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Pierre Monteux|Stravinsky: The Rite of Spring

Stravinsky: The Rite of Spring

Pierre Monteux

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Everyone who loves Stravinsky's Petrushka and Le sacre du printemps has got to hear this disc. Of all the conductors who worked with Stravinsky, Pierre Monteux was easily the best, that is, the most technically proficient, the most lyrically expressive, the most rhythmically alive, and the most musically compelling. And of all the recordings ever made of Petrushka and Le sacre by Stravinsky and the conductors who worked with him, Monteux's recordings of the works with the Boston Symphony are easily the best. No matter how well you know Petrushka, Monteux's 1959 recording will illuminate colors you've never before heard and reveal dramatic depths you've never before suspected. And no matter how well you know Le sacre, Monteux's 1951 recording seems to come not from a modern recording studio from a modern orchestra, but from the depths of time, a cave drawing giving shape, substance, and life. The Boston musicians play like they were the best in America -- which, at the time, they may have been -- and RCA taped them as if it was the best recording company in America -- which, at the time, it may have been. And even today, RCA's sound is still first class, rivaling the best contemporary digital recordings.

© TiVo

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Stravinsky: The Rite of Spring

Pierre Monteux

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The Rite of Spring (Igor Stravinsky)

1
Part I: Introduction
00:03:03

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

2
Part I: Dances of the Young Girls
00:03:16

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

3
Part I: Game of Abduction
00:01:19

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

4
Part I: Spring Rounds
00:03:07

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

5
Part I: Games of the Rival Tribes
00:01:57

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

6
Part I: Procession of the Sage
00:00:42

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

7
Part I: Adoration of the Earth - The Sage
00:00:20

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

8
Part I: Dance of the Earth
00:01:11

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

9
Part II: Introduction
00:03:41

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

10
Part II: Mystic Circles of the Young Girls
00:02:54

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

11
Part II: Glorification of the Chosen One
00:01:35

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

12
Part II: Evocation of the Ancestors
00:00:40

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

13
Part II: Ritual Action of the Ancestors
00:03:07

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

14
Part II: Sacrificial Dance
00:04:23

Pierre Monteux, Conductor, Main Artist - Igor Stravinsky, Composer - Richard Mohr, Producer - Boston Symphony Orchestra, Associated Performer - John Pfeiffer, Producer - Lewis Layton, Recording Engineer - ANDREAS TORKLER

(P) 1951 Sony Music Entertainment

Album review

Everyone who loves Stravinsky's Petrushka and Le sacre du printemps has got to hear this disc. Of all the conductors who worked with Stravinsky, Pierre Monteux was easily the best, that is, the most technically proficient, the most lyrically expressive, the most rhythmically alive, and the most musically compelling. And of all the recordings ever made of Petrushka and Le sacre by Stravinsky and the conductors who worked with him, Monteux's recordings of the works with the Boston Symphony are easily the best. No matter how well you know Petrushka, Monteux's 1959 recording will illuminate colors you've never before heard and reveal dramatic depths you've never before suspected. And no matter how well you know Le sacre, Monteux's 1951 recording seems to come not from a modern recording studio from a modern orchestra, but from the depths of time, a cave drawing giving shape, substance, and life. The Boston musicians play like they were the best in America -- which, at the time, they may have been -- and RCA taped them as if it was the best recording company in America -- which, at the time, it may have been. And even today, RCA's sound is still first class, rivaling the best contemporary digital recordings.

© TiVo

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