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Marc Molomot|Berg: Wozzeck, Op. 7 (Live)

Berg: Wozzeck, Op. 7 (Live)

Hans Graf, Houston Symphony Orchestra, Marc Molomot, Roman Trekel

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Langue disponible : anglais

Alban Berg's expressionistic Wozzeck (1917-1922), based on the unfinished play Woyzeck by Georg Büchner, is regarded as one of the greatest 20th century operas, and its deep plunge into themes of sadism, madness, and murder made it one of the first psychopathological studies in opera. This concert performance by the Houston Symphony Orchestra under Hans Graf features baritone Roman Trekel as Wozzeck, soprano Anne Schwanewilms as Marie, tenor Marc Molomot as the Captain, bass-baritone Nathan Berg as the Doctor, and tenor Gordon Gietz as the Drum Major. The demanding music, which veers between atonality and tonality, and challenging vocal lines outline the disturbing tale of the soldier Wozzeck, who is systematically abused and driven to kill his wife, only to succumb to insanity and drown himself while trying to hide his knife. The angular music and the abrupt action contribute to the persistent feeling of instability and cruelty, and while Berg's score is far from the harshest music ever given to an opera, for its time it was shattering in its intensity, and it still has the power to disturb. This Naxos recording of the March 2013 performance at the Jesse H. Jones Hall for the Performing Arts in Houston offers transparent sound, surprising orchestral warmth of tone that helps to ameliorate the sharper edges and dissonance of the writing, and chilling clarity in the devastating close of Act III.

© TiVo

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Berg: Wozzeck, Op. 7 (Live)

Marc Molomot

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Wozzeck, Op. 7, Act I (Alban Berg)

1
Act I Scene 1, "Zimmer des Hauptmanns" (The Captain's Room): Langsam, Wozzeck, langsam! (Captain, Wozzeck)
Marc Molomot
00:08:00

Hans Graf, Conductor - Alban Berg, Composer - Roman Trekel, Artist - Marc Molomot, Artist, MainArtist - Houston Symphony, Orchestra - Bradley W. Sayles, Engineer

(C) 2017 Naxos (P) 2017 Naxos

2
Act I Scene 2, "Freies Feld, die Stadt in der Ferne" (An open field outside the town): Du, der Platz ist verflucht! (Wozzeck, Andres)
Roman Trekel
00:08:00

Hans Graf, Conductor - Alban Berg, Composer - Roman Trekel, Artist, MainArtist - Houston Symphony, Orchestra - Robert McPherson, Artist

(C) 2017 Naxos (P) 2017 Naxos

3
Act I Scene 3, "Mariens Stube" (Marie's Rooom): Tschin Bum, Tschin, Bum! Hörst Bub? (Marie, Margret, Wozzeck)
Anne Schwanewilms
00:08:45

Hans Graf, Conductor - Alban Berg, Composer - Roman Trekel, Artist - Anne Schwanewilms, Artist, MainArtist - Houston Symphony, Orchestra - Katherine Ciesinski, Artist

(C) 2017 Naxos (P) 2017 Naxos

4
Act I Scene 4, "Studierstube des Doktors" (The Doctor's study): Was erleb' ich Wozzeck? (Doctor, Wozzeck)
Nathan Berg
00:07:30

Hans Graf, Conductor - Alban Berg, Composer - Roman Trekel, Artist - Nathan Berg, Artist, MainArtist - Houston Symphony, Orchestra

(C) 2017 Naxos (P) 2017 Naxos

5
Act I Scene 5, "Strasse vor Mariens Wohnung" (Street before Marie's Door): Geh einmal vor Dich hin! (Marie, Drum-major)
Anne Schwanewilms
00:04:01

Hans Graf, Conductor - Alban Berg, Composer - Anne Schwanewilms, Artist, MainArtist - Gordon Gietz, Artist - Houston Symphony, Orchestra

(C) 2017 Naxos (P) 2017 Naxos

DISQUE 2

Wozzeck, Op. 7, Act II (Alban Berg)

1
Act II Scene 1, "Mariens Stube" (Marie's Room): Was die Steine glänzen? (Marie, Wozzeck)
Anne Schwanewilms
00:05:56

Hans Graf, Conductor - Alban Berg, Composer - Roman Trekel, Artist - Anne Schwanewilms, Artist, MainArtist - Houston Symphony, Orchestra - Bradley W. Sayles, Engineer

(C) 2017 Naxos (P) 2017 Naxos

2
Act II Scene 2, "Strasse in der Stadt" (Street in town): Wohin so eilig, gehertester, Herr Sargnagel? (Captain, Doctor, Wozzeck)
Marc Molomot
00:10:10

Hans Graf, Conductor - Alban Berg, Composer - Roman Trekel, Artist - Nathan Berg, Artist - Marc Molomot, Artist, MainArtist - Houston Symphony, Orchestra

(C) 2017 Naxos (P) 2017 Naxos

3
Act II Scene 3, "Strasse vor Mariens Wohnung" (Street before Marie's Door): Guten tag, Franz (Marie, Wozzeck)
Anne Schwanewilms
00:04:54

Hans Graf, Conductor - Alban Berg, Composer - Roman Trekel, Artist - Anne Schwanewilms, Artist, MainArtist - Houston Symphony, Orchestra

(C) 2017 Naxos (P) 2017 Naxos

4
Act II Scene 4, "Wirtshausgarten" (Tavern Garden): Ich hab' ein Hemdlein an (Apprentices 1, 2, Wozzeck, Marie, Drum-major, Soldiers, Apprentices, Andres, Madman)
Calvin Griffin
00:11:04

Hans Graf, Conductor - Alban Berg, Composer - Roman Trekel, Artist - Anne Schwanewilms, Artist - Gordon Gietz, Artist - Houston Symphony, Orchestra - Robert McPherson, Artist - Brenton Ryan, Artist - Calvin Griffin, Artist, MainArtist - Samuel Schultz, Artist - Rice University Shepherd School of Music Students and Alumni Chorus, Choir

(C) 2017 Naxos (P) 2017 Naxos

5
Act II Scene 5, "Wachstube in der Kaserne" (Guardroom in the Barracks): Oh, oh, Andres! Ich kann nicht schlafen (Wozzeck, Andres, Drum-major, A Soldier)
Roman Trekel
00:04:54

Hans Graf, Conductor - Alban Berg, Composer - Roman Trekel, Artist, MainArtist - Gordon Gietz, Artist - Houston Symphony, Orchestra - Robert McPherson, Artist - Frederick Ballentine, Artist - Rice University Shepherd School of Music Students and Alumni Chorus, Choir

(C) 2017 Naxos (P) 2017 Naxos

Wozzeck, Op. 7, Act III (Alban Berg)

6
Act III Scene 1, "Mariens Stube" (Marie's Room): Und ist kein Betrug in seinem Munde erfunden worden (Marie)
Anne Schwanewilms
00:05:24

Hans Graf, Conductor - Alban Berg, Composer - Anne Schwanewilms, Artist, MainArtist - Houston Symphony, Orchestra

(C) 2017 Naxos (P) 2017 Naxos

7
Act III Scene 2, "Waldweg am Teich" (Forest Path by a Pool): Dort links geht's in die Stadt (Wozzeck, Marie)
Roman Trekel
00:05:09

Hans Graf, Conductor - Alban Berg, Composer - Roman Trekel, Artist, MainArtist - Anne Schwanewilms, Artist - Houston Symphony, Orchestra

(C) 2017 Naxos (P) 2017 Naxos

8
Act III Scene 3, "Schenke" (A low tavern): Tanzt Alle! (Wozzeck, Margret, Apprentices)
Roman Trekel
00:03:30

Hans Graf, Conductor - Alban Berg, Composer - Roman Trekel, Artist, MainArtist - Houston Symphony, Orchestra - Katherine Ciesinski, Artist - Rice University Shepherd School of Music Students and Alumni Chorus, Choir

(C) 2017 Naxos (P) 2017 Naxos

9
Act III Scene 4, "Waldweg am Teich" (Forest Path by a Pool): Das Messer? Wo ist das Messer? (Wozzeck, Captain, Doctor)
Roman Trekel
00:04:46

Hans Graf, Conductor - Alban Berg, Composer - Roman Trekel, Artist, MainArtist - Nathan Berg, Artist - Marc Molomot, Artist - Houston Symphony, Orchestra

(C) 2017 Naxos (P) 2017 Naxos

10
Act III Scene 4: Interlude: Adagio
Houston Symphony
00:03:47

Hans Graf, Conductor - Alban Berg, Composer - Houston Symphony, Orchestra, MainArtist

(C) 2017 Naxos (P) 2017 Naxos

11
Act III Scene 5, "Strasse vor Mariens Wohnung" (Street before Marie's Door): Ringel, Ringel, Rosenkranz, Ringelreih'n! (Children, Marie's Child)
Julia Dawson
00:01:44

Hans Graf, Conductor - Alban Berg, Composer - Houston Symphony, Orchestra - Julia Dawson, Artist, MainArtist - Houston Grand Opera Children's Chorus, Choir - Deutsche Samstagsschule Houston Kinderchor, Choir

(C) 2017 Naxos (P) 2017 Naxos

Chronique

Alban Berg's expressionistic Wozzeck (1917-1922), based on the unfinished play Woyzeck by Georg Büchner, is regarded as one of the greatest 20th century operas, and its deep plunge into themes of sadism, madness, and murder made it one of the first psychopathological studies in opera. This concert performance by the Houston Symphony Orchestra under Hans Graf features baritone Roman Trekel as Wozzeck, soprano Anne Schwanewilms as Marie, tenor Marc Molomot as the Captain, bass-baritone Nathan Berg as the Doctor, and tenor Gordon Gietz as the Drum Major. The demanding music, which veers between atonality and tonality, and challenging vocal lines outline the disturbing tale of the soldier Wozzeck, who is systematically abused and driven to kill his wife, only to succumb to insanity and drown himself while trying to hide his knife. The angular music and the abrupt action contribute to the persistent feeling of instability and cruelty, and while Berg's score is far from the harshest music ever given to an opera, for its time it was shattering in its intensity, and it still has the power to disturb. This Naxos recording of the March 2013 performance at the Jesse H. Jones Hall for the Performing Arts in Houston offers transparent sound, surprising orchestral warmth of tone that helps to ameliorate the sharper edges and dissonance of the writing, and chilling clarity in the devastating close of Act III.

© TiVo

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(C) 2017 Naxos (P) 2017 Naxos

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