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La Chapelle Rhénane, Benoît Haller|Schütz: Histoire de la résurrection (La Chapelle Rhénane, Benoît Haller)

Schütz: Histoire de la résurrection (La Chapelle Rhénane, Benoît Haller)

La Chapelle Rhénane, Benoît Haller

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Langue disponible : anglais

The ‘History of the Joyous and Victorious Resurrection of Our Only Saviour and Redeemer Jesus Christ’, composed by Heinrich Schütz in 1623, is regarded as the first oratorio in the German language. When Schütz had taken up his functions at the Dresden court in 1617; it was the tradition to sing the “Resurrection History” of his predecessor Scandello at Easter. The new Kapellmeister gave several performances of this work before deciding to compose a new work on the same text. The Thirty Years War had broken out in 1618, plunging Germany into a long period of tragedy. It was in this context that Schütz was to compose his most luminous works, those most imbued with faith, and those which most clearly echo the experience he had acquired in Italy, which had already been completely conquered by the modern style. The Resurrection History, like no other work of Schütz, is packed with feats of harmonic derring-do – frequent use of augmented chords and surprising chord progressions juxtaposing distant keys after the manner of the stile concitato invented by Monteverdi, to mention only the most striking. © Pan Classics

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Schütz: Histoire de la résurrection (La Chapelle Rhénane, Benoît Haller)

La Chapelle Rhénane, Benoît Haller

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1
Introductio - Die Auferstehung Unsers Herren Jesu Christi
La Chapelle Rhénane
00:01:18
2
Da Der Sabbat Vergangen War, Maria Magdalena
La Chapelle Rhénane
00:09:20
3
Maria Aber Stund Vor Dem Grabe Und Weinet Draußen
La Chapelle Rhénane
00:11:02

La Chapelle Rhénane, Performer - Heinrich Schütz, Composer

2007 K617 France

4
Da Sie Aber Hingingen, Siehe, Da Kamen Etliche
Benoit Haller
00:01:54
5
Und Siehe, Zweene Aus Ihnen Gingen an Demselbigen Tage
Benoit Haller
00:09:10
6
Und Sie Stunden Zu Derselbigen Stunde Auf
La Chapelle Rhénane
00:01:17
7
Es War Aber Am Abend Desselbigen Sabbats
La Chapelle Rhénane
00:08:31
8
Conclusio - Gott Sei Dank ! Victoria !
La Chapelle Rhénane
00:01:17
9
Nacket Bin Ich Von Mutterleibe Kommen
Benoit Haller
00:04:01
10
Also Hat Gott Die Welt Geliebt
La Chapelle Rhénane
00:03:59
11
Unser Wandel Ist Im Himmel
Benoit Haller
00:09:13
12
Unser Leben Währet Siebenzig Jahr
La Chapelle Rhénane
00:06:54
13
II Motette : Herr, Wenn Ich Nur Dich Habe
La Chapelle Rhénane
00:03:47
14
III Motette : Herr, Nun Lässest Du Deinen Diener
Benoit Haller
00:04:49

Chronique

The ‘History of the Joyous and Victorious Resurrection of Our Only Saviour and Redeemer Jesus Christ’, composed by Heinrich Schütz in 1623, is regarded as the first oratorio in the German language. When Schütz had taken up his functions at the Dresden court in 1617; it was the tradition to sing the “Resurrection History” of his predecessor Scandello at Easter. The new Kapellmeister gave several performances of this work before deciding to compose a new work on the same text. The Thirty Years War had broken out in 1618, plunging Germany into a long period of tragedy. It was in this context that Schütz was to compose his most luminous works, those most imbued with faith, and those which most clearly echo the experience he had acquired in Italy, which had already been completely conquered by the modern style. The Resurrection History, like no other work of Schütz, is packed with feats of harmonic derring-do – frequent use of augmented chords and surprising chord progressions juxtaposing distant keys after the manner of the stile concitato invented by Monteverdi, to mention only the most striking. © Pan Classics

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