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Etta Jones|Hollar! (Album Version)

Hollar! (Album Version)

Etta Jones

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Text in englischer Sprache verfügbar

Etta Jones had the spark that made each of her vocals special, though she was never acknowledged properly during a long career. Following her hit "Don't Go to Strangers," she continued to record first-rate songs. Many of her albums were unjustly out of print for decades, though Hollar! was finally reissued by Fantasy as part of their Original Jazz Classics series in 2001. Jones is backed by three separate groups on this release. Guitarist Wally Richardson provides the driving rhythm to back her swinging take of "And the Angels Sing," while vibraphonist Lem Winchester and pianist Richard Wyands support Jones in her emotional rendition of "I Got It Bad (And That Ain't Good)." Jones would eventually return to the brisk bop gem "Reverse the Charges" decades after this recording, but this early version is preferable, with a nice interlude by pianist Jimmy Neely. There's a bit of friendly conversation in the studio as Jones gets underway with another swinger, "Our Love Is Here to Stay," adding a boisterous tenor sax solo by Oliver Nelson. This is easily one of Etta Jones' best recordings.

© Ken Dryden /TiVo

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Hollar! (Album Version)

Etta Jones

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1
And The Angels Sing (Album Version)
00:02:34

Etta Jones, MainArtist - Ziggy Elman, Composer - John H Mercer, ComposerLyricist

(C) 2001 Fantasy, Inc. ℗ 1963 Prestige Records, Inc.

2
I Got It Bad (And That Ain't Good) (Album Version)
00:04:08

Paul Francis Webster, ComposerLyricist - Etta Jones, MainArtist

(C) 2001 Fantasy, Inc. ℗ 1963 Prestige Records, Inc.

3
Give Me The Simple Life (Album Version)
00:02:51

Rube Bloom, ComposerLyricist - Harry Ruby, ComposerLyricist - Etta Jones, MainArtist

(C) 2001 Fantasy, Inc. ℗ 1963 Prestige Records, Inc.

4
The More I See You (Album Version)
00:04:10

Harry Warren, ComposerLyricist - Mack Gordon, ComposerLyricist - Etta Jones, MainArtist

(C) 2001 Fantasy, Inc. ℗ 1963 Prestige Records, Inc.

5
Our Love Is Here To Stay (Album Version)
00:03:46

George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - Etta Jones, MainArtist

(C) 2001 Fantasy, Inc. ℗ 1963 Prestige Records, Inc.

6
Reverse The Charges (Album Version)
00:02:56

Wright, ComposerLyricist - Paul Francis Webster, ComposerLyricist - Clarence Williams, ComposerLyricist - Etta Jones, MainArtist - Fayne, ComposerLyricist

(C) 2001 Fantasy, Inc. ℗ 1963 Prestige Records, Inc.

7
They Can't Take That Away From Me (Album Version)
00:02:50

George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - Etta Jones, MainArtist

(C) 2001 Fantasy, Inc. ℗ 1963 Prestige Records, Inc.

8
Answer Me My Love (Album Version)
00:03:18

Carl Sigman, ComposerLyricist - Gerhard Winkler, ComposerLyricist - Fred Rauch, ComposerLyricist - Etta Jones, MainArtist

(C) 2001 Fantasy, Inc. ℗ 1963 Prestige Records, Inc.

9
Looking Back (Album Version)
00:03:42

Belford Hendricks, ComposerLyricist - CLYDE OTIS, ComposerLyricist - Brook Benton, ComposerLyricist - Etta Jones, MainArtist

(C) 2001 Fantasy, Inc. ℗ 1963 Prestige Records, Inc.

10
Nature Boy (Album Version)
00:02:55

EDEN AHBEZ, ComposerLyricist - Etta Jones, MainArtist

(C) 2001 Fantasy, Inc. ℗ 1963 Prestige Records, Inc.

Albumbeschreibung

Etta Jones had the spark that made each of her vocals special, though she was never acknowledged properly during a long career. Following her hit "Don't Go to Strangers," she continued to record first-rate songs. Many of her albums were unjustly out of print for decades, though Hollar! was finally reissued by Fantasy as part of their Original Jazz Classics series in 2001. Jones is backed by three separate groups on this release. Guitarist Wally Richardson provides the driving rhythm to back her swinging take of "And the Angels Sing," while vibraphonist Lem Winchester and pianist Richard Wyands support Jones in her emotional rendition of "I Got It Bad (And That Ain't Good)." Jones would eventually return to the brisk bop gem "Reverse the Charges" decades after this recording, but this early version is preferable, with a nice interlude by pianist Jimmy Neely. There's a bit of friendly conversation in the studio as Jones gets underway with another swinger, "Our Love Is Here to Stay," adding a boisterous tenor sax solo by Oliver Nelson. This is easily one of Etta Jones' best recordings.

© Ken Dryden /TiVo

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