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Chuck Berry|Fresh Berry's

Fresh Berry's

Chuck Berry

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Chuck Berry's last album for Chess, for the next four years, has him back in the U.S., and running smack into the mid-'60s blues revival, playing with the likes of Paul Butterfield and Mike Bloomfield (who were beginning a brief but productive association with Muddy Waters around this time). The material varies from first-rate songs ("It Wasn't Me," "My Mustang Ford," "Ain't That Just Like a Woman") that sound utterly contemporary, to fascinating experiments ("One for My Baby") and filler like "Everyday We Rock and Roll" and "Merrily We Rock and Roll." He still rocks out, and sounds like he's having a great time playing blues with Bloomfield and Butterfield ("Sad Day-Long Night" etc.), sounding like an old Chicago bluesman, which, ironically, was the direction he chose to go in during his subsequent four-year stint with Mercury Records. He still does some straight rock & roll -- "It's My Own Business" is a great teen rebellion number -- and occasionally indulges his taste for music from the islands ("Run Joe"), in what was essentially an era-closing album, and his last attempt at making a contemporary album with his established sound. Berry's next step was four years of neglect, followed by his rediscovery as an "oldies" act.

© Bruce Eder /TiVo

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Fresh Berry's

Chuck Berry

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1
It Wasn't Me (Single Version)
00:02:33

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 UMG Recordings, Inc.

2
Run Joe
00:02:16

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 Geffen Records

3
Everyday We Rock And Roll
00:02:10

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 Geffen Records

4
One For My Baby (And One More For The Road)
00:02:42

Johnny Mercer, Author - Chuck Berry, MainArtist - Harold Arlen, Composer - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 Geffen Records

5
Welcome Back Pretty Baby
00:02:34

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 Geffen Records

6
It's My Own Business (Album Version)
00:02:09

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 Geffen Records

7
Right Off Rampart Street
00:02:21

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1966 Geffen Records

8
Vaya Con Dios
00:02:36

Chuck Berry, MainArtist - Buddy Pepper, ComposerLyricist - Inez James, ComposerLyricist - Larry Russell, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1965 Geffen Records

9
Merrily We Rock And Roll
00:02:10

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1966 Geffen Records

10
My Mustang Ford (Album Version)
00:02:16

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1966 Geffen Records

11
Ain't That Just Like A Woman
00:02:12

Fleecy Moore, ComposerLyricist - Chuck Berry, MainArtist - Claude De Metrius, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1986 Geffen Records

12
Wee Hour Blues
00:03:13

Chuck Berry, MainArtist, ComposerLyricist - Leonard Chess, Producer - Phil Chess, Producer

℗ 1966 Geffen Records

Chronique

Chuck Berry's last album for Chess, for the next four years, has him back in the U.S., and running smack into the mid-'60s blues revival, playing with the likes of Paul Butterfield and Mike Bloomfield (who were beginning a brief but productive association with Muddy Waters around this time). The material varies from first-rate songs ("It Wasn't Me," "My Mustang Ford," "Ain't That Just Like a Woman") that sound utterly contemporary, to fascinating experiments ("One for My Baby") and filler like "Everyday We Rock and Roll" and "Merrily We Rock and Roll." He still rocks out, and sounds like he's having a great time playing blues with Bloomfield and Butterfield ("Sad Day-Long Night" etc.), sounding like an old Chicago bluesman, which, ironically, was the direction he chose to go in during his subsequent four-year stint with Mercury Records. He still does some straight rock & roll -- "It's My Own Business" is a great teen rebellion number -- and occasionally indulges his taste for music from the islands ("Run Joe"), in what was essentially an era-closing album, and his last attempt at making a contemporary album with his established sound. Berry's next step was four years of neglect, followed by his rediscovery as an "oldies" act.

© Bruce Eder /TiVo

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