Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
1988's The Trinity Session was the album that established the Cowboy Junkies as a world-class band with a singular musical approach, but though there's little arguing that the musicians delivered the goods on the record, in many respects the album was a happy accident. Several of the guest musicians recruited for the project had never even met the Junkies prior to the recording session at Toronto's Trinity Church, and given the approach taken by the group and producer Peter Moore -- one take, one stereo mic, no overdubs -- good luck seemingly had as much to do with the album's slow and graceful drift and understated power as any careful design. It's difficult, maybe impossible to make lightning strike in the same place twice, and the Cowboy Junkies' decision to return to Trinity Church to record the same set of songs two decades later is a curious one, made all the more puzzling by the addition of several special guests -- in addition to the core lineup of Margo Timmins, Michael Timmins, Peter Timmins, and Alan Anton, the group's return to Trinity Church also features Ryan Adams, Vic Chesnutt, and Natalie Merchant, along with multi-instrumentalist Jeff Bird, who appeared on the original album. It's a testament to the Cowboy Junkies' lasting strength that Trinity Revisited works surprisingly well; the performances and arrangements rarely stray far from the tone or intent of the original album, but they never sound rote, and the easy but troubling narcotic flow of this music remains as hypnotic as ever. The "guest stars" for this session are firmly integrated into the performances, serving much the same function as the additional players on the 1988 recordings, and Merchant and Chesnutt display an admirable respect for the songs and their fellow musicians, though Adams' famous ego occasionally makes itself visible. And the songs hold up remarkably well, showing little wear after 20 years in the Cowboy Junkies' repertoire and revealing new angles as Adams, Chesnutt, and especially Merchant bend them to their voices, though Margo Timmins hasn't lost a bit of her gentle authority or her hold on the music. Trinity Revisited sometimes suggests that the Cowboy Junkies decided to record a Cowboy Junkies tribute album, but even though this isn't a radical departure from the 1988 original, the group still plays these songs beautifully and the skill and wonder of the performances prevent this from seeming like pointless nostalgia.
© Mark Deming /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Cowboy Junkies, MainArtist
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Cowboy Junkies, MainArtist
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Cowboy Junkies, MainArtist
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Cowboy Junkies, MainArtist
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Cowboy Junkies, MainArtist
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Cowboy Junkies, MainArtist
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Cowboy Junkies, MainArtist
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Cowboy Junkies, MainArtist
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Cowboy Junkies, MainArtist
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Cowboy Junkies, MainArtist
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Cowboy Junkies, MainArtist
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Cowboy Junkies, MainArtist
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Albumbeschreibung
1988's The Trinity Session was the album that established the Cowboy Junkies as a world-class band with a singular musical approach, but though there's little arguing that the musicians delivered the goods on the record, in many respects the album was a happy accident. Several of the guest musicians recruited for the project had never even met the Junkies prior to the recording session at Toronto's Trinity Church, and given the approach taken by the group and producer Peter Moore -- one take, one stereo mic, no overdubs -- good luck seemingly had as much to do with the album's slow and graceful drift and understated power as any careful design. It's difficult, maybe impossible to make lightning strike in the same place twice, and the Cowboy Junkies' decision to return to Trinity Church to record the same set of songs two decades later is a curious one, made all the more puzzling by the addition of several special guests -- in addition to the core lineup of Margo Timmins, Michael Timmins, Peter Timmins, and Alan Anton, the group's return to Trinity Church also features Ryan Adams, Vic Chesnutt, and Natalie Merchant, along with multi-instrumentalist Jeff Bird, who appeared on the original album. It's a testament to the Cowboy Junkies' lasting strength that Trinity Revisited works surprisingly well; the performances and arrangements rarely stray far from the tone or intent of the original album, but they never sound rote, and the easy but troubling narcotic flow of this music remains as hypnotic as ever. The "guest stars" for this session are firmly integrated into the performances, serving much the same function as the additional players on the 1988 recordings, and Merchant and Chesnutt display an admirable respect for the songs and their fellow musicians, though Adams' famous ego occasionally makes itself visible. And the songs hold up remarkably well, showing little wear after 20 years in the Cowboy Junkies' repertoire and revealing new angles as Adams, Chesnutt, and especially Merchant bend them to their voices, though Margo Timmins hasn't lost a bit of her gentle authority or her hold on the music. Trinity Revisited sometimes suggests that the Cowboy Junkies decided to record a Cowboy Junkies tribute album, but even though this isn't a radical departure from the 1988 original, the group still plays these songs beautifully and the skill and wonder of the performances prevent this from seeming like pointless nostalgia.
© Mark Deming /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:59:14
- Künstler: Cowboy Junkies
- Label: Cooking Vinyl
- Genre: Pop/Rock Rock Alternativ und Indie
(C) 2007 Cooking Vinyl Ltd under exclusive license from Latent Recordings (P) 2007 Latent Recordings under exclusive license to Cooking Vinyl Ltd
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.