Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
It's as easy to see why radio listeners loved Toto as it is to see why critics hated them. Toto's rock-studio chops allowed them to play any current pop style at the drop of a hi-hat: one minute prog rock, the next hard rock, the next funky R&B. It all sounded great, but it also implied that music-making took craft rather than inspiration and that the musical barriers critics like to erect were arbitrary. Then, too, Toto's timing couldn't have been much worse. They rode in during the middle of punk/new wave with its D.I.Y. aesthetic, and their sheer competence was an affront. Of course, there's always been an alternate history of popular music not available to rock critics (it's written in record stores and concert halls and on the radio), and in that story, Toto was a smash. Singles like "I'll Supply the Love" and "Georgy Porgy" (featuring Cheryl Lynn) made the charts, and "Hold the Line" hit the Top Ten and went gold. The members of Toto had already influenced the course of '70s popular music by playing on half the albums that came out of L.A. All they were doing with this album was going public.
© William Ruhlmann /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Toto, Producer - Toto, Performer - Dana Latham, Recording Engineer - Gabe Veltri, Recording Engineer - Tom Knox, Engineer - Tom Knox, Mixing Engineer - Jeffrey Pocaro, Percussion - Jeffrey Pocaro, Drums - Mike Reese, Mastering Engineer - Steve Pocaro, Vocal - Steve Pocaro, Keyboards - Steve Lukather, Vocal - Steve Lukather, Guitar - David Hungate, Bass - Ron Hitchcock, Mastering Engineer - David Paich, Lyricist - David Paich, Vocal - David Paich, Keyboards - David Paich, Composer - Bobby Kimall, Vocal
(P) 1978 Columbia Records, a division of Sony Music Entertainment
Toto, Producer - Toto, Performer - Dana Latham, Recording Engineer - Gabe Veltri, Recording Engineer - Tom Knox, Engineer - Tom Knox, Mixing Engineer - Jeffrey Pocaro, Percussion - Jeffrey Pocaro, Drums - Mike Reese, Mastering Engineer - Steve Pocaro, Vocal - Steve Pocaro, Keyboards - Steve Lukather, Vocal - Steve Lukather, Guitar - David Hungate, Bass - Ron Hitchcock, Mastering Engineer - David Paich, Composer - David Paich, Lyricist - David Paich, Vocal - David Paich, Keyboards - Bobby Kimall, Vocal
(P) 1978 Columbia Records, a division of Sony Music Entertainment
Toto, Producer - Toto, Performer - Dana Latham, Recording Engineer - Gabe Veltri, Recording Engineer - Tom Knox, Engineer - Tom Knox, Mixing Engineer - Jeffrey Pocaro, Percussion - Jeffrey Pocaro, Drums - Mike Reese, Mastering Engineer - Steve Pocaro, Vocal - Steve Pocaro, Keyboards - Steve Lukather, Vocal - Steve Lukather, Guitar - David Hungate, Bass - Ron Hitchcock, Mastering Engineer - David Paich, Vocal - David Paich, Keyboards - David Paich, Lyricist - David Paich, Composer - Bobby Kimall, Vocal
(P) 1978 Columbia Records, a division of Sony Music Entertainment
Toto, Producer - Toto, Performer - Dana Latham, Recording Engineer - Gabe Veltri, Recording Engineer - Tom Knox, Engineer - Tom Knox, Mixing Engineer - Jeffrey Pocaro, Percussion - Jeffrey Pocaro, Drums - Mike Reese, Mastering Engineer - Steve Pocaro, Vocal - Steve Pocaro, Keyboards - Steve Lukather, Vocal - Steve Lukather, Guitar - David Hungate, Bass - Ron Hitchcock, Mastering Engineer - David Paich, Vocal - David Paich, Composer - David Paich, Lyricist - David Paich, Keyboards - Bobby Kimall, Vocal
(P) 1978 Columbia Records, a division of Sony Music Entertainment
Toto, Producer - Toto, Performer - Dana Latham, Recording Engineer - Gabe Veltri, Recording Engineer - Bobby Kimball, Composer - Bobby Kimball, Lyricist - Tom Knox, Engineer - Tom Knox, Mixing Engineer - Jeffrey Pocaro, Percussion - Jeffrey Pocaro, Drums - Mike Reese, Mastering Engineer - Steve Pocaro, Vocal - Steve Pocaro, Keyboards - Steve Lukather, Vocal - Steve Lukather, Guitar - David Hungate, Bass - Ron Hitchcock, Mastering Engineer - David Paich, Vocal - David Paich, Keyboards - Bobby Kimall, Vocal
(P) 1978 Columbia Records, a division of Sony Music Entertainment
Toto, Producer - Toto, Performer - Dana Latham, Recording Engineer - Gabe Veltri, Recording Engineer - Tom Knox, Engineer - Tom Knox, Mixing Engineer - Jeffrey Pocaro, Percussion - Jeffrey Pocaro, Drums - Mike Reese, Mastering Engineer - Steve Pocaro, Vocal - Steve Pocaro, Keyboards - Steve Lukather, Vocal - Steve Lukather, Guitar - David Hungate, Bass - Ron Hitchcock, Mastering Engineer - David Paich, Composer - David Paich, Lyricist - David Paich, Vocal - David Paich, Keyboards - Bobby Kimall, Vocal
(P) 1978 Columbia Records, a division of Sony Music Entertainment
Toto, Producer - Toto, Performer - Dana Latham, Recording Engineer - Gabe Veltri, Recording Engineer - Tom Knox, Engineer - Tom Knox, Mixing Engineer - Jeffrey Pocaro, Percussion - Jeffrey Pocaro, Drums - Mike Reese, Mastering Engineer - Steve Pocaro, Vocal - Steve Pocaro, Keyboards - Steve Lukather, Vocal - Steve Lukather, Guitar - David Hungate, Bass - S. Porcaro, Composer - Ron Hitchcock, Mastering Engineer - David Paich, Vocal - David Paich, Keyboards - Bobby Kimall, Vocal
(P) 1978 Columbia Records, a division of Sony Music Entertainment
Toto, Producer - Toto, Performer - Dana Latham, Recording Engineer - Gabe Veltri, Recording Engineer - Tom Knox, Engineer - Tom Knox, Mixing Engineer - Jeffrey Pocaro, Percussion - Jeffrey Pocaro, Drums - Mike Reese, Mastering Engineer - Steve Pocaro, Vocal - Steve Pocaro, Keyboards - Steve Lukather, Vocal - Steve Lukather, Guitar - David Hungate, Bass - Ron Hitchcock, Mastering Engineer - David Paich, Composer - David Paich, Lyricist - David Paich, Vocal - David Paich, Keyboards - Bobby Kimall, Vocal
(P) 1978 Columbia Records, a division of Sony Music Entertainment
Toto, Performer - Dana Latham, Recording Engineer - Gabe Veltri, Recording Engineer - Tom Knox, Engineer - Tom Knox, Mixing Engineer - Jeffrey Pocaro, Percussion - Jeffrey Pocaro, Drums - Mike Reese, Mastering Engineer - Steve Pocaro, Vocal - Steve Pocaro, Keyboards - Steve Lukather, Vocal - Steve Lukather, Guitar - David Hungate, Bass - Ron Hitchcock, Mastering Engineer - David Paich, Composer - David Paich, Lyricist - David Paich, Vocal - David Paich, Keyboards - Bobby Kimall, Vocal
(P) 1978 Columbia Records, a division of Sony Music Entertainment
Toto, Producer - Toto, Performer - Dana Latham, Recording Engineer - Gabe Veltri, Recording Engineer - Tom Knox, Engineer - Tom Knox, Mixing Engineer - Jeffrey Pocaro, Percussion - Jeffrey Pocaro, Drums - Mike Reese, Mastering Engineer - Steve Pocaro, Vocal - Steve Pocaro, Keyboards - Steve Lukather, Vocal - Steve Lukather, Guitar - David Hungate, Bass - Ron Hitchcock, Mastering Engineer - David Paich, Composer - David Paich, Lyricist - David Paich, Vocal - David Paich, Keyboards - Bobby Kimall, Vocal
(P) 1978 Columbia Records, a division of Sony Music Entertainment
Albumbeschreibung
It's as easy to see why radio listeners loved Toto as it is to see why critics hated them. Toto's rock-studio chops allowed them to play any current pop style at the drop of a hi-hat: one minute prog rock, the next hard rock, the next funky R&B. It all sounded great, but it also implied that music-making took craft rather than inspiration and that the musical barriers critics like to erect were arbitrary. Then, too, Toto's timing couldn't have been much worse. They rode in during the middle of punk/new wave with its D.I.Y. aesthetic, and their sheer competence was an affront. Of course, there's always been an alternate history of popular music not available to rock critics (it's written in record stores and concert halls and on the radio), and in that story, Toto was a smash. Singles like "I'll Supply the Love" and "Georgy Porgy" (featuring Cheryl Lynn) made the charts, and "Hold the Line" hit the Top Ten and went gold. The members of Toto had already influenced the course of '70s popular music by playing on half the albums that came out of L.A. All they were doing with this album was going public.
© William Ruhlmann /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:41:57
- Künstler: Toto
- Komponist: Various Composers
- Label: Columbia
- Genre: Pop/Rock
(P) 1978 Sony Music Entertainment Inc.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.