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Bill Haley|Rock Around The Clock

Rock Around The Clock

Bill Haley

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Reprenant l’une de ces merveilleuses pochettes de 45 tours de l’époque, Rock Around The Clock est une compilation précieuse.

Car rien n’est à jeter dans ces vingt-quatre chansons, et un programme qui débute par un carré d’as : s’enchaînent en effet « (We’Re Gonna) Rock Around The Clock », ou l’amour et la sensualité sans fin, composé par Max C. Freedman et Jimmy De Knight ; « See You Later, Alligator », ou le plaisir des mots, et du rythme ; « Shake, Rattle And Roll » en tube initial, écrit en 1954 par le chanteur de rhythm and blues noir américain Jesse Stone ; et « Rocket 88 », autre emprunt au répertoire des race records, avec une chanson enregistrée par son compositeur Jackie Brenston, et un certain Ike Turner à la guitare, en 1951.

Autant dire qu’on peut voir venir, surtout lorsque ce qui vient s’intitule « Rock The Joint », « Crazy, Man Crazy », ou « R-O-C-K ». Et qu’on nous gratifie plus loin d’un hilarant « The Saints Rock And Roll », en démarquage surréaliste du gospel song « When The Saints Go Marchin’ In ».

Précieuse ensuite, car Bill Haley est ici entouré de ce qui se fait de mieux à l’époque en matière de rock'n'roll (blanc), dont le guitariste Dany Cedrone. Précieuse enfin, parce qu’il est assurément de toute moralité que l’œuvre de celui qu’on a affublé à ses débuts d’un costume trop grand pour lui (père fondateur du rock'n'roll, etc…) , puis voué à l’enfer de l’oubli méprisant (pilleur de noirs, trop gros, trop blanc, trop mou) soit enfin remis à sa vraie place.

Celle d’un chanteur talentueux, qui sut, mieux que quiconque, jeter un pont entre musique country et rock and roll, entre tradition et modernisme. Et un artiste qui offrit rythme, sexe et danse à toute la planète ne peut être totalement mauvais.

©Copyright Music Story 2016

Plus d'informations

Rock Around The Clock

Bill Haley

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1
(We're Gonna) Rock Around The Clock (Single Version)
Bill Haley & his Comets
00:02:14

Max C. Freedman, ComposerLyricist - Bill Haley, Guitar, Vocalist, AssociatedPerformer - Milt Gabler, Producer - Jimmy De Knight, ComposerLyricist - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer - Billy Williamson, Steel Guitar, AssociatedPerformer - Marshall Lytle, Bass Guitar, AssociatedPerformer - Billy Gussak, Drums, AssociatedPerformer - Danny Cedrone, Guitar, AssociatedPerformer - Joey d'Ambrosio, Tenor Saxophone, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

2
Shake, Rattle And Roll (Single Version)
Bill Haley & his Comets
00:02:30

Panama Francis, Drums, AssociatedPerformer - Bill Haley, Guitar, Vocalist, AssociatedPerformer - Milt Gabler, Producer - Charles E. Calhoun, ComposerLyricist - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer - Billy Williamson, Steel Guitar, AssociatedPerformer - Marshall Lytle, Bass Guitar, AssociatedPerformer - Danny Cedrone, Guitar, AssociatedPerformer - Joey d'Ambrosio, Tenor Saxophone, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

3
Birth Of The Boogie
Bill Haley & his Comets
00:02:17

Bill Haley, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Milt Gabler, Producer - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer, ComposerLyricist - Billy Williamson, Steel Guitar, AssociatedPerformer, ComposerLyricist - Marshall Lytle, Bass Guitar, AssociatedPerformer - Franny Beecher, Guitar, AssociatedPerformer - Billy Gussak, Drums, AssociatedPerformer - Joey d'Ambrosio, Tenor Saxophone, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

4
Mambo Rock (Single Version)
Bill Haley & his Comets
00:02:40

Bix Reichner, ComposerLyricist - Bill Haley, Guitar, Vocalist, AssociatedPerformer - Milt Gabler, Producer - Bill Haley & His Comets, MainArtist - Mildred Phillips, ComposerLyricist - Jimmy Ayre, ComposerLyricist - Johnny Grande, Piano, AssociatedPerformer - Billy Williamson, Steel Guitar, AssociatedPerformer - Marshall Lytle, Bass Guitar, AssociatedPerformer - Franny Beecher, Guitar, AssociatedPerformer - Billy Gussak, Drums, AssociatedPerformer - Joey d'Ambrosio, Tenor Saxophone, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

5
ABC Boogie (Single Version)
Bill Haley & his Comets
00:02:31

Panama Francis, Drums, AssociatedPerformer - Bill Haley, Guitar, Vocalist, AssociatedPerformer - Milt Gabler, Producer - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer - Billy Williamson, Steel Guitar, AssociatedPerformer - Al Russel, ComposerLyricist - Wilbert Allen Russell, ComposerLyricist - Max Spickel, ComposerLyricist - Marshall Lytle, Bass Guitar, AssociatedPerformer - Danny Cedrone, Guitar, AssociatedPerformer - Joey d'Ambrosio, Tenor Saxophone, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

6
Dim, Dim The Lights (I Want Some Atmosphere) (Single Version)
Bill Haley & his Comets
00:02:33

Beverly Ross, ComposerLyricist - Julius Dixon, ComposerLyricist - Bill Haley, Guitar, Vocalist, AssociatedPerformer - Milt Gabler, Producer - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer - Billy Williamson, Steel Guitar, AssociatedPerformer - Marshall Lytle, Bass Guitar, AssociatedPerformer - Franny Beecher, Guitar, AssociatedPerformer - Billy Gussak, Drums, AssociatedPerformer - Joey d'Ambrosio, Tenor Saxophone, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

7
Happy Baby
Bill Haley & his Comets
00:02:37

Bill Haley, Guitar, Vocalist, AssociatedPerformer - Milt Gabler, Producer - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer - Billy Williamson, Steel Guitar, AssociatedPerformer - Frank Pingatore, ComposerLyricist - Marshall Lytle, Bass Guitar, AssociatedPerformer - Franny Beecher, Guitar, AssociatedPerformer - Billy Gussak, Drums, AssociatedPerformer - Joey d'Ambrosio, Tenor Saxophone, AssociatedPerformer

℗ 1954 UMG Recordings, Inc.

8
Razzle Dazzle (Single Version)
Bill Haley & his Comets
00:02:43

Bill Haley, Guitar, Vocalist, AssociatedPerformer - Milt Gabler, Producer - Charles E. Calhoun, ComposerLyricist - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer - Billy Williamson, Steel Guitar, AssociatedPerformer - Marshall Lytle, Bass Guitar, AssociatedPerformer - Franny Beecher, Guitar, AssociatedPerformer - Billy Gussak, Drums, AssociatedPerformer - Joey d'Ambrosio, Tenor Saxophone, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

9
Two Hound Dogs (Single Version)
Bill Haley & his Comets
00:03:00

Bill Haley, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Milt Gabler, Producer - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer - Billy Williamson, Steel Guitar, AssociatedPerformer - Frank Pingatore, ComposerLyricist - Marshall Lytle, Bass Guitar, AssociatedPerformer - Franny Beecher, Guitar, AssociatedPerformer - Billy Gussak, Drums, AssociatedPerformer - Joey d'Ambrosio, Tenor Saxophone, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

10
Rock-A-Beatin' Boogie (Single Version)
Bill Haley & his Comets
00:02:21

Rudy Pompilli, Tenor Saxophone, AssociatedPerformer - Bill Haley, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Milt Gabler, Producer - Cliff Leeman, Drums, AssociatedPerformer - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer - Billy Williamson, Steel Guitar, AssociatedPerformer - Al Rex, Bass Guitar, AssociatedPerformer - Franny Beecher, Guitar, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

11
R-O-C-K (Single Version)
Bill Haley & his Comets
00:02:22

Rudy Pompilli, Tenor Saxophone, AssociatedPerformer - Bill Haley, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Milt Gabler, Producer - Cliff Leeman, Drums, AssociatedPerformer - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer - Ruth Keefer, ComposerLyricist - Arrett "Rusty" Keefer, ComposerLyricist - Ruth Edna Keefer, ComposerLyricist - Billy Williamson, Steel Guitar, AssociatedPerformer - Al Rex, Bass Guitar, AssociatedPerformer - Franny Beecher, Guitar, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

12
Burn That Candle (Single Version)
Bill Haley & his Comets
00:02:47

Rudy Pompilli, Tenor Saxophone, AssociatedPerformer - Winfield Scott, ComposerLyricist - Bill Haley, Guitar, Vocalist, AssociatedPerformer - Milt Gabler, Producer - Cliff Leeman, Drums, AssociatedPerformer - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer - Billy Williamson, Steel Guitar, AssociatedPerformer - Al Rex, Bass Guitar, AssociatedPerformer - Franny Beecher, Guitar, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

13
The Saints Rock 'N Roll (Single Version)
Bill Haley & his Comets
00:03:29

Rudy Pompilli, Tenor Saxophone, AssociatedPerformer - Bill Haley, Guitar, Vocalist, AssociatedPerformer, ComposerLyricist - Milt Gabler, Producer, ComposerLyricist - Cliff Leeman, Drums, AssociatedPerformer - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer - Billy Williamson, Steel Guitar, AssociatedPerformer - Al Rex, Bass Guitar, AssociatedPerformer - Franny Beecher, Guitar, AssociatedPerformer

℗ 1956 Geffen Records

14
See You Later, Alligator (Single Version)
Bill Haley & his Comets
00:02:46

Rudy Pompilli, Tenor Saxophone, AssociatedPerformer - Bill Haley, Guitar, Vocalist, AssociatedPerformer - Milt Gabler, Producer - Bobby Charles, ComposerLyricist - Bill Haley & His Comets, MainArtist - Johnny Grande, Piano, AssociatedPerformer - Billy Williamson, Steel Guitar, AssociatedPerformer - Ralph Jones, Drums, AssociatedPerformer - Al Rex, Bass Guitar, AssociatedPerformer - Franny Beecher, Guitar, AssociatedPerformer

℗ 1955 UMG Recordings, Inc.

DISQUE 2

1
Rudy's Rock (Single Version)
Bill Haley & his Comets
00:02:49

Rudy Pompilli, ComposerLyricist - Bill Haley, ComposerLyricist - Milt Gabler, Producer - Bill Haley & His Comets, MainArtist

℗ 1956 UMG Recordings, Inc.

2
Choo Choo Ch'Boogie (Single Version)
Bill Haley & his Comets
00:02:29

Denver Darling, ComposerLyricist - Milt Gabler, Producer, ComposerLyricist - Vaughn Horton, ComposerLyricist - Bill Haley & His Comets, MainArtist

℗ 1956 UMG Recordings, Inc.

3
Hot Dog, Buddy, Buddy (Single Version)
Bill Haley & his Comets
00:02:36

Bill Haley, ComposerLyricist - Milt Gabler, Producer - Bill Haley & His Comets, MainArtist

℗ 1956 UMG Recordings, Inc.

4
Rockin' Through The Rye (Single Version)
Bill Haley & his Comets
00:02:09

Bill Haley, ComposerLyricist - Milt Gabler, Producer - Bill Haley & His Comets, MainArtist - Arrett "Rusty" Keefer, ComposerLyricist

℗ 1956 UMG Recordings, Inc.

5
Rip It Up (Single Version)
Bill Haley & his Comets
00:02:28

John S. Marascalco, ComposerLyricist - Bill Haley, Guitar, Vocals, AssociatedPerformer - Milt Gabler, Producer - Bill Haley & His Comets, MainArtist - Alexander Robert Blackwell, ComposerLyricist

℗ 1956 UMG Recordings, Inc.

6
Teenager's Mother (Are You Right?) (Single Version)
Bill Haley & his Comets
00:02:21

J.L. McFarland, ComposerLyricist - C.R. Lewis, ComposerLyricist - Bill Haley & His Comets, MainArtist

℗ 1956 Geffen Records

7
Don't Knock The Rock
Bill Haley & his Comets
00:02:27

Milt Gabler, Producer - Fred Karger, ComposerLyricist - Bill Haley & His Comets, MainArtist - Robert E. Kent, ComposerLyricist

℗ 1956 UMG Recordings, Inc.

8
Forty Cups Of Coffee (Single Version)
Bill Haley & his Comets
00:02:34

Milt Gabler, Producer - Danny Overbea, ComposerLyricist - Bill Haley & His Comets, MainArtist

℗ 1957 UMG Recordings, Inc.

9
Move It On Over (Album Version)
Bill Haley & his Comets
00:02:42

Hank Williams, ComposerLyricist - Milt Gabler, Producer - Bill Haley & His Comets, MainArtist

℗ 1957 UMG Recordings, Inc.

10
Rock The Joint (Single Version)
Bill Haley & his Comets
00:02:19

Don Keene, ComposerLyricist - Bill Haley & His Comets, MainArtist - Harry Crafton, ComposerLyricist - Doc Bagby, ComposerLyricist

℗ 1957 UMG Recordings, Inc.

11
Lean Jean (Single Version)
Bill Haley & his Comets
00:02:37

Rudy Pompilli, ComposerLyricist - Bill Haley & His Comets, MainArtist - Johnny Grande, ComposerLyricist - Stella Lee, ComposerLyricist - Ralph David Jones, ComposerLyricist

℗ 1958 Geffen Records

12
Skinny Minnie (Single Version)
Bill Haley & his Comets
00:02:56

Bill Haley, ComposerLyricist - Milt Gabler, ComposerLyricist - Bill Haley & His Comets, MainArtist - Arrett "Rusty" Keefer, ComposerLyricist - Catherine Cafra Williamson, ComposerLyricist - C. Cafra, ComposerLyricist

℗ 1958 UMG Recordings, Inc.

13
Sway With Me (Single Version)
Bill Haley & his Comets
00:02:42

Bill Haley, ComposerLyricist - Milt Gabler, Producer, ComposerLyricist - Bill Haley & His Comets, MainArtist - Arrett "Rusty" Keefer, ComposerLyricist - Catherine Cafra, ComposerLyricist

℗ 1958 UMG Recordings, Inc.

14
Corrine, Corrina (Single Version)
Bill Haley & his Comets
00:02:29

Bo Chatman, ComposerLyricist - Mitchell Parish, ComposerLyricist - Bill Haley & His Comets, MainArtist - J. Mayo Williams, ComposerLyricist

℗ 1958 Decca Music Group Limited

Chronique

Reprenant l’une de ces merveilleuses pochettes de 45 tours de l’époque, Rock Around The Clock est une compilation précieuse.

Car rien n’est à jeter dans ces vingt-quatre chansons, et un programme qui débute par un carré d’as : s’enchaînent en effet « (We’Re Gonna) Rock Around The Clock », ou l’amour et la sensualité sans fin, composé par Max C. Freedman et Jimmy De Knight ; « See You Later, Alligator », ou le plaisir des mots, et du rythme ; « Shake, Rattle And Roll » en tube initial, écrit en 1954 par le chanteur de rhythm and blues noir américain Jesse Stone ; et « Rocket 88 », autre emprunt au répertoire des race records, avec une chanson enregistrée par son compositeur Jackie Brenston, et un certain Ike Turner à la guitare, en 1951.

Autant dire qu’on peut voir venir, surtout lorsque ce qui vient s’intitule « Rock The Joint », « Crazy, Man Crazy », ou « R-O-C-K ». Et qu’on nous gratifie plus loin d’un hilarant « The Saints Rock And Roll », en démarquage surréaliste du gospel song « When The Saints Go Marchin’ In ».

Précieuse ensuite, car Bill Haley est ici entouré de ce qui se fait de mieux à l’époque en matière de rock'n'roll (blanc), dont le guitariste Dany Cedrone. Précieuse enfin, parce qu’il est assurément de toute moralité que l’œuvre de celui qu’on a affublé à ses débuts d’un costume trop grand pour lui (père fondateur du rock'n'roll, etc…) , puis voué à l’enfer de l’oubli méprisant (pilleur de noirs, trop gros, trop blanc, trop mou) soit enfin remis à sa vraie place.

Celle d’un chanteur talentueux, qui sut, mieux que quiconque, jeter un pont entre musique country et rock and roll, entre tradition et modernisme. Et un artiste qui offrit rythme, sexe et danse à toute la planète ne peut être totalement mauvais.

©Copyright Music Story 2016

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