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Paul McCartney|Press To Play (1993 Digital Remaster)

Press To Play (1993 Digital Remaster)

Paul McCartney

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Langue disponible : anglais

At the time, Press to Play was occasionally promoted as Macca's response to punk -- which we all better hope is not true, since that means he was responding ten years after the fact, signaling just how out of touch he was. But McCartney wasn't that disconnected from reality (he did talk about punk in interviews from the late '70s), so a more accurate view of Press to Play is to see it as McCartney trying to reconnect with his classic strengths, from orchestral pop and whimsy to driving rockers and sweet love songs. All this is apparent on the record, often in pretty charming fashion. "Stranglehold" has an offhand charm, "Good Times Coming/Feel the Sun" feels like a forgotten Red Rose Speedway medley, "Move Over Busker" has a brisk gait (better than its cousin, "Angry," anyway), and "Press" is a terrific mid-'80s drum machine-driven slice of synth-pop, utterly featherweight in the best possible way. Each of these captures a different side of McCartney, and that's the overriding impression of Press to Play -- McCartney is dabbling in each of his strengths, just to see what works. It doesn't wind up as one of his stronger albums, but it's more interesting than some of his more consistent ones, and those aforementioned cuts demonstrate that he could still cut effective pop records when he put his mind to it.
© Stephen Thomas Erlewine /TiVo

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Press To Play (1993 Digital Remaster)

Paul McCartney

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1
Stranglehold (1993 Digital Remaster)
00:03:37

Paul Mccartney, MainArtist, ComposerLyricist - Eric Stewart, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

2
Good Times Coming/Feel The Sun (1993 Digital Remaster)
00:04:55

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd

3
Talk More Talk (1993 Digital Remaster)
00:05:16

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

4
Footprints (1993 Digital Remaster)
00:04:31

Paul Mccartney, MainArtist, ComposerLyricist - Eric Stewart, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd

5
Only Love Remains (1993 Digital Remaster)
00:04:12

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

6
Press (1993 Digital Remaster)
00:04:42

Paul Mccartney, MainArtist, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

7
Pretty Little Head (1993 Digital Remaster)
00:05:12

Paul Mccartney, MainArtist, ComposerLyricist - Eric Stewart, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

8
Move Over Busker (1993 Digital Remaster)
00:04:05

Paul Mccartney, MainArtist, ComposerLyricist - Eric Stewart, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

9
Angry (1993 Digital Remaster)
00:03:35

Paul Mccartney, MainArtist, ComposerLyricist - Eric Stewart, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

10
However Absurd (1993 Digital Remaster)
00:05:00

Paul Mccartney, MainArtist, ComposerLyricist - Eric Stewart, ComposerLyricist

℗ 1993 MPL Communications Inc/Ltd, under exclusive license to Universal Music Enterprises, a Division of UMG Recordings, Inc.

Chronique

At the time, Press to Play was occasionally promoted as Macca's response to punk -- which we all better hope is not true, since that means he was responding ten years after the fact, signaling just how out of touch he was. But McCartney wasn't that disconnected from reality (he did talk about punk in interviews from the late '70s), so a more accurate view of Press to Play is to see it as McCartney trying to reconnect with his classic strengths, from orchestral pop and whimsy to driving rockers and sweet love songs. All this is apparent on the record, often in pretty charming fashion. "Stranglehold" has an offhand charm, "Good Times Coming/Feel the Sun" feels like a forgotten Red Rose Speedway medley, "Move Over Busker" has a brisk gait (better than its cousin, "Angry," anyway), and "Press" is a terrific mid-'80s drum machine-driven slice of synth-pop, utterly featherweight in the best possible way. Each of these captures a different side of McCartney, and that's the overriding impression of Press to Play -- McCartney is dabbling in each of his strengths, just to see what works. It doesn't wind up as one of his stronger albums, but it's more interesting than some of his more consistent ones, and those aforementioned cuts demonstrate that he could still cut effective pop records when he put his mind to it.
© Stephen Thomas Erlewine /TiVo

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