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Boney James|futuresoul

futuresoul

Boney James

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Title aside, there is something very familiar about Futuresoul, Boney James' follow-up to 2013's Grammy-winning Beat. With a modern production approach, there is a deliberate look back at his great inspiration, Grover Washington, Jr., in particular, the late saxophonist's groundbreaking period between 1975 and 1983. Washington, then recording for Kudu, was deeply influenced by vintage soul music and equally taken with funk. He melded them seamlessly with warm, melodic jazz in a welcoming tone and songlike phrasing that virtually created the "smooth jazz" genre. Those tropes influenced and benefited James greatly; he's continued to evolve and transform the music since his 1992 debut album, Trust. His tone here is pure retro analog, while the rest of Futuresoul's sounds derive from the current production techniques of R&B and pop. He collaborated with several co-producers, including Jarius Mozee on the slinky club floor opener "Drumline," and with Dwele on the fingerpopping summertime groove in the title track. Stokley (Williams) makes a vocal appearance on the lovely crossover tune "Either Way." While the scratchy sample at the intro to "Vinyl" is perhaps too obvious, the melody is low, sexy, and slow, with elegantly layered and harmonically staggered saxophones. Rob Bacon's chunky guitar and Nutty P Beats' loops and spacy synths are tastefully stitched into the backdrop. The ballad "Hand in Hand," with Darrell Smith's programmed loops and low-end keyboard bass, is lithe and romantic, though the earthy, Southern gospel tinge of Tim Carmon's B-3 adds roots and depth. Closer "Far from Home" features the muted trumpet of Marquis Hill as a lyric foil for James. Carmon's acoustic piano fills, Vinnie Colaiuta's impressionistic drums, and Lenny Castro's illustrative percussion add a restrained yet cinematic feel to the track. While Futuresoul may not have the outward propulsive force of Beat, it is its flipside: a more lyrical outing that tastefully and thoughtfully melds grooves from the history of smooth and contemporary jazz to modern adult R&B.
© Thom Jurek /TiVo

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1
Drumline
00:04:17

Craig Brockman, Keyboards, AssociatedPerformer, ComposerLyricist - Lenny Castro, Percussion, AssociatedPerformer - BONEY JAMES, Producer, Keyboards, Tenor Saxophone, Drum Programming, MainArtist, AssociatedPerformer, ComposerLyricist - Jairus Mozee, Producer, Guitar, Bass Guitar, AssociatedPerformer - Jairus Mozzee, ComposerLyricist - Keenan Ephriam, Drums, Drum Programming, AssociatedPerformer, ComposerLyricist

℗ 2015 Concord Jazz, Distributed by Concord.

2
Vinyl
00:04:06

Gerald McCauley, Synthesizer, Digital Piano, AssociatedPerformer, ComposerLyricist - Lenny Castro, Percussion, AssociatedPerformer - Tom Bell, ComposerLyricist - LINDA CREED, ComposerLyricist - BONEY JAMES, Producer, Keyboards, Tenor Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Rob Bacon, Guitar, AssociatedPerformer - Malcolm Eric Murray, ComposerLyricist - Nutty P Beats, Synthesizer, Drum Programming, AssociatedPerformer - Omari Williams, Drums, AssociatedPerformer

℗ 2015 Concord Jazz, Distributed by Concord.

3
A Little Attitude
00:04:01

Lenny Castro, Percussion, AssociatedPerformer - Mark Stephens, ComposerLyricist - Alex Al, Bass Guitar, AssociatedPerformer - BONEY JAMES, Producer, Keyboards, Tenor Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Omari Williams, Drums, AssociatedPerformer

℗ 2015 Concord Jazz, Distributed by Concord.

4
Watchu Gon’ Do About It?
00:03:39

Lenny Castro, Percussion, AssociatedPerformer - Alex Al, Bass Guitar, AssociatedPerformer - BONEY JAMES, Producer, Keyboards, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Jairus Mozee, Producer, Guitar, Keyboards, Drum Programming, AssociatedPerformer, ComposerLyricist - Nikeita Crichlow, Background Vocalist, AssociatedPerformer, ComposerLyricist

℗ 2015 Concord Jazz, Distributed by Concord.

5
Either Way
00:04:08

Stokley, Vocals, FeaturedArtist, AssociatedPerformer - Lenny Castro, Percussion, AssociatedPerformer - BONEY JAMES, Producer, Keyboards, Tenor Saxophone, Drum Programming, MainArtist, AssociatedPerformer, ComposerLyricist - Stokley Williams, ComposerLyricist - Omari Williams, Tom-Toms, AssociatedPerformer

℗ 2015 Concord Jazz, Distributed by Concord.

6
Hand In Hand
00:03:52

Lenny Castro, Percussion, AssociatedPerformer - Tim Carmon, Hammond B3, AssociatedPerformer - BONEY JAMES, Producer, Tenor Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - DARRELL SMITH, Keyboards, Drum Programming, AssociatedPerformer, ComposerLyricist

℗ 2015 Concord Jazz, Distributed by Concord.

7
Fortuneteller
00:04:35

Lenny Castro, Percussion, AssociatedPerformer - Tim Carmon, Piano, AssociatedPerformer - BONEY JAMES, Producer, Keyboards, Soprano Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Omari Williams, Drums, AssociatedPerformer

℗ 2015 Concord Jazz, Distributed by Concord.

8
The Moment
00:04:24

Lenny Castro, Percussion, AssociatedPerformer - BONEY JAMES, Producer, Keyboards, Alto Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Dwayne "Smitty" Smith, Bass Guitar, AssociatedPerformer - PHIL DAVIS, Keyboards, AssociatedPerformer, ComposerLyricist - Omari Williams, Drums, AssociatedPerformer

℗ 2015 Concord Jazz, Distributed by Concord.

9
futuresoul
00:04:06

Dwele, Keyboards, Drum Programming, AssociatedPerformer - Lenny Castro, Percussion, AssociatedPerformer - Tim Carmon, Hammond B3, AssociatedPerformer - BONEY JAMES, Producer, Keyboards, Tenor Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Andwele Gardner, ComposerLyricist - Omari Williams, Drums, AssociatedPerformer

℗ 2015 Concord Jazz, Distributed by Concord.

10
Far From Home
00:04:16

Lenny Castro, Percussion, AssociatedPerformer - Vinnie Colaiuta, Drums, AssociatedPerformer - Alex Al, Bass Guitar, AssociatedPerformer - Tim Carmon, Piano, AssociatedPerformer - BONEY JAMES, Producer, Keyboards, Piano, Tenor Saxophone, MainArtist, AssociatedPerformer, ComposerLyricist - Marquis Hill, Trumpet, FeaturedArtist, AssociatedPerformer

℗ 2015 Concord Jazz, Distributed by Concord.

Chronique

Title aside, there is something very familiar about Futuresoul, Boney James' follow-up to 2013's Grammy-winning Beat. With a modern production approach, there is a deliberate look back at his great inspiration, Grover Washington, Jr., in particular, the late saxophonist's groundbreaking period between 1975 and 1983. Washington, then recording for Kudu, was deeply influenced by vintage soul music and equally taken with funk. He melded them seamlessly with warm, melodic jazz in a welcoming tone and songlike phrasing that virtually created the "smooth jazz" genre. Those tropes influenced and benefited James greatly; he's continued to evolve and transform the music since his 1992 debut album, Trust. His tone here is pure retro analog, while the rest of Futuresoul's sounds derive from the current production techniques of R&B and pop. He collaborated with several co-producers, including Jarius Mozee on the slinky club floor opener "Drumline," and with Dwele on the fingerpopping summertime groove in the title track. Stokley (Williams) makes a vocal appearance on the lovely crossover tune "Either Way." While the scratchy sample at the intro to "Vinyl" is perhaps too obvious, the melody is low, sexy, and slow, with elegantly layered and harmonically staggered saxophones. Rob Bacon's chunky guitar and Nutty P Beats' loops and spacy synths are tastefully stitched into the backdrop. The ballad "Hand in Hand," with Darrell Smith's programmed loops and low-end keyboard bass, is lithe and romantic, though the earthy, Southern gospel tinge of Tim Carmon's B-3 adds roots and depth. Closer "Far from Home" features the muted trumpet of Marquis Hill as a lyric foil for James. Carmon's acoustic piano fills, Vinnie Colaiuta's impressionistic drums, and Lenny Castro's illustrative percussion add a restrained yet cinematic feel to the track. While Futuresoul may not have the outward propulsive force of Beat, it is its flipside: a more lyrical outing that tastefully and thoughtfully melds grooves from the history of smooth and contemporary jazz to modern adult R&B.
© Thom Jurek /TiVo

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