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Johannes Brahms|Johannes Brahms : Complete Music for Cello and Piano (Transcriptions : Hungarian Dances - Lieder - Violin Sonata No.1)

Johannes Brahms : Complete Music for Cello and Piano (Transcriptions : Hungarian Dances - Lieder - Violin Sonata No.1)

Jonathan Aasgaard - Martin Roscoe

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Langue disponible : anglais

This release by Norwegian cellist Jonathan Aasgaard (the principal cellist of the Royal Liverpool Philharmonic Orchestra) and British pianist Martin Roscoe purports to be a complete recording of Brahms' music for cello and piano. In fact it's padded with quite a few other things that have little or nothing to do with Brahms other than the fact that he composed the original music: the transcriptions of Brahms songs and Hungarian dances and of the slow movement of the Piano Concerto No. 2 in B flat major, Op. 83, were the common currency of home music-making until recordings came along, and that of the Scherzo of the F-A-E Sonata, composed collaboratively by Robert Schumann, Albert Dietrich, and the young Brahms, is one of several versions of this violin-and-piano work made for cello. That leaves the two cello sonatas and the transcription of the Violin Sonata No. 1 in G major, Op. 78, by Brahms himself as actual Brahms works; those together are slightly longer than what will fit on a single CD, which seems to have been the motivation for the rest of the program. The violin sonata is the highlight of the whole thing; the transcription fits Aasgaard's clear, elegant tone in the cello's middle register. There is nothing much to object to in the two Brahms cello sonatas, but there are clearly new and old versions available that cut a sharper profile: those Antonio Meneses and Maria-João Pires (in the former category) and Mstislav Rostropovich and Rudolf Serkin (in the latter) come to mind. The recording is not a unified project, either artistically or sonically; the performances come from three different recording sessions, albeit all at the same venue, the church-to-concert hall conversion called the Friary in Liverpool. For chamber music it's a bit cavernous.
© TiVo

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Johannes Brahms : Complete Music for Cello and Piano (Transcriptions : Hungarian Dances - Lieder - Violin Sonata No.1)

Johannes Brahms

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Cello Sonata No. 1 in E minor, Op. 38 (Johannes Brahms)

1
Allegro non troppo
Martin Roscoe
00:14:43

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

2
Allegretto quasi menuetto
Martin Roscoe
00:05:35

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

3
Allegro
Martin Roscoe
00:06:57

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

Cello Sonata No. 2 in F major, Op. 99 (Johannes Brahms)

4
Allegro vivace
Martin Roscoe
00:09:01

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

5
Adagio affettuoso
Martin Roscoe
00:07:45

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

6
Allegro passionato
Martin Roscoe
00:07:05

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

7
Allegro molto
Martin Roscoe
00:04:38

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

F-A-E Scherzo (Johannes Brahms)

8
F-A-E Scherzo (arr. Watson Forbes)
Martin Roscoe
00:05:44

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

DISQUE 2

Violin Sonata No. 1 in G major, Op. 78 (Johannes Brahms)

1
Vivace ma non troppo
Martin Roscoe
00:12:08

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

2
Adagio – Più andante – Adagio
Martin Roscoe
00:08:54

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

3
Allegro molto moderato
Martin Roscoe
00:09:03

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

Hungarian Dances, WoO 1 (Johannes Brahms)

4
No. 1 in G Minor (arr. Alfred Piatti)
Martin Roscoe
00:03:42

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

5
No .2 in D Minor (arr. Alfred Piatti)
Martin Roscoe
00:03:37

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

6
No. 5 in F-Sharp Minor (arr. Alfred Piatti)
Martin Roscoe
00:02:52

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

7
No. 6 in D-Flat Major (arr. Alfred Piatti)
Martin Roscoe
00:03:33

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

8
No. 7 in A Major (arr. Alfred Piatti)
Martin Roscoe
00:02:25

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

Feldeinsamkeit, Op. 86 No. 2 (Johannes Brahms)

9
Feldeinsamkeit, Op. 86, No. 2
Martin Roscoe
00:03:18

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

Wie Melodien zieht es mir, Op.105, No.1 (Johannes Brahms)

10
Wie Melodien zieht es mir, Op. 105, No. 1
Martin Roscoe
00:01:58

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

Sapphische Ode, Op. 94, No. 4 (Johannes Brahms)

11
Sapphische Ode, Op. 94, No. 4
Martin Roscoe
00:02:22

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

Wiegenlied, Op. 49, No. 4 (Johannes Brahms)

12
Wiegenlied, Op. 49, No. 4
Martin Roscoe
00:01:39

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

Liebestreu, Op. 3, No. 1 (Johannes Brahms)

13
Liebestreu, Op. 3, No. 1
Martin Roscoe
00:02:20

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

Minnelied, Op. 71, No. 5 (Johannes Brahms)

14
Minnelied, Op. 71, No. 5
Martin Roscoe
00:02:22

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

Piano Concerto No. 2 in B Major, Op. 83 (Johannes Brahms)

15
Andante (arr. Cord Garben)
Martin Roscoe
00:08:03

Johannes Brahms, Composer - Martin Roscoe, MainArtist - Jonathan Aasgaard, MainArtist

(C) 2014 Jonathan Aasgaard (P) 2014 Jonathan Aasgaard

Chronique

This release by Norwegian cellist Jonathan Aasgaard (the principal cellist of the Royal Liverpool Philharmonic Orchestra) and British pianist Martin Roscoe purports to be a complete recording of Brahms' music for cello and piano. In fact it's padded with quite a few other things that have little or nothing to do with Brahms other than the fact that he composed the original music: the transcriptions of Brahms songs and Hungarian dances and of the slow movement of the Piano Concerto No. 2 in B flat major, Op. 83, were the common currency of home music-making until recordings came along, and that of the Scherzo of the F-A-E Sonata, composed collaboratively by Robert Schumann, Albert Dietrich, and the young Brahms, is one of several versions of this violin-and-piano work made for cello. That leaves the two cello sonatas and the transcription of the Violin Sonata No. 1 in G major, Op. 78, by Brahms himself as actual Brahms works; those together are slightly longer than what will fit on a single CD, which seems to have been the motivation for the rest of the program. The violin sonata is the highlight of the whole thing; the transcription fits Aasgaard's clear, elegant tone in the cello's middle register. There is nothing much to object to in the two Brahms cello sonatas, but there are clearly new and old versions available that cut a sharper profile: those Antonio Meneses and Maria-João Pires (in the former category) and Mstislav Rostropovich and Rudolf Serkin (in the latter) come to mind. The recording is not a unified project, either artistically or sonically; the performances come from three different recording sessions, albeit all at the same venue, the church-to-concert hall conversion called the Friary in Liverpool. For chamber music it's a bit cavernous.
© TiVo

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