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The Walker Brothers|Portrait

Portrait

The Walker Brothers

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The Walkers' second U.K. album was their most commercially successful, reaching number three, yet its quality was quite erratic. Like some other pop/rock LPs of its time, it suffered from an apparent strategy to appeal to a wider demographic than those that typically bought pop/rock records, adding a cover of Louis Armstrong's "Just for a Thrill," the moldy standard "Old Folks," and the pedestrian white-boy soul workout on Curtis Mayfield's "People Get Ready." On the other hand, this had the dramatic "In My Room," a fine antecedent of Scott Walker's moody late-'60s solo outings. The two songs Scott actually wrote or co-wrote, "Saturday's Child" (which sounds too close to "River Deep, Mountain High" for comfort) and the easygoing crooner pop of "I Can See It Now," are okay but nothing more. The LP was filled out by a decent reading of "Summertime," covers of a couple of obscure Leiber/Stoller tunes ("Take It Like a Man" is very much in the Drifters style), and the melodramatic "No Sad Songs for Me" (the best tune that doesn't show up on the After the Lights Go Out compilation). The 1998 CD reissue essentially makes this into a whole new product by doubling the length to 24 songs, adding a dozen cuts from singles and EPs of the era. Some of the bonus tracks are among the Walkers' best, such as "The Sun Ain't Gonna Shine Anymore," "After the Lights Go Out," "Archangel," "Deadlier Than the Male," and "Mrs. Murphy." Yet all of these are available on After the Lights Go Out, and the rarer cuts aren't worthy of intense scrutiny. There's some excellent stuff on this disc, but as the best songs (from both the original Portrait LP and the extra tracks) are on After the Lights Go Out, it's only recommended to serious fans.

© Richie Unterberger /TiVo

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Portrait

The Walker Brothers

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1
In My Room
00:02:31

Joaquin Prieto, ComposerLyricist - Lee Pockriss, Translator - PAUL VANCE, Translator - John Franz, Producer - Reg Guest, Orchestra Contractor, AssociatedPerformer - The Walker Brothers, MainArtist

℗ 1966 UMG Recordings, Inc.

2
Saturday's Child
00:02:04

John Franz, Producer - Reg Guest, Orchestra Contractor, AssociatedPerformer - Scott Engel, ComposerLyricist - The Walker Brothers, MainArtist

℗ 1966 UMG Recordings, Inc.

3
Just For A Thrill
00:03:33

Don Raye, ComposerLyricist - John Franz, Producer - Lilian Hardin Armstrong, ComposerLyricist - Reg Guest, Orchestra Contractor, AssociatedPerformer - The Walker Brothers, MainArtist

℗ 1966 UMG Recordings, Inc.

4
Hurting Each Other (Album Version)
00:02:43

Ivor Raymonde, Orchestra Contractor, AssociatedPerformer - Gary Geld, ComposerLyricist - Peter Udell, ComposerLyricist - John Franz, Producer - The Walker Brothers, MainArtist

℗ 1966 UMG Recordings, Inc.

5
Old Folks
00:03:09

Willard Robinson, ComposerLyricist - John Franz, Producer - Dedette Lee Hill, ComposerLyricist - Reg Guest, Orchestra Contractor, AssociatedPerformer - The Walker Brothers, MainArtist

℗ 1966 UMG Recordings, Inc.

6
Summertime
00:04:27

George Gershwin, Composer - Ira Gershwin, Author - Dorothy Heyward, ComposerLyricist - John Franz, Producer - Reg Guest, Orchestra Contractor, AssociatedPerformer - The Walker Brothers, MainArtist - Dubose Edwin Heyward, Author

℗ 1966 UMG Recordings, Inc.

7
People Get Ready
00:02:36

Curtis Mayfield, ComposerLyricist - John Franz, Producer - Reg Guest, Orchestra Contractor, AssociatedPerformer - The Walker Brothers, MainArtist

℗ 1966 UMG Recordings, Inc.

8
I Can See It Now
00:02:57

John Franz, Producer, ComposerLyricist - Scott Walker, ComposerLyricist - Reg Guest, Orchestra Contractor, AssociatedPerformer - The Walker Brothers, MainArtist

℗ 1966 UMG Recordings, Inc.

9
Where's The Girl? (Album Version)
00:03:11

Ivor Raymonde, Orchestra Contractor, AssociatedPerformer - Jerry Leiber, ComposerLyricist - Mike Stoller, ComposerLyricist - John Franz, Producer - The Walker Brothers, MainArtist

℗ 1966 UMG Recordings, Inc.

10
Living Above Your Head
00:02:41

John Franz, Producer - Kenny Vance, ComposerLyricist - Marty Sanders, ComposerLyricist - Jay Black, ComposerLyricist - Reg Guest, Orchestra Contractor, AssociatedPerformer - The Walker Brothers, MainArtist

℗ 1966 UMG Recordings, Inc.

11
Take It Like A Man
00:02:27

Ivor Raymonde, Orchestra Contractor, AssociatedPerformer - Jerry Leiber, ComposerLyricist - Mike Stoller, ComposerLyricist - John Franz, Producer - The Walker Brothers, MainArtist

℗ 1966 UMG Recordings, Inc.

12
No Sad Songs For Me
00:03:38

Tom Springfield, ComposerLyricist - John Franz, Producer - Reg Guest, Orchestra Contractor, AssociatedPerformer - The Walker Brothers, MainArtist

℗ 1966 UMG Recordings, Inc.

Albumbeschreibung

The Walkers' second U.K. album was their most commercially successful, reaching number three, yet its quality was quite erratic. Like some other pop/rock LPs of its time, it suffered from an apparent strategy to appeal to a wider demographic than those that typically bought pop/rock records, adding a cover of Louis Armstrong's "Just for a Thrill," the moldy standard "Old Folks," and the pedestrian white-boy soul workout on Curtis Mayfield's "People Get Ready." On the other hand, this had the dramatic "In My Room," a fine antecedent of Scott Walker's moody late-'60s solo outings. The two songs Scott actually wrote or co-wrote, "Saturday's Child" (which sounds too close to "River Deep, Mountain High" for comfort) and the easygoing crooner pop of "I Can See It Now," are okay but nothing more. The LP was filled out by a decent reading of "Summertime," covers of a couple of obscure Leiber/Stoller tunes ("Take It Like a Man" is very much in the Drifters style), and the melodramatic "No Sad Songs for Me" (the best tune that doesn't show up on the After the Lights Go Out compilation). The 1998 CD reissue essentially makes this into a whole new product by doubling the length to 24 songs, adding a dozen cuts from singles and EPs of the era. Some of the bonus tracks are among the Walkers' best, such as "The Sun Ain't Gonna Shine Anymore," "After the Lights Go Out," "Archangel," "Deadlier Than the Male," and "Mrs. Murphy." Yet all of these are available on After the Lights Go Out, and the rarer cuts aren't worthy of intense scrutiny. There's some excellent stuff on this disc, but as the best songs (from both the original Portrait LP and the extra tracks) are on After the Lights Go Out, it's only recommended to serious fans.

© Richie Unterberger /TiVo

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