinctions 5 de Diapason - Gramophone Award - Gramophone Editor's Choice - Choc de Classica - Exceptional Sound Productions - 5 Sterne Fono Forum Klassik
Mezzo-soprano Joyce DiDonato has gained a strong following with novel, even fearless programs, flawlessly executed. The stimulus for In War & Peace was extramusical: DiDonato temporarily shelved a different project in the wake of the terrorist attack at the Bataclan concert hall in Paris. The concept is ambitious: the booklet includes quotes about finding peace from figures as varied as Patrick Stewart, Riccardo Muti, Ruth Bader Ginsburg, and an inmate at New York's Sing Sing prison. Does it directly connect with DiDonato's program of Baroque arias? Listeners will have to decide for themselves, but the good news is that the program stands on its own. War and peace are among the most common themes in Baroque opera, but DiDonato has woven them together intelligently here. For one thing, the two interpenetrate, with elevated tragic arias in the War half of the program, and complex dramatic conceptions in the Peace half. Sample Handel's remarkable "Augelletti, che cantante," from Rinaldo, with its sopranino recorder part and discursive development. Added bonuses are some world-premiere arias from the still largely unexplored corpus of opera seria from the middle 18th century, represented by compositions of Leonardo Leo and Niccolò Jommelli. Equally good are the big hits, including a magnificent, deliberate "When I am laid in earth," from Purcell's Dido and Aeneas, which shows the breadth of DiDonato's conceptualizations of war and peace. The accompaniment from the historical-instrument group Il Pomo d'Oro under Maxim Emelyanychev is ideal. Recommended, whatever your views on the feasibility of world peace.
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Classical - Released January 1, 2009 | Archiv Produktion

Booklet Distinctions Diamant d'Opéra
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Classical - Released August 28, 2015 | Erato - Warner Classics

Hi-Res Booklet Distinctions 5 de Diapason - Grammy Awards
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Classical - Released October 21, 2013 | PentaTone

Hi-Res Booklet Distinctions Hi-Res Audio
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Full Operas - Released September 1, 2005 | Naxos

Booklet
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Opera - Released August 26, 2013 | Warner Classics International

Booklet
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Opera - To be released November 24, 2017 | Warner Classics

Hi-Res Booklet
We will gladly forgive the occasional "weakness" in sound technology in this recording of Troyens by Berlioz (recorded live in concert in April 2017). In light of the first-rate quality of the music and vocals that appear on the disc (a majority of which are French voices, with Stéphane Degout at their head) this immense work is from the Strasbourg Philharmonic Orchestra and the three choirs which have been brought together – because the work demands immense swelling choirs – which are the choir of the Opéra national du Rhin, the Opéra National de Bade, and the Strasbourg Philharmonic's own choir. This recording rests, of course, on the complete original edition, which gives the listener a chance to hear Les Troyens as the work was performed in 1863, at the Théâtre-Lyrique, in which some intense chopping saw Acts I and II condensed into one part and Acts III to V into another, producing two distinct operas (La Prise de Troie and Les Troyens à Carthage). We also get a taste, naturally, of Berlioz's immensely rich orchestral innovations: with every new work, he would invent some exciting new prototype from scratch, never content to rest on his laurels. The listener should note the presence of six saxhorns, recently invented by Adolphe Sax (of whom Berlioz was an indefatigable champion, even if he didn't often use his instruments in his scores, no doubt because of the poor quality of the early instrumentalists who learned - however well or badly - Sax's instruments); bass clarinet, and an army of percussion pieces including several instruments which must have been rare in those days: crotales, goblet drums, tom-toms, thunder sheets... clearly, this is a milestone in the Berlioz discography. © SM/Qobuz
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Opera - To be released November 24, 2017 | Warner Classics

Booklet
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Classical - Released November 4, 2016 | Erato - Warner Classics

Booklet
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Classical - Released November 1, 2016 | Warner Classics

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Classical - Released October 14, 2016 | Erato - Warner Classics

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Classical - Released September 21, 2016 | Erato - Warner Classics

Hi-Res
Mezzo-soprano Joyce DiDonato has gained a strong following with novel, even fearless programs, flawlessly executed. The stimulus for In War & Peace was extramusical: DiDonato temporarily shelved a different project in the wake of the terrorist attack at the Bataclan concert hall in Paris. The concept is ambitious: the booklet includes quotes about finding peace from figures as varied as Patrick Stewart, Riccardo Muti, Ruth Bader Ginsburg, and an inmate at New York's Sing Sing prison. Does it directly connect with DiDonato's program of Baroque arias? Listeners will have to decide for themselves, but the good news is that the program stands on its own. War and peace are among the most common themes in Baroque opera, but DiDonato has woven them together intelligently here. For one thing, the two interpenetrate, with elevated tragic arias in the War half of the program, and complex dramatic conceptions in the Peace half. Sample Handel's remarkable "Augelletti, che cantante," from Rinaldo, with its sopranino recorder part and discursive development. Added bonuses are some world-premiere arias from the still largely unexplored corpus of opera seria from the middle 18th century, represented by compositions of Leonardo Leo and Niccolò Jommelli. Equally good are the big hits, including a magnificent, deliberate "When I am laid in earth," from Purcell's Dido and Aeneas, which shows the breadth of DiDonato's conceptualizations of war and peace. The accompaniment from the historical-instrument group Il Pomo d'Oro under Maxim Emelyanychev is ideal. Recommended, whatever your views on the feasibility of world peace.
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Classical - Released April 8, 2016 | Navona

Hi-Res Booklet
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Classical - Released August 28, 2015 | Erato - Warner Classics