Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
2012's Apocryphon saw the Lone Star State retro-metal spell-casters offering up another meaty, cosmos-minded set of mid-'70s Birmingham, England-blasted Sabbath worship, which would have been great had they not done nearly the same thing on their three prior outings. High Country, the band's fifth and most compelling long player to date, is another beast altogether. While it shares its predecessors' penchant for pairing thick Queens of the Stone Age-style stoner metal with vintage, tube-driven classic rock, it owes more to bands like Hawkwind, Thin Lizzy, Cream, Electric Wizard, Blue Öyster Cult, Sad Wings of Destiny-era Judas Priest, and even fellow shape-shifting Texans Midlake than it does the dark wizardry of Ozzy, Geezer, Tony, and Bill. What's so immediately striking about High Country is how much fun it is. By eschewing some of the groups' heavier doom metal tendencies for a more streamlined, almost singles-based (if it were 40-odd years ago) approach, the Sword have managed to not just update their willfully outdated sound, but reinvigorate themselves in the process. To be fair, they haven't completely abandoned their sludgy, fantasy metal past, and psych-tinged boogie/space rock is hardly a contemporary concoction, but there's a vitality to standout cuts like "Empty Temples," "Mist and Shadow," and the brooding, vibraslap-heavy title track that transcends their nostalgic trappings. As veterans of the scene, it's their right to bring the stoner/doom genre back to its roots, and while High Country doesn't always work, it's constantly working toward moving the band forward, which means that were probably only a few albums away from a hair metal makeover.
© James Christopher Monger /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Stuart Sikes, Engineer, StudioPersonnel - The Sword, MainArtist - J. Robbins, Remixer, StudioPersonnel - Adrian Quesada, Producer - John D. Cronise, ComposerLyricist - Kyle Shutt, ComposerLyricist - Bryan Richie, ComposerLyricist - Jimmy Vela, ComposerLyricist
℗ 2015 Razor & Tie Recordings, L.L.C.
Albumbeschreibung
2012's Apocryphon saw the Lone Star State retro-metal spell-casters offering up another meaty, cosmos-minded set of mid-'70s Birmingham, England-blasted Sabbath worship, which would have been great had they not done nearly the same thing on their three prior outings. High Country, the band's fifth and most compelling long player to date, is another beast altogether. While it shares its predecessors' penchant for pairing thick Queens of the Stone Age-style stoner metal with vintage, tube-driven classic rock, it owes more to bands like Hawkwind, Thin Lizzy, Cream, Electric Wizard, Blue Öyster Cult, Sad Wings of Destiny-era Judas Priest, and even fellow shape-shifting Texans Midlake than it does the dark wizardry of Ozzy, Geezer, Tony, and Bill. What's so immediately striking about High Country is how much fun it is. By eschewing some of the groups' heavier doom metal tendencies for a more streamlined, almost singles-based (if it were 40-odd years ago) approach, the Sword have managed to not just update their willfully outdated sound, but reinvigorate themselves in the process. To be fair, they haven't completely abandoned their sludgy, fantasy metal past, and psych-tinged boogie/space rock is hardly a contemporary concoction, but there's a vitality to standout cuts like "Empty Temples," "Mist and Shadow," and the brooding, vibraslap-heavy title track that transcends their nostalgic trappings. As veterans of the scene, it's their right to bring the stoner/doom genre back to its roots, and while High Country doesn't always work, it's constantly working toward moving the band forward, which means that were probably only a few albums away from a hair metal makeover.
© James Christopher Monger /TiVo
Informationen zu dem Album
- 1 Disc(s) - 15 Track(s)
- Gesamte Laufzeit: 00:50:10
- Künstler: The Sword
- Komponist: Various Composers
- Label: Razor & Tie
- Genre: Metal
© 2015 Razor & Tie Recordings. ℗ 2015 Razor & Tie Recordings.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.