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Sonny And Cher|Look At Us  (Mono)

Look At Us (Mono)

Sonny & Cher

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For their first album-length excursion in the wake of "I Got You Babe," Sonny & Cher don't tread too far outside the influence of Phil Spector, including covers of "Unchained Melody," "Then He Kissed Me," and "Why Don't They Let Us Fall in Love," of which the latter shows off the most appealing elements of each singers' voice. "It's Gonna Rain," which Ahmet Ertegun favored over "I Got You Babe," is a sub-Rascals attempt at white electric soul, while "500 Miles" is Spectorized folk-rock that Sonny carries for one verse and a chorus longer than he should have. The three bonus cuts are as valuable as anything off the original album -- "It's the Little Things" and "Don't Talk to Strangers" (not the Beau Brummels tune) are both throwbacks to a slightly older Spector sound, without as much concession to the folk-rock influences of 1965 as the album material. "Hello" is a B-side on which they simply talk, George Burns & Gracie Allen-style, in a distant precursor to the between-song patter that helped get them a television series and a second career.

© Bruce Eder /TiVo

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Look At Us (Mono)

Sonny And Cher

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1
I Got You Babe (Single Version Mono)
00:03:11

Cher, Vocals - SONNY BONO, Producer, Vocals, Writer - Sonny And Cher, MainArtist

© 1965 Atlantic Records ℗ 1964 Atlantic Records

2
Unchained Melody (Mono)
00:03:54

Cher, Vocals - Alex North, Writer - HY ZARET, Writer - Sonny And Cher, MainArtist

© 1965 Atlantic Records ℗ 1964 Atlantic Records

3
Then He Kissed Me (Mono)
00:02:55

E. Greenwich, Writer - J. Barry, Writer - Cher, Vocals - P. Spector, Writer - Sonny And Cher, MainArtist

© 1965 Atlantic Records ℗ 1964 Atlantic Records

4
Sing C'est La Vie (Mono)
00:03:39

Cher, Vocals - SONNY BONO, Composer, Lyricist, Vocals, Writer - Brian Stone, Writer - Charles Greene, Writer - Sonny And Cher, MainArtist - York-Pala, Producer

© 1965 Atlantic Records ℗ 1964 Atlantic Records

5
It's Gonna Rain (Mono)
00:02:22

Cher, Vocals - SONNY BONO, Writer - Sonny And Cher, MainArtist

© 1965 Atlantic Records ℗ 1964 Atlantic Records

6
500 Miles (Mono)
00:03:54

Cher, Vocals - Hedy West, Writer - Sonny And Cher, MainArtist

© 1965 Atlantic Records ℗ 1964 Atlantic Records

7
Just You (Mono)
00:03:28

Cher, Vocals - SONNY BONO, Composer, Lyricist, Vocals - Sonny And Cher, MainArtist - York-Pala, Producer

© 1965 Atlantic Records ℗ 1964 Atlantic Records

8
The Letter (Mono)
00:02:09

D. Harris, Writer - Cher, Vocals - D. Terry, Writer - Sonny And Cher, MainArtist

© 1965 Atlantic Records ℗ 1964 Atlantic Records

9
Let It Be Me (Mono)
00:02:33

G. Becaud, Writer - Sonny And Cher, Vocals, MainArtist - M. Kurtz, Writer - P Leroyer, Writer

© 1965 Atlantic Records ℗ 1964 Atlantic Records

10
You Don't Love Me (Mono)
00:02:29

Sonny And Cher, Vocals, MainArtist - T Raye, Writer

© 1965 Atlantic Records ℗ 1964 Atlantic Records

11
You've Really Got a Hold on Me (Mono)
00:02:17

Cher, Vocals - W.ROBINSON, Writer - Sonny And Cher, MainArtist

© 1965 Atlantic Records ℗ 1964 Atlantic Records

12
Why Don't They Let Us Fall in Love (Mono)
00:02:33

Greenwich, Writer - Cher, Vocals - SONNY BONO, Vocals - PHIL SPECTOR, Writer - Barry, Writer - Sonny And Cher, MainArtist - York-Pala, Producer

© 1965 Atlantic Records ℗ 1964 Atlantic Records

Albumbeschreibung

For their first album-length excursion in the wake of "I Got You Babe," Sonny & Cher don't tread too far outside the influence of Phil Spector, including covers of "Unchained Melody," "Then He Kissed Me," and "Why Don't They Let Us Fall in Love," of which the latter shows off the most appealing elements of each singers' voice. "It's Gonna Rain," which Ahmet Ertegun favored over "I Got You Babe," is a sub-Rascals attempt at white electric soul, while "500 Miles" is Spectorized folk-rock that Sonny carries for one verse and a chorus longer than he should have. The three bonus cuts are as valuable as anything off the original album -- "It's the Little Things" and "Don't Talk to Strangers" (not the Beau Brummels tune) are both throwbacks to a slightly older Spector sound, without as much concession to the folk-rock influences of 1965 as the album material. "Hello" is a B-side on which they simply talk, George Burns & Gracie Allen-style, in a distant precursor to the between-song patter that helped get them a television series and a second career.

© Bruce Eder /TiVo

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