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Mitsuko Uchida|Mozart: Piano Concertos No.17, K.453 & No.25, K.503 (Live)

Mozart: Piano Concertos No.17, K.453 & No.25, K.503 (Live)

The Cleveland Orchestra

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For her fifth live recording of Wolfgang Amadeus Mozart's piano concertos with the Cleveland Orchestra, Mitsuko Uchida presents the Piano Concerto No. 17 in G major, K 453, and the Piano Concerto No. 25 in C major, K 503, a delightful pairing that reflects her previous albums in this critically acclaimed series on Decca. Conducting from the keyboard, Uchida plays a modern Steinway in a conventional manner without any nods to period practices, though her refinement and elegance go a long way to make up for the lack of historically informed details. Instead, Uchida has developed her own approach to Mozart, which allows for personal interaction with the music and a degree of spontaneity with the orchestra that involves playfulness and expansive lyricism. Uchida's cycle with Jeffrey Tate and the English Chamber Orchestra on Philips established her as a leading interpreter of the concertos in the 1980s and 1990s, but these later offerings have the feeling of revisiting old favorites, rather than reassessing the music in any dramatic way. A good track to sample would be the Andante of K 453, to which Uchida gives full expression of the music's beauty, in a performance that is both Classical in its lucidity and Romantic in its yearning.

© TiVo

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Mozart: Piano Concertos No.17, K.453 & No.25, K.503 (Live)

Mitsuko Uchida

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Piano Concerto No. 17 in G Major, K. 453 (Wolfgang Amadeus Mozart)

1
1. Allegro (Live)
00:12:45

Wolfgang Amadeus Mozart, Composer - Everett Porter, Producer, Recording Producer - The Cleveland Orchestra, Orchestra, MainArtist - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Bruce Gigax, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Decca Music Group Limited

2
2. Andante (Live)
00:11:29

Wolfgang Amadeus Mozart, Composer - Everett Porter, Producer, Recording Producer - The Cleveland Orchestra, Orchestra, MainArtist - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Bruce Gigax, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Decca Music Group Limited

3
3. Allegretto - Finale. Presto (Live)
00:08:30

Wolfgang Amadeus Mozart, Composer - Everett Porter, Producer, Recording Producer - The Cleveland Orchestra, Orchestra, MainArtist - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Bruce Gigax, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Decca Music Group Limited

Piano Concerto No. 25 in C Major, K. 503 (Wolfgang Amadeus Mozart)

4
1. Allegro maestoso (Live)
00:16:39

Wolfgang Amadeus Mozart, Composer - Everett Porter, Producer, Recording Producer - The Cleveland Orchestra, Orchestra, MainArtist - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Bruce Gigax, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Decca Music Group Limited

5
2. Andante (Live)
00:08:23

Wolfgang Amadeus Mozart, Composer - Everett Porter, Producer, Recording Producer - The Cleveland Orchestra, Orchestra, MainArtist - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Bruce Gigax, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Decca Music Group Limited

6
3. Allegretto (Live)
00:09:32

Wolfgang Amadeus Mozart, Composer - Everett Porter, Producer, Recording Producer - The Cleveland Orchestra, Orchestra, MainArtist - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Bruce Gigax, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Decca Music Group Limited

Album review

For her fifth live recording of Wolfgang Amadeus Mozart's piano concertos with the Cleveland Orchestra, Mitsuko Uchida presents the Piano Concerto No. 17 in G major, K 453, and the Piano Concerto No. 25 in C major, K 503, a delightful pairing that reflects her previous albums in this critically acclaimed series on Decca. Conducting from the keyboard, Uchida plays a modern Steinway in a conventional manner without any nods to period practices, though her refinement and elegance go a long way to make up for the lack of historically informed details. Instead, Uchida has developed her own approach to Mozart, which allows for personal interaction with the music and a degree of spontaneity with the orchestra that involves playfulness and expansive lyricism. Uchida's cycle with Jeffrey Tate and the English Chamber Orchestra on Philips established her as a leading interpreter of the concertos in the 1980s and 1990s, but these later offerings have the feeling of revisiting old favorites, rather than reassessing the music in any dramatic way. A good track to sample would be the Andante of K 453, to which Uchida gives full expression of the music's beauty, in a performance that is both Classical in its lucidity and Romantic in its yearning.

© TiVo

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