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 Duke Ellington and His Orchestra|Afro Bossa

Afro Bossa

Duke Ellington And His Orchestra

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Langue disponible : anglais

Duke Ellington and Billy Strayhorn combined old and new compositions to create the album Afro-Bossa, a suite consisting of a dozen pieces that was never performed in its entirety in concert, though several of the works remained in the band's repertoire. The title cut is a new work, though the "Bossa" does not refer to Brazilian music; instead, it is a mix of African and Latin influences that slowly builds with insistent percussion to a blazing finale of brass and reeds. "Purple Gazelle" (which was also recorded as "Angelica" in Ellington's small group session with John Coltrane, was described by the pianist as a "ragtime cha-cha." Cootie Williams (on muted trumpet), Ray Nance, Paul Gonsalves, and the composer are all featured soloists. Ellington returns to the jungle sound with the exotic "Moonbow," showcasing a trio of dissonant clarinets and Nance's effective plunger mute work on trumpet, along with the matchless altoist Johnny Hodges. Strayhorn's "Tigress" puts the spotlight on Gonsalves, Williams, and clarinetist Jimmy Hamilton in an infectious Latin setting. "Pyramid" dates from 1938, written by Ellington with Juan Tizol, but it is trombonist Lawrence Brown who takes over Tizol's role, along with contributions by baritonist Harry Carney and Williams. This is easily one of Duke Ellington's essential studio recordings of the 1960s, though it isn't as widely recognized as it ought to be.

© Ken Dryden /TiVo

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Afro Bossa

Duke Ellington and His Orchestra

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1
Afro-Bossa
Various Interprets
00:03:06

Joe Gastwirt, Engineer, Masterer - Duke Ellington, Piano, Writer - Lawrence Brown, Trombone - Cootie Williams, Percussion, Trumpet - Billy Strayhorn, Percussion, Piano - Russell Procope, Clarinet, Alto Saxophone - Harry Carney, Bass Clarinet, Baritone Saxophone - JOHNNY HODGES, Alto Saxophone - Paul Gonsalves, Tenor Saxophone - Buster Cooper, Trombone - Chuck Connors, Trombone - Sam Woodyard, Drums - Cat Anderson, Percussion, Trumpet - Jimmy Hamilton, Clarinet, Tenor Saxophone - Ray Nance, Cornet, Violin - Roy Burrowes, Percussion, Trumpet - Duke Ellington And His Orchestra, MainArtist - Albert Marx, Producer - Stanley Dance, Sleeve Note Writer - Ernie Shepard, Bass

© 1963 Reprise Records. ℗ 1962 Reprise Records

2
Purple Gazelle
Various Interprets
00:02:42

Duke Ellington, Writer - Duke Ellington Och., MainArtist

© 1963 Reprise Records. ℗ 1963 Reprise Records.

3
Absinthe
Various Interprets
00:03:32

Billy Strayhorn, Writer - Duke Ellington Orch., MainArtist

© 1963 Reprise Records. ℗ 1963 Reprise Records.

4
Moonbow (Album Version)
Duke Ellington
00:02:31

Duke Ellington, Composer, Piano, MainArtist - Lawrence Brown, Trombone - Cootie Williams, Percussion, Trumpet - Billy Strayhorn, Percussion, Piano - Russell Procope, Clarinet, Alto Saxophone - Harry Carney, Clarinet, Baritone Saxophone - JOHNNY HODGES, Alto Saxophone - Paul Gonsalves, Tenor Saxophone - Buster Cooper, Trombone - Chuck Connors, Trombone - Sam Woodyard, Drums - Cat Anderson, Percussion, Trumpet - Jimmy Hamilton, Clarinet, Tenor Saxophone - Ray Nance, Cornet, Violin - Roy Burrowes, Percussion, Trumpet - Ernie Shepherd, Bass - Ernie Shepard, Bass

© 1963 Reprise Records. ℗ 1963 Reprise Records

5
Sempre Amore
Various Interprets
00:03:12

Duke Ellington, Writer - Duke Ellington Orch., MainArtist

© 1963 Reprise Records. ℗ 1963 Reprise Records.

6
Silk Lace
Duke Ellington Orch.
00:02:29

Duke Ellington, Writer - Duke Ellington Orch., MainArtist

© 1963 Reprise Records. ℗ 1963 Reprise Records.

7
Tigress
Various Interprets
00:03:04

Billy Strayhorn, Writer - Duke Ellington Orch., MainArtist

© 1963 Reprise Records. ℗ 1963 Reprise Records.

8
Angu
Various Interprets
00:02:40

Duke Ellington, Writer - Duke Ellington Orch., MainArtist

© 1963 Reprise Records. ℗ 1963 Reprise Records.

9
Volupte
Various Interprets
00:02:42

Duke Ellington, Writer - Duke Ellington Orch., MainArtist

© 1963 Reprise Records. ℗ 1963 Reprise Records.

10
Bonga
Various Interprets
00:02:47

Duke Ellington, Writer - Duke Ellington Orch., MainArtist

© 1963 Reprise Records. ℗ 1963 Reprise Records.

11
Pyramid
Various Interprets
00:03:01

Duke Ellington, Writer - J. Tizol, Writer - Duke Ellington Orch., MainArtist

© 1963 Reprise Records. ℗ 1963 Reprise Records.

12
Eighth Veil
Various Interprets
00:02:48

Billy Strayhorn, Writer - Duke Ellington Orch., MainArtist

© 1963 Reprise Records. ℗ 1962 Reprise Records

Chronique

Duke Ellington and Billy Strayhorn combined old and new compositions to create the album Afro-Bossa, a suite consisting of a dozen pieces that was never performed in its entirety in concert, though several of the works remained in the band's repertoire. The title cut is a new work, though the "Bossa" does not refer to Brazilian music; instead, it is a mix of African and Latin influences that slowly builds with insistent percussion to a blazing finale of brass and reeds. "Purple Gazelle" (which was also recorded as "Angelica" in Ellington's small group session with John Coltrane, was described by the pianist as a "ragtime cha-cha." Cootie Williams (on muted trumpet), Ray Nance, Paul Gonsalves, and the composer are all featured soloists. Ellington returns to the jungle sound with the exotic "Moonbow," showcasing a trio of dissonant clarinets and Nance's effective plunger mute work on trumpet, along with the matchless altoist Johnny Hodges. Strayhorn's "Tigress" puts the spotlight on Gonsalves, Williams, and clarinetist Jimmy Hamilton in an infectious Latin setting. "Pyramid" dates from 1938, written by Ellington with Juan Tizol, but it is trombonist Lawrence Brown who takes over Tizol's role, along with contributions by baritonist Harry Carney and Williams. This is easily one of Duke Ellington's essential studio recordings of the 1960s, though it isn't as widely recognized as it ought to be.

© Ken Dryden /TiVo

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