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Bruno Mars|24K Magic

24K Magic

Bruno Mars

Disponible en
24-Bit/44.1 kHz Stereo

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Entre un redoutable Uptown Funk avec Mark Ronson, une participation au 25 d’Adele et au Bubble Butt de Major Lazer et une apparition au show de la mi-temps du Superbowl 2016, Bruno Mars ne s’est pas fait oublier depuis son deuxième album, Unorthodox Jukebox paru en 2012. Avec 24K Magic et sa pochette bling bling tendance La Croisière s’amuse, le funkster d’Honolulu, orfèvre d’une pop au groove bien calibré, signe un troisième album nerveux comme du James Brown (Perm), avec quelques inflexions façon Stevie Wonder (Versace On The Floor) et des déhanchements dignes de Michael Jackson. Mais si toutes les influences qui nourrissent ce 24K Magic se repèrent en moins de deux, le style Mars prend immédiatement le dessus. Ça claque ! Ça dynamite le dancefloor ! Et ça enflamme les corps ! Une fois de plus Mars attaque ! © CM/Qobuz

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24K Magic

Bruno Mars

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À partir de 12,49€/mois

1
24K Magic
00:03:47

James Fauntleroy, Background Vocals - Philip Lawrence, Writer, Background Vocals - Bruno Mars, Lead Vocals, Writer, Background Vocals, Talkbox, MainArtist - John Hanes, MixingEngineer - Serban Ghenea, MixingEngineer - The Stereotypes, Additional Production - Charles Moniz, RecordingEngineer - Tom Coyne, MasteringEngineer - Jacob Dennis, Assistant Recording Engineer - Dave Foreman, Guitar - Christopher Brody Brown, Writer, Background Vocals - Shampoo Press & Curl, Production, ExecutiveProducer - Byron "Mr Talkbox" Chambers, Talkbox

© 2016 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2016 Atlantic Recording Corporation

2
Chunky
00:03:07

James Fauntleroy, Writer, Background Vocals - Philip Lawrence, Writer, Background Vocals - Bruno Mars, Lead Vocals, Writer, Background Vocals, MainArtist - John Hanes, MixingEngineer - Serban Ghenea, MixingEngineer - The Stereotypes, Additional Drum Programming - Charles Moniz, RecordingEngineer - Tom Coyne, MasteringEngineer - Jacob Dennis, Assistant Recording Engineer - Christopher Brody Brown, Writer - Shampoo Press & Curl, Production, ExecutiveProducer - Lisenny, Background Vocals

© 2016 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2016 Atlantic Recording Corporation

3
Perm
00:03:30

James Fauntleroy, Writer, Background Vocals - Philip Lawrence, Writer, Background Vocals - Bruno Mars, Lead Vocals, Writer, Background Vocals, MainArtist - Homer Steinweiss, Drums, Writer - John Hanes, MixingEngineer - Serban Ghenea, MixingEngineer - Charles Moniz, RecordingEngineer - Tom Coyne, MasteringEngineer - Ken Lewis, Additional Horn, AdditionalEngineer - Jimmy King, Horn - Trevor Lawrence, Jr., Writer - Kameron Whalum, Horn - Dwayne Dugger, Horn - Christopher Brody Brown, Writer, Background Vocals - Shampoo Press & Curl, Production, ExecutiveProducer - Jack Dennis, Assistant Recording Engineer

© 2016 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2016 Atlantic Recording Corporation

4
That's What I Like
00:03:27

James Fauntleroy, Writer, Background Vocals - Jonathan Yip, Writer - Jeremy Reeves, Writer - Philip Lawrence, Writer, Background Vocals - Bruno Mars, Lead Vocals, Writer, Background Vocals, MainArtist - John Hanes, MixingEngineer - Ray Romulus, Writer - Serban Ghenea, MixingEngineer - The Stereotypes, Co- Producer - Charles Moniz, RecordingEngineer - Tom Coyne, MasteringEngineer - Christopher Brody Brown, Writer - Shampoo Press & Curl, Production, ExecutiveProducer - Ray Charles McCullough II, Writer - Jack Dennis, AssistantEngineer - Eric "E-Panda" Hernandez, Drums

© 2016 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2016 Atlantic Recording Corporation

5
Versace on the Floor
00:04:21

Greg Phillinganes, Solo Keyboards - James Fauntleroy, Writer, Background Vocals - Philip Lawrence, Writer - Bruno Mars, Lead Vocals, Writer, Background Vocals, MainArtist - John Hanes, MixingEngineer - Phillip Lawrence, Background Vocals - Serban Ghenea, MixingEngineer - Charles Moniz, RecordingEngineer - Tom Coyne, MasteringEngineer - Christopher Brody Brown, Writer - Shampoo Press & Curl, Production, ExecutiveProducer - Jack Dennis, Assistant Recording Engineer

© 2016 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2016 Atlantic Recording Corporation

6
Straight up & Down
00:03:18

Faheem Najm, Writer - James Fauntleroy, Writer, Background Vocals - Emile Haynie, Producer - Philip Lawrence, Writer, Background Vocals - Bruno Mars, Lead Vocals, Writer, Background Vocals, MainArtist - John Hanes, MixingEngineer - Serban Ghenea, MixingEngineer - Charles Moniz, RecordingEngineer - Tom Coyne, MasteringEngineer - Carl Martin, Writer - Marc Gay, Writer - Jacob Dennis, Assistant Recording Engineer - Christopher Brody Brown, Writer - Shampoo Press & Curl, Production, ExecutiveProducer

© 2016 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2016 Atlantic Recording Corporation

7
Calling All My Lovelies
00:04:10

James Fauntleroy, Writer, Background Vocals - Emile Haynie, Producer, Writer - Philip Lawrence, Writer, Background Vocals - Bruno Mars, Lead Vocals, Writer, Background Vocals, MainArtist - John Hanes, MixingEngineer - Serban Ghenea, MixingEngineer - Charles Moniz, RecordingEngineer - Tom Coyne, MasteringEngineer - Jeff Bhasker, Producer, Writer - Christopher Brody Brown, Writer - Shampoo Press & Curl, Production, ExecutiveProducer - Jack Dennis, Assistant Recording Engineer

© 2016 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2016 Atlantic Recording Corporation

8
Finesse
00:03:11

James Fauntleroy, Writer, Background Vocals - Jonathan Yip, Writer - Jeremy Reeves, Writer - Philip Lawrence, Writer, Background Vocals - Bruno Mars, Lead Vocals, Writer, Background Vocals, MainArtist - John Hanes, MixingEngineer - Ray Romulus, Writer - Serban Ghenea, MixingEngineer - The Stereotypes, Producer - Charles Moniz, RecordingEngineer - Tom Coyne, MasteringEngineer - Christopher Brody Brown, Writer - Shampoo Press & Curl, Production, ExecutiveProducer - Ray Charles McCullough II, Writer - Jack Dennis, Assistant Recording Engineer

© 2016 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2016 Atlantic Recording Corporation

9
Too Good to Say Goodbye
00:04:42

James Fauntleroy, Background Vocals - Philip Lawrence, Writer, Background Vocals - Bruno Mars, Lead Vocals, Writer, Background Vocals, MainArtist - John Hanes, MixingEngineer - Serban Ghenea, MixingEngineer - Charles Moniz, RecordingEngineer - Tom Coyne, MasteringEngineer - Jeff Bhasker, Writer - Kenneth Babyface Edmonds, Writer, Background Vocals - Christopher Brody Brown, Writer - Shampoo Press & Curl, Production, ExecutiveProducer - Jack Dennis, Assistant Recording Engineer

© 2016 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2016 Atlantic Recording Corporation

Chronique

Entre un redoutable Uptown Funk avec Mark Ronson, une participation au 25 d’Adele et au Bubble Butt de Major Lazer et une apparition au show de la mi-temps du Superbowl 2016, Bruno Mars ne s’est pas fait oublier depuis son deuxième album, Unorthodox Jukebox paru en 2012. Avec 24K Magic et sa pochette bling bling tendance La Croisière s’amuse, le funkster d’Honolulu, orfèvre d’une pop au groove bien calibré, signe un troisième album nerveux comme du James Brown (Perm), avec quelques inflexions façon Stevie Wonder (Versace On The Floor) et des déhanchements dignes de Michael Jackson. Mais si toutes les influences qui nourrissent ce 24K Magic se repèrent en moins de deux, le style Mars prend immédiatement le dessus. Ça claque ! Ça dynamite le dancefloor ! Et ça enflamme les corps ! Une fois de plus Mars attaque ! © CM/Qobuz

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