Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
It isn't just that the four credited lead players are together, it's also that Robert Wyatt and (if one is excited by such a thing) Mike Oldfield are helping out as well. The whole result should have been a mind-blowing example of one moment of twisted brilliance after another, captured for the ages. And is it? Well, close enough. The week's rehearsal mentioned in the liner notes seems to have gotten everyone more or less on the same wavelength for the chosen songs, but Ayers, who was the headliner, just sounded too laid-back in the end to match the chilling brilliance of his guests, even with old Soft Machine mate Wyatt along for the ride. The first half of the album is the real winner as a result, not least for the sharp song choices. Eno's two selections are inspired; "Driving Me Backwards" gets even more freaked out than the studio version, turning into a lacerating death crawl thanks to Cale's violin, while "Baby's on Fire" in contrast almost turns friendlier at the end. Both Cale and Nico make strong marks with two of their most notable and notorious cover versions. The former's "Heartbreak Hotel" keeps much of the spaced-out paranoia familiar from the studio cut, just ominous enough. Meanwhile, Nico's take on "The End" easily equals her own studio take, the song creeping with dread and fear. Ayers' selections take up the remainder of the album and they're, well, nice. But after the earlier shadows and psychosis, there's a little too much guitar mellowness and bongwater lounge grooves in contrast, aside from a wonderful, dramatic take on "Two Goes into Four." His between-song asides are fun, though, while his voice is in fine shape, even if the French part on "May I?" just makes him sound like a dirty old man instead of Serge Gainsbourg.
© Ned Raggett /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Richard Williams, Producer - Eno, ComposerLyricist - Brian Eno, MainArtist
℗ 1974 Island Records, a division of Universal Music Operations Limited
Richard Williams, Producer - Brian Eno, MainArtist, ComposerLyricist
℗ 1974 Island Records, a division of Universal Music Operations Limited
Richard Williams, Producer - Tommy Durden, ComposerLyricist - Mae Axton, ComposerLyricist - John Cale, MainArtist - Elvis Presley, ComposerLyricist
℗ 1974 Island Records, a division of Universal Music Operations Limited
Richard Williams, Producer - JOHN DENSMORE, ComposerLyricist - Jim Morrison, ComposerLyricist - Ray Manzarek, ComposerLyricist - Brian Eno, Synthesizer, AssociatedPerformer - Robert Krieger, ComposerLyricist - Nico, Organ, Vocalist, MainArtist, AssociatedPerformer - John Wood, Engineer, StudioPersonnel - Phil Ault, Asst. Recording Engineer, StudioPersonnel - Ray Doyle, Asst. Recording Engineer, StudioPersonnel
℗ 1974 Island Records, a division of Universal Music Operations Limited
Richard Williams, Producer - Kevin Ayers, MainArtist, ComposerLyricist
℗ 1974 Island Records, a division of Universal Music Operations Limited
Richard Williams, Producer - Kevin Ayers, MainArtist, ComposerLyricist
℗ 1974 Island Records, a division of Universal Music Operations Limited
Richard Williams, Producer - Kevin Ayers, MainArtist, ComposerLyricist
℗ 1974 Island Records, a division of Universal Music Operations Limited
Richard Williams, Producer - Kevin Ayers, MainArtist, ComposerLyricist
℗ 1974 Island Records, a division of Universal Music Operations Limited
Richard Williams, Producer - Kevin Ayers, MainArtist, ComposerLyricist
℗ 1974 Island Records, a division of Universal Music Operations Limited
Albumbeschreibung
It isn't just that the four credited lead players are together, it's also that Robert Wyatt and (if one is excited by such a thing) Mike Oldfield are helping out as well. The whole result should have been a mind-blowing example of one moment of twisted brilliance after another, captured for the ages. And is it? Well, close enough. The week's rehearsal mentioned in the liner notes seems to have gotten everyone more or less on the same wavelength for the chosen songs, but Ayers, who was the headliner, just sounded too laid-back in the end to match the chilling brilliance of his guests, even with old Soft Machine mate Wyatt along for the ride. The first half of the album is the real winner as a result, not least for the sharp song choices. Eno's two selections are inspired; "Driving Me Backwards" gets even more freaked out than the studio version, turning into a lacerating death crawl thanks to Cale's violin, while "Baby's on Fire" in contrast almost turns friendlier at the end. Both Cale and Nico make strong marks with two of their most notable and notorious cover versions. The former's "Heartbreak Hotel" keeps much of the spaced-out paranoia familiar from the studio cut, just ominous enough. Meanwhile, Nico's take on "The End" easily equals her own studio take, the song creeping with dread and fear. Ayers' selections take up the remainder of the album and they're, well, nice. But after the earlier shadows and psychosis, there's a little too much guitar mellowness and bongwater lounge grooves in contrast, aside from a wonderful, dramatic take on "Two Goes into Four." His between-song asides are fun, though, while his voice is in fine shape, even if the French part on "May I?" just makes him sound like a dirty old man instead of Serge Gainsbourg.
© Ned Raggett /TiVo
Informationen zu dem Album
- 1 Disc(s) - 9 Track(s)
- Gesamte Laufzeit: 00:45:49
- Künstler: Brian Eno John Cale Nico Kevin Ayers
- Komponist: Various Composers
- Label: Island Records
- Genre: Pop/Rock Rock
© 1974 Island Records, a division of Universal Music Operations Limited ℗ 1974 Island Records, a division of Universal Music Operations Limited
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.