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Ethel Merman|Merman Sings Merman

Merman Sings Merman

Ethel Merman, London Festival Orchestra, London Festival Chorus, Stanley Black

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Text in englischer Sprache verfügbar

When she wasn't appearing on Broadway, Ethel Merman made occasional forays into the recording studio; usually, all that record executives wanted her to do was record new versions of songs from her Broadway shows and films. She acquiesced to this request many times, resulting in such collections of re-recordings as Ethel Merman Sings Songs She Has Made Famous (Decca, 1949), Merman -- Her Greatest! (Reprise, 1961), and this LP, the first of three recorded in London in the early 1970s for one or the other of Decca's labels, backed by the London Festival Orchestra and Chorus, conducted by Stanley Black. In her early 60s, Merman reveals some vocal wear and tear as she digs into her catalog, going all the way back to her 1930 Broadway debut for "I Got Rhythm" from Girl Crazy. "Eadie Was a Lady" comes from the 1932 musical Take a Chance; "You're the Top," "I Get a Kick Out of You," and "Blow, Gabriel Blow" are from 1934's Anything Goes; "It's De-Lovely" from 1936's Red, Hot and Blue!; "Alexander's Ragtime Band" is the title song from a 1938 movie musical in which she starred; "There's No Business Like Show Business" and "They Say It's Wonderful" are from 1946's Annie Get Your Gun; "You're Just in Love" is from 1950's Call Me Madam; and "Everything's Coming Up Roses" is from 1959's Gypsy. Her vibrato is occasionally pronounced on these performances of songs she has sung hundreds, if not thousands, of times, but she can still hit her notes. And she even re-creates her long-held notes on "I Got Rhythm." Listeners may prefer the earlier recordings of these standards by the singer who introduced them, but Merman retains her command of the material here.

© William Ruhlmann /TiVo

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Merman Sings Merman

Ethel Merman

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1
You're The Top
00:02:13

Cole Porter, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

2
I Got Rhythm
00:02:34

George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

3
You're Just In Love
00:02:46

Irving Berlin, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Ray Few, Producer - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

4
Alexander's Ragtime Band
00:01:56

Irving Berlin, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

5
I Got Lost In His Arms
00:03:28

Irving Berlin, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Ray Few, Producer - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

6
Eadie Was A Lady
00:05:42

NACIO HERB BROWN, Composer - London Festival Orchestra, MainArtist - Buddy DeSylva, Author - Richard A. Whiting, Composer - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

7
There's No Business Like Show Business
00:02:29

Irving Berlin, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Ray Few, Producer - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

8
They Say It's Wonderful
00:03:57

Irving Berlin, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

9
It's D'Lovely
00:02:34

Cole Porter, Composer - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

10
I Get A Kick Out Of You
00:03:18

Cole Porter, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

11
Everything's Coming Up Roses
00:03:13

Stephen Sondheim, Author - Jule Styne, Composer - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - Ray Few, Producer - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

12
Blow, Gabriel Blow
00:03:09

Cole Porter, ComposerLyricist - London Festival Orchestra, MainArtist - Ethel Merman, MainArtist - Stanley Black, MainArtist - Arthur Bannister, Recording Engineer, StudioPersonnel - London Festival Chorus, MainArtist - Raymond Few, Producer, Recording Producer

℗ 1972 Decca Music Group Limited

Albumbeschreibung

When she wasn't appearing on Broadway, Ethel Merman made occasional forays into the recording studio; usually, all that record executives wanted her to do was record new versions of songs from her Broadway shows and films. She acquiesced to this request many times, resulting in such collections of re-recordings as Ethel Merman Sings Songs She Has Made Famous (Decca, 1949), Merman -- Her Greatest! (Reprise, 1961), and this LP, the first of three recorded in London in the early 1970s for one or the other of Decca's labels, backed by the London Festival Orchestra and Chorus, conducted by Stanley Black. In her early 60s, Merman reveals some vocal wear and tear as she digs into her catalog, going all the way back to her 1930 Broadway debut for "I Got Rhythm" from Girl Crazy. "Eadie Was a Lady" comes from the 1932 musical Take a Chance; "You're the Top," "I Get a Kick Out of You," and "Blow, Gabriel Blow" are from 1934's Anything Goes; "It's De-Lovely" from 1936's Red, Hot and Blue!; "Alexander's Ragtime Band" is the title song from a 1938 movie musical in which she starred; "There's No Business Like Show Business" and "They Say It's Wonderful" are from 1946's Annie Get Your Gun; "You're Just in Love" is from 1950's Call Me Madam; and "Everything's Coming Up Roses" is from 1959's Gypsy. Her vibrato is occasionally pronounced on these performances of songs she has sung hundreds, if not thousands, of times, but she can still hit her notes. And she even re-creates her long-held notes on "I Got Rhythm." Listeners may prefer the earlier recordings of these standards by the singer who introduced them, but Merman retains her command of the material here.

© William Ruhlmann /TiVo

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