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Zong Shi|Bellini: Bianca e Gernando

Bellini: Bianca e Gernando

Vittorio Prato, Luca Dall'Amico, Maxim Mironov, Silvia Dalla Benetta

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The opening night of Vincenzo Bellini’s first professional opera, Bianca e Fernando (NOT Gernando), set to take place at the Teatro San Carlo in Naples as part of a gala evening in January 1826, was cancelled at the last minute for reasons that remain unclear, even though it appears that at the time, use of the name Fernando in the title was forbidden because Ferdinando was the name of the Bourbon heir to the throne, and no form of it could be used on a royal stage. But in May of the same year, under the title Bianca e Gernando, the piece was finally premiered, with great success. But after the triumph of Il pirata in Milan in 1827, Bellini was commissioned by Genoa in 1828 to offer a new work – too late for the composer to write anything new: he resorted to the age-old trick of recycling old material, in this case his own Bianca, even though he was confronted with the difficult task of adapting several episodes to suit the voices of the new performers for the new production. He reverted to the former title Bianca et Fernando and it is that heavily revised score which has been produced, on and off, up to the 1980s, even though quite rarely. But in 2016, the famous festival Rossini in Wildbad decided to revert to the first version – which is radically different from the revised score, one should add –, a world premiere since 1826, which was duly recorded (live, of course) and is now available to aficionados in that excellent interpretation, with a brilliant cast and a highly polished orchestra. A brand new Bellini, 190 years after it was written! © SM/Qobuz

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Bellini: Bianca e Gernando

Zong Shi

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Bianca e Gernando, Act I (New Edition by F. Bauer) (Vincenzo Bellini)

1
Act I Scene 1: Introduction: Ten fuggi orrida notte! - Scene 2: Questa è mia reggia! (Clemente, Gernando, Uggero, Chorus)
Zong Shi
00:07:58

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Maxim Mironov, Artist - Poznan Camerata Bach Choir, Choir - Norbert Vossen, Engineer - Roland Ruble, Producer - Siggi Mehne, Engineer - Gheorghe Vlad, Artist - Anette Sidhu-Ingenhoff, Editor - Zong Shi, Artist, MainArtist

(C) 2017 Naxos (P) 2017 Naxos

2
Act I Scene 2: Cavatina: A tanto duol (Gernando, Clemente, Uggero, Chorus)
Maxim Mironov
00:06:32

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Maxim Mironov, Artist, MainArtist - Poznan Camerata Bach Choir, Choir - Gheorghe Vlad, Artist - Zong Shi, Artist

(C) 2017 Naxos (P) 2017 Naxos

3
Act I Scene 2: Recitative: Uggero sol, non altri meco resti - Scene 3: Al seno - Scene 4: Viscardo, or ora al porto (Gernando, Clemente, Uggero, Viscardo, Filippo)
Maxim Mironov
00:04:13

Vincenzo Bellini, Composer - Vittorio Prato, Artist - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Maxim Mironov, Artist, MainArtist - Marina Viotti, Artist - Gheorghe Vlad, Artist - Zong Shi, Artist

(C) 2017 Naxos (P) 2017 Naxos

4
Act I Scene 4: Cavatina: Estinto!… che ascoltai!… (Filippo)
Vittorio Prato
00:07:30

Vincenzo Bellini, Composer - Vittorio Prato, Artist, MainArtist - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra

(C) 2017 Naxos (P) 2017 Naxos

5
Act I Scene 5: Recitative: È quegli il mio signor (Viscardo, Gernando, Filippo)
Marina Viotti
00:02:14

Vincenzo Bellini, Composer - Vittorio Prato, Artist - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Maxim Mironov, Artist - Marina Viotti, Artist, MainArtist

(C) 2017 Naxos (P) 2017 Naxos

6
Act I Scene 5: Trio: Di Gernando son le cifre (Filippo, Gernando, Viscardo)
Vittorio Prato
00:05:47

Vincenzo Bellini, Composer - Vittorio Prato, Artist, MainArtist - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Maxim Mironov, Artist - Marina Viotti, Artist

(C) 2017 Naxos (P) 2017 Naxos

7
Act I Scene 5: Recitative: All'annunzio feral (Viscardo)
Marina Viotti
00:00:57

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Marina Viotti, Artist, MainArtist

(C) 2017 Naxos (P) 2017 Naxos

8
Act I Scene 6: Finale: Viva Bianca! Viva ognora - Scene 7: Viva! (Chorus)
Poznan Camerata Bach Choir
00:02:37

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Poznan Camerata Bach Choir, Choir, MainArtist

(C) 2017 Naxos (P) 2017 Naxos

9
Act I Scene 7: Finale: Recitative: Miei fidi amici (Bianca)
Silvia Dalla Benetta
00:02:24

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Silvia Dalla Benetta, Artist, MainArtist

(C) 2017 Naxos (P) 2017 Naxos

10
Act I Scene 7: Finale: Cavatina: Per lui che in sen racchiude (Bianca, Chorus)
Silvia Dalla Benetta
00:07:04

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Poznan Camerata Bach Choir, Choir - Silvia Dalla Benetta, Artist, MainArtist

(C) 2017 Naxos (P) 2017 Naxos

11
Act I Scene 8: Finale: Seguito: Mira, Bianca (Filippo, Chorus, Gernando, Bianca, Clemente, Viscardo, Eloisa, Uggero)
Vittorio Prato
00:08:16

Vincenzo Bellini, Composer - Vittorio Prato, Artist, MainArtist - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Maxim Mironov, Artist - Poznan Camerata Bach Choir, Choir - Marina Viotti, Artist - Silvia Dalla Benetta, Artist - Gheorghe Vlad, Artist - Zong Shi, Artist - Mar Campo, Artist

(C) 2017 Naxos (P) 2017 Naxos

12
Act I Scene 8: Finale: Stretta: Lieto apparve questo giorno (Bianca, Filippo, Gernando, Clemente, Viscardo, Eloisa, Uggero, Chorus)
Silvia Dalla Benetta
00:02:50

Vincenzo Bellini, Composer - Vittorio Prato, Artist - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Maxim Mironov, Artist - Poznan Camerata Bach Choir, Choir - Marina Viotti, Artist - Silvia Dalla Benetta, Artist, MainArtist - Gheorghe Vlad, Artist - Zong Shi, Artist - Mar Campo, Artist

(C) 2017 Naxos (P) 2017 Naxos

DISC 2

Bianca e Gernando, Act II (New Edition by F. Bauer) (Vincenzo Bellini)

1
Act II Scene 1: Recitative: Che vuoi tu dirmi? - Scene 3: Viscardo a te parlò? (Gernando, Clemente, Filippo)
Maxim Mironov
00:04:59

Vincenzo Bellini, Composer - Vittorio Prato, Artist - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Maxim Mironov, Artist, MainArtist - Norbert Vossen, Engineer - Roland Ruble, Producer - Siggi Mehne, Engineer - Anette Sidhu-Ingenhoff, Editor - Zong Shi, Artist

(C) 2017 Naxos (P) 2017 Naxos

2
Act II Scene 3: Aria: Allor, che notte avanza (Filippo, Gernando, Chorus)
Vittorio Prato
00:06:00

Vincenzo Bellini, Composer - Vittorio Prato, Artist, MainArtist - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Maxim Mironov, Artist - Poznan Camerata Bach Choir, Choir

(C) 2017 Naxos (P) 2017 Naxos

3
Act II Scene 4: Scene: Ove son?… Che m'avvenne? (Bianca, Eloisa)
Silvia Dalla Benetta
00:05:27

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Silvia Dalla Benetta, Artist, MainArtist - Mar Campo, Artist

(C) 2017 Naxos (P) 2017 Naxos

4
Act II Scene 4: Romance: Sorgi, o padre (Bianca, Eloisa)
Silvia Dalla Benetta
00:06:36

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Silvia Dalla Benetta, Artist, MainArtist - Mar Campo, Artist

(C) 2017 Naxos (P) 2017 Naxos

5
Act II Scene 4: Recitative: Da te chiamato, or dianzi - Scene 5: T'inoltra… (Eloisa, Bianca, Gernando)
Mar Campo
00:03:55

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Maxim Mironov, Artist - Silvia Dalla Benetta, Artist - Mar Campo, Artist, MainArtist

(C) 2017 Naxos (P) 2017 Naxos

6
Act II Scene 5: Duet: No!… mia suora, più non sei (Gernando, Bianca)
Maxim Mironov
00:12:39

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Maxim Mironov, Artist, MainArtist - Silvia Dalla Benetta, Artist

(C) 2017 Naxos (P) 2017 Naxos

7
Act II Scene 8: Scene: Mi lasciate!… ah crudeli! (Carlo)
Luca Dall'Amico
00:02:09

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Luca Dall'Amico, Artist, MainArtist

(C) 2017 Naxos (P) 2017 Naxos

8
Act II Scene 8: Cavatina: Da gelido sudore (Carlo)
Luca Dall'Amico
00:02:38

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Luca Dall'Amico, Artist, MainArtist

(C) 2017 Naxos (P) 2017 Naxos

9
Act II Scene 9: Finale: Recitative and Trio: Ecco la tomba che rinserra il padre! (Gernando, Bianca, Carlo)
Maxim Mironov
00:07:03

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Luca Dall'Amico, Artist - Maxim Mironov, Artist, MainArtist - Silvia Dalla Benetta, Artist

(C) 2017 Naxos (P) 2017 Naxos

10
Act II Scene 9: Finale: Trio: Fra tante pene e tante (Gernando, Bianca, Carlo)
Maxim Mironov
00:01:45

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Luca Dall'Amico, Artist - Maxim Mironov, Artist, MainArtist - Silvia Dalla Benetta, Artist

(C) 2017 Naxos (P) 2017 Naxos

11
Act II Scene 9: Finale: Recitative: Quai colpi!… - Scene 10: Discendi… - Scene 11: Mora l'usurpator! (Gernado, Bianca, Filippo, Warriors, Uggero)
Maxim Mironov
00:04:25

Vincenzo Bellini, Composer - Vittorio Prato, Artist - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Maxim Mironov, Artist, MainArtist - Poznan Camerata Bach Choir, Choir - Silvia Dalla Benetta, Artist - Gheorghe Vlad, Artist

(C) 2017 Naxos (P) 2017 Naxos

12
Act II Scene 11: Finale: Trio: Or che stringo al seno i figli (Carlo, Gernando, Bianca, Chorus)
Luca Dall'Amico
00:01:34

Vincenzo Bellini, Composer - Antonino Fogliani, Conductor - Virtuosi Brunensis, Orchestra - Luca Dall'Amico, Artist, MainArtist - Maxim Mironov, Artist - Poznan Camerata Bach Choir, Choir - Silvia Dalla Benetta, Artist

(C) 2017 Naxos (P) 2017 Naxos

Album review

The opening night of Vincenzo Bellini’s first professional opera, Bianca e Fernando (NOT Gernando), set to take place at the Teatro San Carlo in Naples as part of a gala evening in January 1826, was cancelled at the last minute for reasons that remain unclear, even though it appears that at the time, use of the name Fernando in the title was forbidden because Ferdinando was the name of the Bourbon heir to the throne, and no form of it could be used on a royal stage. But in May of the same year, under the title Bianca e Gernando, the piece was finally premiered, with great success. But after the triumph of Il pirata in Milan in 1827, Bellini was commissioned by Genoa in 1828 to offer a new work – too late for the composer to write anything new: he resorted to the age-old trick of recycling old material, in this case his own Bianca, even though he was confronted with the difficult task of adapting several episodes to suit the voices of the new performers for the new production. He reverted to the former title Bianca et Fernando and it is that heavily revised score which has been produced, on and off, up to the 1980s, even though quite rarely. But in 2016, the famous festival Rossini in Wildbad decided to revert to the first version – which is radically different from the revised score, one should add –, a world premiere since 1826, which was duly recorded (live, of course) and is now available to aficionados in that excellent interpretation, with a brilliant cast and a highly polished orchestra. A brand new Bellini, 190 years after it was written! © SM/Qobuz

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