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Ahmad Jamal|Happy Moods

Happy Moods

Ahmad Jamal

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Ahmad Jamal's 1960s trio, with Israel Crosby on bass and Vernell Fournier on drums, was, to some, one of the more influential small groups in jazz. To others, his work was just a mere cut above lounge playing. Recorded almost two years to the day after his most popular trio album At the Pershing, Happy Moods is a program of mostly standards, a flirtation with a classical piano piece and two Jamal originals. Playing with his patented sneaky left-hand voicings and his jingling right hand, interspersed with block chords all within a lean framework, the performances offered by this album are representative of Jamal's work of the period. He takes a piece of fluff like "Little Old Lady" and transforms it into a fugue replete with the counterpoint that personifies this classical form. An up-tempo "You'd Be So Easy to Love," highlighting Vernell Fournier's brushes, is tastefully garnished with runs and chords borrowed from fellow Pittsburgher Erroll Garner. Billy Strayhorn's "Raincheck" features heady arpeggios as well as quotes from "I'm Beginning to See the Light."

© Dave Nathan /TiVo

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Happy Moods

Ahmad Jamal

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1
Little Old Lady
00:05:15

Ahmad Jamal, MainArtist - Carmichael, Hoagy, Composer - Chappell-Co Inc, MusicPublisher - Reservoir Media Music, MusicPublisher - ADAMS, STANLEY, Composer

(C) 2013 Lumi Entertainment (P) 2013 Lumi Entertainment

2
You'd Be So Easy Tolove
00:03:19

Porter, Cole, Composer - Ahmad Jamal, MainArtist - Chappell Co (Paris), MusicPublisher

(C) 2013 Lumi Entertainment (P) 2013 Lumi Entertainment

3
Time On My Hands
00:01:35

Ahmad Jamal, MainArtist - Youmans, Vincent, Composer - Gordon, Mack, Composer - WARNER BROS INC, MusicPublisher - YOUMANS-VINCENT CO INC, MusicPublisher - EMI MILLER CATALOG INC, MusicPublisher - Harold Adamson Music, MusicPublisher - ADAMSON, HAROLD, Composer

(C) 2013 Lumi Entertainment (P) 2013 Lumi Entertainment

4
For All We Know
00:02:45

Ahmad Jamal, MainArtist - EMI FEIST CATALOG INC, MusicPublisher - REDWOOD MUSIC LTD, MusicPublisher - COOTS, J FRED, Composer - LEWIS, SAMUEL M , Composer

(C) 2013 Lumi Entertainment (P) 2013 Lumi Entertainment

5
I'll Never Stop Loving You
00:03:01

Ahmad Jamal, MainArtist - Brodszky, Nikolaus, Composer - PRIMARY WAVE SONGS, MusicPublisher - Cahn, Sammy, Composer

(C) 2013 Lumi Entertainment (P) 2013 Lumi Entertainment

6
Pavanne
00:05:44

Ahmad Jamal, MainArtist - EMI MILLS MUSIC INC OLD ACCT, MusicPublisher - GOULD, MORTON, Composer

(C) 2013 Lumi Entertainment (P) 2013 Lumi Entertainment

7
Except from the Blues
00:03:02

Ahmad Jamal, MainArtist - EMI LONGITUDE MUSIC, MusicPublisher - Jamal, Ahmad, Composer

(C) 2013 Lumi Entertainment (P) 2013 Lumi Entertainment

8
Rain Check
00:04:41

Ahmad Jamal, MainArtist - Strayhorn, Billy, Composer - BILLY STRAYHORN SONGS INC, MusicPublisher - Reservoir Media Music, MusicPublisher

(C) 2013 Lumi Entertainment (P) 2013 Lumi Entertainment

9
Speak Low
00:04:53

Ahmad Jamal, MainArtist - Nash, Ogden, Composer - Chappell-Co Inc, MusicPublisher - KURT WEILL FOUNDATION FOR MUSIC INC, MusicPublisher - WEILL (NON-PROTECTED SHARES), KURT, Composer

(C) 2013 Lumi Entertainment (P) 2013 Lumi Entertainment

10
Rhumba No.2
00:02:37

Ahmad Jamal, MainArtist - AHMAD JAMAL PUBLISHING CORP, MusicPublisher - Jamal, Ahmad, Composer

(C) 2013 Lumi Entertainment (P) 2013 Lumi Entertainment

Chronique

Ahmad Jamal's 1960s trio, with Israel Crosby on bass and Vernell Fournier on drums, was, to some, one of the more influential small groups in jazz. To others, his work was just a mere cut above lounge playing. Recorded almost two years to the day after his most popular trio album At the Pershing, Happy Moods is a program of mostly standards, a flirtation with a classical piano piece and two Jamal originals. Playing with his patented sneaky left-hand voicings and his jingling right hand, interspersed with block chords all within a lean framework, the performances offered by this album are representative of Jamal's work of the period. He takes a piece of fluff like "Little Old Lady" and transforms it into a fugue replete with the counterpoint that personifies this classical form. An up-tempo "You'd Be So Easy to Love," highlighting Vernell Fournier's brushes, is tastefully garnished with runs and chords borrowed from fellow Pittsburgher Erroll Garner. Billy Strayhorn's "Raincheck" features heady arpeggios as well as quotes from "I'm Beginning to See the Light."

© Dave Nathan /TiVo

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