Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
In the late '60s, many jazz artists were ignoring the rock and soul hits of the day -- when called upon to interpret popular songs, they stuck to their favorite Cole Porter, George Gershwin, and Irving Berlin standards and didn't see Beatles or Marvin Gaye hits as vehicles for jazz improvisation. But there were some jazz artists who didn't feel that way; Grant Green, Herbie Mann, and Charles Earland -- just to give three examples -- saw no reason why rock and soul tunes couldn't receive instrumental jazz makeovers. And on 1969, Gazor Szabo puts a jazz spin on popular songs of the 1960s, including "Walk Away Renee" (a major hit for the Left Banke), the Beatles' "In My Life," and Joni Mitchell's "Both Sides Now." Again, there were many jazz artists who wouldn't have touched these songs in 1969 -- they would have insisted on providing yet another version of "Our Love Is Here to Stay" or "My Funny Valentine." But Szabo acknowledges that worthwhile popular music didn't die with George Gershwin. The Hungarian guitarist doesn't always stretch out as much as he could on this album; at times, he ends a solo that probably should have lasted a few more minutes. But Szabo still deserves credit for bringing a jazz perspective to songs that so many other improvisers were ignoring. Produced by Gary McFarland, this 1969 date originally came out on vinyl and was finally reissued on CD in 1998.
© Alex Henderson /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Gabor Szabo, MainArtist - Lennon-McCarney, Composer
(C) 2017 Fresh Sound Records (P) 2017 Fresh Sound Records
Gabor Szabo, MainArtist - Udell-Geld, Composer
(C) 2017 Fresh Sound Records (P) 2017 Fresh Sound Records
Mitchell, Composer - Gabor Szabo, MainArtist
(C) 2017 Fresh Sound Records (P) 2017 Fresh Sound Records
Gabor Szabo, MainArtist - Brown-Calilli-Sansone, Composer
(C) 2017 Fresh Sound Records (P) 2017 Fresh Sound Records
Gabor Szabo, MainArtist - Lennon-McCarney, Composer
(C) 2017 Fresh Sound Records (P) 2017 Fresh Sound Records
Mitchell, Composer - Gabor Szabo, MainArtist
(C) 2017 Fresh Sound Records (P) 2017 Fresh Sound Records
Gabor Szabo, MainArtist - Bubbie-Cobbs, Composer
(C) 2017 Fresh Sound Records (P) 2017 Fresh Sound Records
Gabor Szabo, MainArtist - Lennon-McCarney, Composer
(C) 2017 Fresh Sound Records (P) 2017 Fresh Sound Records
Gabor Szabo, MainArtist - ennon-McCarney, Composer
(C) 2017 Fresh Sound Records (P) 2017 Fresh Sound Records
Gabor Szabo, MainArtist - St. Marie, Composer
(C) 2017 Fresh Sound Records (P) 2017 Fresh Sound Records
Gabor Szabo, MainArtist - Szabo-Cardigan, Composer
(C) 2017 Fresh Sound Records (P) 2017 Fresh Sound Records
Chronique
In the late '60s, many jazz artists were ignoring the rock and soul hits of the day -- when called upon to interpret popular songs, they stuck to their favorite Cole Porter, George Gershwin, and Irving Berlin standards and didn't see Beatles or Marvin Gaye hits as vehicles for jazz improvisation. But there were some jazz artists who didn't feel that way; Grant Green, Herbie Mann, and Charles Earland -- just to give three examples -- saw no reason why rock and soul tunes couldn't receive instrumental jazz makeovers. And on 1969, Gazor Szabo puts a jazz spin on popular songs of the 1960s, including "Walk Away Renee" (a major hit for the Left Banke), the Beatles' "In My Life," and Joni Mitchell's "Both Sides Now." Again, there were many jazz artists who wouldn't have touched these songs in 1969 -- they would have insisted on providing yet another version of "Our Love Is Here to Stay" or "My Funny Valentine." But Szabo acknowledges that worthwhile popular music didn't die with George Gershwin. The Hungarian guitarist doesn't always stretch out as much as he could on this album; at times, he ends a solo that probably should have lasted a few more minutes. But Szabo still deserves credit for bringing a jazz perspective to songs that so many other improvisers were ignoring. Produced by Gary McFarland, this 1969 date originally came out on vinyl and was finally reissued on CD in 1998.
© Alex Henderson /TiVo
À propos
- 1 disque(s) - 11 piste(s)
- Durée totale : 00:36:05
- Artistes principaux : Gabor Szabo
- Compositeur : Various Composers
- Label : Skye Records
- Genre : Jazz
(C) 2017 Fresh Sound Records (P) 2017 Fresh Sound Records
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.