Vadym Kholodenko - Miguel Harth-Bedoya Grieg & Saint-Saëns : Piano Concertos

Grieg & Saint-Saëns : Piano Concertos

Vadym Kholodenko - Miguel Harth-Bedoya

Includes: 1 Digital booklet

Released on September 3, 2015 by harmonia mundi

Main artist: Vadym Kholodenko

Genre: Classical > Concertos > Keyboard Concertos

Distinctions: 4 étoiles Classica (October 2016)

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Album : 1 disk - 6 tracks Total length : 00:54:19

    Piano Concerto in A Minor, Op.16 (Edvard Grieg)
  1. 1 I. Allegro molto moderato

    Vadym Kholodenko, Performer, Primary - The Norwegian Radio Orchestra, Primary - Miguel Harth-Bedoya, Conductor, Primary - Edvard Grieg, Composer Copyright : harmonia mundi usa 2015

  2. 2 II. Adagio

    Vadym Kholodenko, Performer, Primary - Miguel Harth-Bedoya, Conductor, Primary - The Norwegian Radio Orchestra, Primary - Edvard Grieg, Composer Copyright : harmonia mundi usa 2015

  3. 3 III. Allegro moderato molto e marcato

    Vadym Kholodenko, Performer, Primary - Miguel Harth-Bedoya, Conductor, Primary - The Norwegian Radio Orchestra, Primary - Edvard Grieg, Composer Copyright : harmonia mundi usa 2015

  4. Piano concerto No. 2 in G Minor, Op. 22 (Camille Saint-Saëns)
  5. 4 I. Andante sostenuto

    Vadym Kholodenko, Performer, Primary - Miguel Harth-Bedoya, Conductor, Primary - The Norwegian Radio Orchestra, Primary - Camille Saint-Saëns, Composer Copyright : harmonia mundi usa 2015

  6. 5 II. Allegro scherzando

    Vadym Kholodenko, Performer, Primary - Miguel Harth-Bedoya, Conductor, Primary - The Norwegian Radio Orchestra, Primary - Camille Saint-Saëns, Composer Copyright : harmonia mundi usa 2015

  7. 6 III. Presto

    Vadym Kholodenko, Performer, Primary - Miguel Harth-Bedoya, Conductor, Primary - The Norwegian Radio Orchestra, Primary - Camille Saint-Saëns, Composer Copyright : harmonia mundi usa 2015

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harmonia mundi

  Founded in Paris in 1958, harmonia mundi France is today the oldest independent classical music label in existence. In 1962,  founder Bernard Coutaz moved the company to Saint-Michel de Provence. On the advice of his friends Carl de Nys and Pierre Rochas, he began by building up a catalogue based on the organ repertoire, associating this with a concern for the instrument’s héritage by recording the historic organs of Europe. He even started a periodical, Orgues historiques, each number of which, devoted to a specific instrument, was accompanied by a recording showcasing that organ’s particular qualities. His work in the field helped him develop a special sensitivity...

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