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Album : 1 disque - 13 pistes Durée totale : 00:54:09

    Capriccio No. 1 in F-Sharp Minor, Op. 76 (Johannes Brahms)
  1. 1 Capriccio No. 1 in F-Sharp Minor, Op. 76

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

  2. Capriccio No. 2 in B Minor, Op. 76
  3. 2 Capriccio No. 2 in B Minor, Op. 76

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

  4. Intermezzo No. 3 in A-Flat Major, Op. 76
  5. 3 Intermezzo No. 3 in A-Flat Major, Op. 76

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

  6. Intermezzo No. 4 in B-Flat Major, Op. 76
  7. 4 Intermezzo No. 4 in B-Flat Major, Op. 76

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

  8. Drei Intermezzi, Op. 117
  9. 5 I. Andante moderato

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

  10. 6 II. Andante non troppo e con molto espressione

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

  11. 7 III. Andante con moto

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

  12. Sechs Klavierstücke, Op. 118
  13. 8 I. Intermezzo in A Minor

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

  14. 9 II. Intermezzo in A Major

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

  15. 10 III. Ballade in G Minor

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

  16. 11 IV. Intermezzo in F Minor

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

  17. 12 V. Romanze in F Major

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

  18. 13 VI. Intermezzo in E-Flat Minor

    Arcadi Volodos, Piano - Johannes Brahms, Composer - (Friedemann Engelbrecht, Engineer - Julian Schwenkner, Engineer - Wolfgang Schiefermair, Recording Engineer - Tom Rußbüldt, Recording Engineer - Sebastian Nattkemper, Mastering Engineer)

À propos

« [...] Ces nuances infinitésimales, dont Volodos fait son miel, il faudrait des heures pour tenter d’en décrire toute la richesse, la diversité, la beauté, la manière dont elles s’accrochent aux feutres du piano, jusqu’à l’épuisement. Rien de désincarné, d’austère ni d’étriqué, pas de tempos fatigués, contrairement à tant de lectures [...] Ce disque est une fête rare pour les oreilles. Sa réalisation tient du miracle : un instrument royal, parfaitement réglé, une prise de son ne laissant rien passer des quadruples piano et un alchimiste au clavier. Et derrière cette maîtrise de chaque souffle, chaque détail, l’évidence d’un cœur simple, chaleureux et si proche. Un envoûtement.» (Diapason, mai 2017 / Bertrand Boissard)

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