The Ideal Qobuz Collection comprises original, uncompiled albums that have made a considerable mark on music history or which qualify as essential recordings within each musical genre. By downloading these albums, or streaming them with your subscription, you begin a journey that will shine a light on some of the finest moments in recorded music.

Albums

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Rap - Released November 11, 2016 | Epic

Hi-Res Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Music

Rap - Released June 24, 2016 | Epic

Distinctions The Qobuz Ideal Discography
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Rap - Released November 13, 2015 | Jive - Legacy

Hi-Res Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Reissue
One year after De la Soul re-drew the map for alternative rap, fellow Native Tongues brothers A Tribe Called Quest released their debut, the quiet beginning of a revolution in non-commercial hip-hop. People's Instinctive Travels and the Paths of Rhythm floated a few familiar hooks, but it wasn't a sampladelic record. Rappers Q-Tip and Phife Dawg dropped a few clunky rhymes, but their lyrics were packed with ideas, while their flow and interplay were among the most original in hip-hop. From the beginning, Tribe focused on intelligent message tracks but rarely sounded over-serious about them. With "Pubic Enemy," they put a humorous spin on the touchy subject of venereal disease (including a special award for the most inventive use of the classic "scratchin'" sample), and moved right into a love rap, "Bonita Applebum," which alternated a sitar sample with the type of jazzy keys often heard on later Tribe tracks. "Description of a Fool" took to task those with violent tendencies, while "Youthful Expression" spoke wisely of the power yet growing responsibility of teenagers. Next to important message tracks with great productions, A Tribe Called Quest could also be deliciously playful (or frustratingly unserious, depending on your opinion). "I Left My Wallet in El Segundo" describes a vacation gone hilariously wrong, while "Ham 'n' Eggs" may be the oddest topic for a rap track ever heard up to that point ("I don't eat no ham and eggs, cuz they're high in cholesterol"). Contrary to the message in the track titles, the opener "Push It Along" and "Rhythm (Dedicated to the Art of Moving Butts)" were fusions of atmospheric samples with tough beats, special attention being paid to a pair of later Tribe sample favorites, jazz guitar and '70s fusion synth. Restless and ceaselessly imaginative, Tribe perhaps experimented too much on their debut, but they succeeded at much of it, certainly enough to show much promise as a new decade dawned. ~ John Bush
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Rap - Released March 19, 2015 | Aftermath - Interscope Records

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Rap - Released November 24, 2014 | Def Jam Recordings

Distinctions The Qobuz Ideal Discography

Rap - Released November 24, 2014 | WM France

Booklet Distinctions The Qobuz Ideal Discography

Rap - Released October 24, 2014 | Mass Appeal Records

Booklet Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Music
There are those Jagger/Richards, Jimmy Jam/Terry Lewis, or DJ Jazzy Jeff/Fresh Prince-styled collaborations that always seem fruitful. The music created by Killer Mike and El-P easily falls into this category, and is closest to that of Jeff and Prince's, not just because the duo fall under the same category of "hip-hop" but also because Run the Jewels 2, like its predecessor, comes with some joy baked in. It's a broken, ironic, and underground kind of joy as the hard-hitting "Oh My Darling Don't Cry" shows its pimp-hand with "You can all run naked backwards through a field of dicks" and also shows its business card because "You're in luck, it says I do two things: rap and fuck." This sophomore effort keeps the slanted spirit of the original, as mixing the attitude of N.W.A. with the weirdness of Adult Swim is both comfortable and fertile ground for the duo, but the "album" does try harder in the "serious" department. Paranoid androids like "Blockbuster Night, Pt. 1" benefit, as if Run-DMC embraced EL-P's compressed beatmaking and dropped the F-bomb whenever possible. "Early" is deadly serious with Killer Mike pleading "I apologize if it seems I got out of line sir, cuz I respect the badge and a gun/And I pray today ain't the day you drag me away right in front of my son," and that's right before things turn grave. "All Due Respect" with Travis Barker enters Death Grips' territory with punk, techno, and vicious rhymes all crawling up the spine, but this rebel music can still come with a smirk, as a stuttering Zach de la Rocha offers the infectious and weird hook on the wonderfully titled highlight "Close Your Eyes (And Count to Fuck)." If the first album was the supernova, RTJ2 is the RTJ universe forming, proving that Mike and El-P's one-off can be a going, and ever growing, concern. ~ David Jeffries

Rap - Released October 14, 2014 | Def Jam Recordings

Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Reissue

Rap - Released September 25, 2014 | RCA Records Label

Distinctions The Qobuz Ideal Discography
One of the cornerstones of the New York hardcore movement, The Infamous is Mobb Deep's masterpiece, a relentlessly bleak song cycle that's been hailed by hardcore rap fans as one of the most realistic gangsta albums ever recorded. Given Mobb Deep's youthful age and art-school background, it's highly unlikely that The Infamous is drawn strictly from real-life experience, yet it's utterly convincing, because it has all the foreboding atmosphere and thematic sweep of an epic crime drama. That's partly because of the cinematic vision behind the duo's detailed narratives, but it's also a tribute to how well the raw, grimy production evokes the world that Mobb Deep is depicting. The group produced the vast majority of the album itself, with help on a few tracks from the Abstract (better known as Q-Tip), and establishes a spare, throbbing, no-frills style indebted to the Wu-Tang Clan. This is hard, underground hip-hop that demands to be met on its own terms, with few melodic hooks to draw the listener in. Similarly, there's little pleasure or relief offered in the picture of the streets Mobb Deep paints here: They inhabit a war zone where crime and paranoia hang constantly in the air. Gangs are bound together by a code of fierce loyalty, relying wholly on one another for survival in a hopeless environment. Hostile forces -- cops, rivals, neighborhood snitches -- are potentially everywhere, and one slip around the wrong person can mean prison or death. There's hardly any mention of women, and the violence is grim, serious business, never hedonistic. Pretty much everything on the album contributes to this picture, but standouts among the consistency include "Survival of the Fittest," "Eye for a Eye," "Temperature's Rising," "Cradle to the Grave," and the classic "Shook Ones, Pt. 2." The product of an uncommon artistic vision, The Infamous stands as an all-time gangsta/hardcore classic. ~ Steve Huey

Rap - Released September 16, 2014 | Def Jam Recordings

Distinctions The Qobuz Ideal Discography
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Rap - Released April 11, 2014 | Columbia - Legacy

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Rap - Released April 4, 2014 | Columbia

Hi-Res Distinctions The Qobuz Ideal Discography

Rap - Released March 28, 2014 | Om Records

Distinctions The Qobuz Ideal Discography

Rap - Released January 13, 2014 | Big Dada

Distinctions The Qobuz Ideal Discography - Pitchfork: Best New Music
"[T]he two have carved out their own niche of post-apocalyptic survival rap based around the odd synchronicity of El-P’s buzzing, synth-heavy productions and Killer Mike’s brick-throwing delivery."

Rap - Released January 7, 2014 | 45 Scientific

Distinctions The Qobuz Ideal Discography