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It's been interesting to watch Over the Rhine's stylistic evolution over the 20 years since Till We Have Faces, their debut album: their sound wasn't far removed from the American heartland to begin with, but these days it's getting close to Tom Waits territory, what with the barely-in-tune pianos, the mandolins, the slide guitars, the humid-summer-evening tempos, and Karin Bergquist's increasingly smeary approach to sung pitch. There's also more than a touch of Lucinda Williams in her grainy vocal tone and her slushy consonants -- which are nearly nonexistent on "Rave On" -- and when Williams herself makes a cameo appearance on "Undamned" you may not even notice her. Then there are the lyrics: Bergquist's tend to be evocatively minimalist and impressionistic ("Rave On,") while those written by Linford Detweiler, her husband and musical partner, tend to be discursive and rambling ("Undamned," "Infamous Love Song"), and tend to address more directly the religious themes that used to be more prominent in Over the Rhine's songs than they are now. There are times when the early-Americana theme starts feeling a bit heavy-handed, such as on the torchy "Infamous Love Song," which sounds kind of like a Kurt Weill outtake and the melody of which owes a bit too much to "Brother, Can You Spare a Dime?" But more often their approach balances old, new, and whimsical perfectly: "Only God Can Save Us Now" has a lightness at its heart that is belied by both its title and its madhouse lyrics, and Greg Leisz's perfect slide guitar embroiders several songs with various shades of gold thread. Despite the occasional moment when you might find yourself wishing Bergquist would stop pretending to have a speech impediment, this is a masterful album that is sure to please this band's ever-growing cult of followers.
© Rick Anderson /TiVo
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Over the Rhine, MainArtist - Karen Bergquist, Composer - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Over the Rhine, MainArtist - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher - Karen Bergquist, Linford Detweiler, Joe Henry, Composer
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Over the Rhine, MainArtist - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher - Karen Bergquist, B.C. Fairchild, Composer
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Over the Rhine, MainArtist - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher - Karen Bergquist, Joe Henry, Composer
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Over the Rhine, MainArtist - Linford Detweiler, Composer - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Over the Rhine, MainArtist - Linford Detweiler, Composer - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Over the Rhine, MainArtist - Karen Bergquist, Composer - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Over the Rhine, MainArtist - Linford Detweiler, Composer - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Over the Rhine, MainArtist - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher - Karen Bergquist, Linford Detweiler, Composer
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Over the Rhine, MainArtist - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher - Karen Bergquist, Linford Detweiler, Composer
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Over the Rhine, MainArtist - Kim Taylor, Composer - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Over the Rhine, MainArtist - Linford Detweiler, Composer - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Over the Rhine, MainArtist - Linford Detweiler, Composer - Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP), MusicPublisher
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
Albumbeschreibung
It's been interesting to watch Over the Rhine's stylistic evolution over the 20 years since Till We Have Faces, their debut album: their sound wasn't far removed from the American heartland to begin with, but these days it's getting close to Tom Waits territory, what with the barely-in-tune pianos, the mandolins, the slide guitars, the humid-summer-evening tempos, and Karin Bergquist's increasingly smeary approach to sung pitch. There's also more than a touch of Lucinda Williams in her grainy vocal tone and her slushy consonants -- which are nearly nonexistent on "Rave On" -- and when Williams herself makes a cameo appearance on "Undamned" you may not even notice her. Then there are the lyrics: Bergquist's tend to be evocatively minimalist and impressionistic ("Rave On,") while those written by Linford Detweiler, her husband and musical partner, tend to be discursive and rambling ("Undamned," "Infamous Love Song"), and tend to address more directly the religious themes that used to be more prominent in Over the Rhine's songs than they are now. There are times when the early-Americana theme starts feeling a bit heavy-handed, such as on the torchy "Infamous Love Song," which sounds kind of like a Kurt Weill outtake and the melody of which owes a bit too much to "Brother, Can You Spare a Dime?" But more often their approach balances old, new, and whimsical perfectly: "Only God Can Save Us Now" has a lightness at its heart that is belied by both its title and its madhouse lyrics, and Greg Leisz's perfect slide guitar embroiders several songs with various shades of gold thread. Despite the occasional moment when you might find yourself wishing Bergquist would stop pretending to have a speech impediment, this is a masterful album that is sure to please this band's ever-growing cult of followers.
© Rick Anderson /TiVo
Informationen zu dem Album
- 1 Disc(s) - 13 Track(s)
- Gesamte Laufzeit: 00:55:26
- Künstler: Over The Rhine
- Komponist: Various Composers
- Label: Great Speckled Dog Records
- Genre: Blues/Country/Folk Folk
2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP) 2010 Scampering Songs Publishing (ASCAP) Ariose Music (ASCAP)
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