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Florie Valiquette|La Captive du Sérail

La Captive du Sérail

Florie Valiquette

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In the 18th century, it was common for theatre audiences around Europe to shudder in their seats. Performances at the time would often put an exotic twist on the not-so-distant past, forcing viewers to once again confront the terror of the Battle of Vienna, which ended the Turk’s second siege of the Austrian city. The Ottoman threat had now receded: people could now enjoy a coffee and croissant in a café, and the much-loved Viennese pastries were born. Tales of harems, Christian slaves and the orient, such as One Thousand and One Nights, frightened, intrigued and amazed the population. Not to be outdone, composers made sure to put their mark on this growing craze. “Turqueries” were fashionable in both operas and instrumental music, and orientalism allowed for all kinds of fantasies. This wave of exoticism became especially popular in Paris, particularly in its Opéra-Comique, one of the oldest theatres in France.

Soprano Florie Valiquette, from Quebec, offers us a brilliant, moving and light take on this repertoire. Her grace, coupled with her skilful versatility, means she successfully tackles a diverse range of works. Created in 2019 for the Fantômes de Versailles, the Orchestre de l’Opéra Royal regularly plays in the pit of the recently restored theatre at Versailles. This building is also used for recordings performed under the label Château de Versailles Spectacles, now almost exclusively available on Qobuz, and there’s so many great projects in the pipeline!

Built around excerpts from Grétry’s La Caravane du Caire, which enjoyed great success following its premiere in 1783, the programme also includes excerpts from Gluck’s Pèlerins de la Mecque and Mozart’s L’Enlèvement au sérail, sung in French. Complemented by works by Philidor, Monsigny and Gibert, the “gallant turqueries” presented here paint a fairly accurate picture of the type of performances enjoyed by French society in the second half of the Age of Enlightenment, just a few years before the great upheaval of the French Revolution. © François Hudry/Qobuz

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La Captive du Sérail

Florie Valiquette

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La Caravane du Caire (André Ernest Modeste Grétry)

1
Acte I - Ouverture
Gaétan Jarry
00:03:38

André Grétry, Composer - Gaétan Jarry, Conductor - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

Zémire et Azor (André Ernest Modeste Grétry)

2
Acte III - Air de la Fauvette
Florie Valiquette
00:05:57

André Grétry, Composer - Gaétan Jarry, Conductor - Florie Valiquette, Soloist - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

La Caravane du Caire (André Ernest Modeste Grétry)

3
Acte I – Ariette « Ne suis-je pas aussi captive »
Florie Valiquette
00:02:50

André Grétry, Composer - Gaétan Jarry, Conductor - Florie Valiquette, Soloist - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

4
Acte II - Danse générale
Gaétan Jarry
00:02:08

André Grétry, Composer - Gaétan Jarry, Conductor - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

LʼEnlèvement au Sérail (Wolfgang Amadeus Mozart)

5
Acte I - « Loin de lʼobjet de ma tendresse »
Florie Valiquette
00:05:15

Wolfgang Amadeus Mozart, Composer - Gaétan Jarry, Conductor - Florie Valiquette, Soloist - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

6
Acte III - « Je te savais dans la peine »
Florie Valiquette
00:06:52

Wolfgang Amadeus Mozart, Composer - Nicholas Scott, Soloist - Gaétan Jarry, Conductor - Florie Valiquette, Soloist - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

Les Pèlerins de la Mecque, ou La Rencontre Imprévue (Christoph Willibald von Gluck)

7
Acte I - Ouverture
Gaétan Jarry
00:02:24

Christoph Willibald Gluck, Composer - Gaétan Jarry, Conductor - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

La Caravane du Caire (André Ernest Modeste Grétry)

8
Acte II - Danse Égyptienne
Gaétan Jarry
00:03:36

André Grétry, Composer - Gaétan Jarry, Conductor - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

Zémire et Azor (André Ernest Modeste Grétry)

9
Acte II - « Rose Chérie »
Florie Valiquette
00:01:51

André Grétry, Composer - Gaétan Jarry, Conductor - Florie Valiquette, Soloist - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

La belle esclave (François-André Danican Philidor)

10
« Oh Ciel, se pourrait-il… »
Gaétan Jarry
00:05:04

Francois-Andre Danican Philidor, Composer - Gaétan Jarry, Conductor - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

Zémire et Azor (André Ernest Modeste Grétry)

11
Passepied
Gaétan Jarry
00:01:18

André Grétry, Composer - Gaétan Jarry, Conductor - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

Les Pèlerins de la Mecque, ou La Rencontre Imprévue (Christoph Willibald von Gluck)

12
Acte II - « Jʼai perdu mon étalage »
Florie Valiquette
00:01:36

Christoph Willibald Gluck, Composer - Gaétan Jarry, Conductor - Florie Valiquette, Soloist - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

13
Acte II - « Ah, qu'il est doux de se revoir »
Gaétan Jarry
00:05:52

Christoph Willibald Gluck, Composer - Gaétan Jarry, Conductor - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

Aline, reine de Golconde (Pierre Alexandre Monsigny)

14
Andante, Gigue & Contredanse
Gaétan Jarry
00:05:06

Pierre-Alexandre Monsigny, Composer - Gaétan Jarry, Conductor - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

La Caravane du Caire (André Ernest Modeste Grétry)

15
Acte II – Air « Nous sommes nés pour lʼesclavage »
Florie Valiquette
00:04:09

André Grétry, Composer - Gaétan Jarry, Conductor - Florie Valiquette, Soloist - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

Les Pèlerins de la Mecque, ou La Rencontre Imprévue (Christoph Willibald von Gluck)

16
Acte III - « Quʼil est doux de partager ses chaînes »
Florie Valiquette
00:02:27

Christoph Willibald Gluck, Composer - Nicholas Scott, Soloist - Gaétan Jarry, Conductor - Florie Valiquette, Soloist - Orchestre de l'Opéra Royal, Orchestra

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

Soliman II ou les Trois Sultanes (Paul-César Gibert)

17
Acte II - « Oh, vous que Mars rend invincible »
Florie Valiquette
00:01:56

Gaétan Jarry, Conductor - Florie Valiquette, Soloist - Orchestre de l'Opéra Royal, Orchestra - Paul-César Gibert, Composer

2022 Château de Versailles Spectacles 2020 Château de Versailles Spectacles

Albumbeschreibung

In the 18th century, it was common for theatre audiences around Europe to shudder in their seats. Performances at the time would often put an exotic twist on the not-so-distant past, forcing viewers to once again confront the terror of the Battle of Vienna, which ended the Turk’s second siege of the Austrian city. The Ottoman threat had now receded: people could now enjoy a coffee and croissant in a café, and the much-loved Viennese pastries were born. Tales of harems, Christian slaves and the orient, such as One Thousand and One Nights, frightened, intrigued and amazed the population. Not to be outdone, composers made sure to put their mark on this growing craze. “Turqueries” were fashionable in both operas and instrumental music, and orientalism allowed for all kinds of fantasies. This wave of exoticism became especially popular in Paris, particularly in its Opéra-Comique, one of the oldest theatres in France.

Soprano Florie Valiquette, from Quebec, offers us a brilliant, moving and light take on this repertoire. Her grace, coupled with her skilful versatility, means she successfully tackles a diverse range of works. Created in 2019 for the Fantômes de Versailles, the Orchestre de l’Opéra Royal regularly plays in the pit of the recently restored theatre at Versailles. This building is also used for recordings performed under the label Château de Versailles Spectacles, now almost exclusively available on Qobuz, and there’s so many great projects in the pipeline!

Built around excerpts from Grétry’s La Caravane du Caire, which enjoyed great success following its premiere in 1783, the programme also includes excerpts from Gluck’s Pèlerins de la Mecque and Mozart’s L’Enlèvement au sérail, sung in French. Complemented by works by Philidor, Monsigny and Gibert, the “gallant turqueries” presented here paint a fairly accurate picture of the type of performances enjoyed by French society in the second half of the Age of Enlightenment, just a few years before the great upheaval of the French Revolution. © François Hudry/Qobuz

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