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Classical - Released January 1, 2014 | Decca

Hi-Res Booklet Distinctions Diapason d'or de l'année - Diapason d'or - Gramophone Record of the Month - Le Choix de France Musique - Exceptional Sound Productions
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Film Soundtracks - Released January 1, 2011 | Decca

Hi-Res Booklet Distinctions Diapason d'or de l'année - Diapason d'or - Gramophone Editor's Choice - Hi-Res Audio
For his debut recording on Decca, pianist Benjamin Grosvenor performed music of Frédéric Chopin, Franz Liszt, and Maurice Ravel, demonstrating both a keen awareness of his prodigious abilities and a knack for creating a balanced and interesting program. Chopin's four dynamic Scherzos are interspersed with three Nocturnes (chosen to correspond to the Scherzo's keys), while the remainder of the program is devoted to Liszt's transcriptions of two of Chopin's songs and the nocturne, En rêve, along with Ravel's notoriously difficult Gaspard de la nuit. The Chopin Scherzos are distinctively played with incisive attacks, commanding expression, and bravura speed, which, when taken altogether, make the gentle Nocturnes necessary interludes to leaven the Scherzos' volatile moods. The Liszt portion of the program is even lighter, with a nice mix of lyricism and colorful virtuosic turns, and the sweetness of the music balances the rather unsentimental Chopin interpretations. Less soothing is the dark and haunted music of Ravel's Gaspard de la nuit, which provides Grosvenor his finest moments. If any piece demonstrates this pianist's technical skills and expressive depth, then this tryptich succeeds, for it showcases his talent for weaving fantastic expressions and virtuosic playing into a magical, disturbing, and chilling experience. Even at the beginning of his career, Grosvenor shows maturity and insight, and he offers an admirable album that displays not only what he has achieved thus far, but promises great things ahead. This rising star bears watching and this CD demands repeated listening.
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Classical - Released September 1, 2016 | Decca

Hi-Res Booklet Distinctions Diapason d'or - Le Choix de France Musique - 4 étoiles Classica
Pianist Benjamin Grosvenor, 24 years old when this album appeared in 2016, has made a splash with his seemingly effortless technical mastery and his ability to put across a feeling of suppressed energy. There are many technical difficulties in these Romantic showpieces, but Grosvenor lets them roll off his fingers without raising the temperature much until the end, in the Liszt Tarantella from the Venezia e Napoli (Venice and Naples) set of Années de pèlerinage. It's an impressive display of control, said to be matched by considerable charisma in live performance. The program, which might have been played a century ago, is almost refreshing for that reason, but it's not totally coherent: the first three "Homages" are to Bach, while the last two are not homages to a person, but to cities, and to a pair of them at that. Still, the individual pieces work well on their own terms. César Franck's Prélude, Choral, et Fugue, FWV 21, benefits greatly from Grosvenor's ability to suggest currents of passion beneath the surface, and the Mendelssohn set of Six Preludes and Fugues, Op. 35, are sharply characterized and infused with an unusual degree of contrast for the collection, which often suffers from over-academic performances. This release showcases a young pianist with the potential to become a star in the time-honored Romantic virtuoso mold.
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Classical - Released January 1, 2013 | Decca

Hi-Res Booklet Distinctions Hi-Res Audio
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Classical - Released September 1, 2016 | Decca

Booklet
Pianist Benjamin Grosvenor, 24 years old when this album appeared in 2016, has made a splash with his seemingly effortless technical mastery and his ability to put across a feeling of suppressed energy. There are many technical difficulties in these Romantic showpieces, but Grosvenor lets them roll off his fingers without raising the temperature much until the end, in the Liszt Tarantella from the Venezia e Napoli (Venice and Naples) set of Années de pèlerinage. It's an impressive display of control, said to be matched by considerable charisma in live performance. The program, which might have been played a century ago, is almost refreshing for that reason, but it's not totally coherent: the first three "Homages" are to Bach, while the last two are not homages to a person, but to cities, and to a pair of them at that. Still, the individual pieces work well on their own terms. César Franck's Prélude, Choral, et Fugue, FWV 21, benefits greatly from Grosvenor's ability to suggest currents of passion beneath the surface, and the Mendelssohn set of Six Preludes and Fugues, Op. 35, are sharply characterized and infused with an unusual degree of contrast for the collection, which often suffers from over-academic performances. This release showcases a young pianist with the potential to become a star in the time-honored Romantic virtuoso mold.
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Classical - Released August 5, 2016 | Decca

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Classical - Released September 24, 2012 | Decca