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Bud Shank|Beyond The Red Door

Beyond The Red Door

Bud Shank and Bill Mays

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Langue disponible : anglais

Bud Shank and Bill Mays first joined forces back in the '70s, but the alto saxophonist's opportunities to use one of his favorite pianists diminished when Mays moved to the East Coast. This reunion is a fun-filled duo date with many playful moments, starting with the jubilant take of "The Red Door." Mays' idea to combine two haunting ballads in medley form, Russ Freeman's overlooked gem "The Wind" and "The Peacocks" (one of Jimmy Rowles' best known works and a favorite of the late Bill Evans, among many others), works beautifully, as the two deliver a heartfelt performance. The pianist also contributed his bittersweet waltz "Quietly." Their spacy introduction to the standard "The Touch of Your Lips" is hardly a typical bop arrangement, while the jaunty setting of "Everything I Love" has a choppy flavor and some of Shank's best playing of the session. Shank co-wrote two pieces with his wife Linda: the nostalgic "Carousels" (first conceived as a bossa nova years ago) and the unusual "Why Not Now?," an intriguing work that defies musical labels. Highly recommended!

© Ken Dryden /TiVo

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Beyond The Red Door

Bud Shank

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1
Red Door
00:06:34

Bud Shank, Primary

2007 Jazzed Media Jazzed Media 2007

2
The Wind / The Peacocks
00:09:12

Bud Shank, Primary

2007 Jazzed Media Jazzed Media 2007

3
Why Not Now'
00:08:31

Bud Shank, Primary

2007 Jazzed Media Jazzed Media 2007

4
Quietly
00:06:14

Bud Shank, Primary

2007 Jazzed Media Jazzed Media 2007

5
The Touch of Your Lips
00:09:20

Bud Shank, Primary

2007 Jazzed Media Jazzed Media 2007

6
I Loves You Porgy
00:08:51

Bud Shank, Primary

2007 Jazzed Media Jazzed Media 2007

7
Carousels
00:07:56

Bud Shank, Primary

2007 Jazzed Media Jazzed Media 2007

8
Everything I Love
00:07:58

Bud Shank, Primary

2007 Jazzed Media Jazzed Media 2007

9
Where or When
00:07:09

Bud Shank, Primary

2007 Jazzed Media Jazzed Media 2007

Chronique

Bud Shank and Bill Mays first joined forces back in the '70s, but the alto saxophonist's opportunities to use one of his favorite pianists diminished when Mays moved to the East Coast. This reunion is a fun-filled duo date with many playful moments, starting with the jubilant take of "The Red Door." Mays' idea to combine two haunting ballads in medley form, Russ Freeman's overlooked gem "The Wind" and "The Peacocks" (one of Jimmy Rowles' best known works and a favorite of the late Bill Evans, among many others), works beautifully, as the two deliver a heartfelt performance. The pianist also contributed his bittersweet waltz "Quietly." Their spacy introduction to the standard "The Touch of Your Lips" is hardly a typical bop arrangement, while the jaunty setting of "Everything I Love" has a choppy flavor and some of Shank's best playing of the session. Shank co-wrote two pieces with his wife Linda: the nostalgic "Carousels" (first conceived as a bossa nova years ago) and the unusual "Why Not Now?," an intriguing work that defies musical labels. Highly recommended!

© Ken Dryden /TiVo

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